(TV Series)

(1957)

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9/10
Incredible Dec 13, 1957 Production with Gloria Talbott and Tom Tryon
jayraskin3 December 2021
If you enjoyed the 1963 Twilight Zone Episode of "Jess Belle," you'll like this even more bizarre and wilder T. V. show made six years earlier. It takes place in the same Appalachian setting with the same emphasis on magic, love and witchcraft.

The amazing thing is the set which is created through props and allows the characters to move from a fantasy witchcraft world to an earthly plane effortlessly. The gyrating and writhing of the all the actors and actresses throughout the play gives the feel of a modern ballet or an orgy.

At the center of this are beautiful Gloria Talbot and handsome Tom Tryon who also starred together in "I Married A Monster from Outer Space," earlier in the same year, 1957. There's great chemistry between them as was evidenced in that cult movie.

The plot is a bit harder to follow, probably because the material we have only runs 40 minutes, while most hour long shows ran 48-53 minutes at that time, so some of it is missing. It would make more sense if all the material was here. Still, it is an audacious attempt at bringing art and imagination to afternoon television in the wonderful 1950s.
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2/10
Ample proof that not everything old is good!
planktonrules12 January 2014
I love watching teleplays from the classic era of television and try to watch as many as I can. Many of these, such as "Marty", "12 Angry Men" and "Days of Wine and Roses" are true classics. However, despite many, many wonderful productions, a few, such as "Dark of the Moon", are truly awful and prove that not everything old is worth seeing. This film, to put it bluntly, is painful.

The film stars Tom Tryon as a witch--not the sort of witch we generally think of, but a non-human creature that watch and manipulate people. Somehow he's fallen in love with a human lady (Gloria Talbot) and determined to marry her--though he really doesn't know her at all. Well, he is able to somehow transform into a human and soon sweeps her off her feet and marries her. However, the marriage turns out to be tragic...though by this point in the film, it's almost certain that you would have turned off "Dark of the Moon"! The film comes off much like a combination of "Li'l Abner", "The Beverly Hillbillies" and "The Twilight Zone"! It's full of lots of Hollywood folks WAY overdoing the Southern accents in such a way that it must have made the South collectively cringe when it debuted. Additionally, everyone acts so broadly and obnoxiously--like they are amateurs in some local community theater production! Overall, a truly painful and annoying teleplay from start to finish with NOTHING to recommend it....nothing! By the way, a year after Tryon and Talbot starred in this crappy film they appeared as the leads in a sci-fi classic (seriously), "I Married a Monster From Outer Space".
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5/10
NBC Matinée Theater: DARK OF THE MOON {TV} (Albert McCleery, 1957) **1/2
Bunuel19762 November 2013
This one is a genuine curiosity, a hysterical "Southern Gothic" tale that really plays like a horror-oriented Tennessee Williams melodrama! It makes for offbeat viewing, to be sure, with an intriguing premise about a strapping young "witchboy" (Tom Tryon), overseeing the backwoods with a trio of likewise 'gifted' women, who falls for a local girl (Gloria Talbott) and wishing to become human; his more experienced companions, however, make a wager that he will not last a year in that guise and that she herself will be unfaithful before then! Needless to say, their prophecy comes true – the couple even have an infant (never seen) which is deemed a witch and burned by its own grandmother! Tryon pleads with the leader of the sorceresses to give him another chance…but the other two had already seen this coming and asked the eldest for Talbott's life in such an eventuality! Again, this fact comes to pass with, in the end, the protagonist reverting to form and actually having no recollection of what has occurred – even mocking the corpse of his own wife lying there! Though supposedly shot in colour, this has become so washed-out with time that it could be mistaken for monochrome! As I said, the film is not without interest – but the overall tone is so over-the-top that, along with the drawling accents of all involved, the experience emerges a tiresome and altogether unpleasant one...like an Ozark antecedent of ROSEMARY'S BABY (1968)!
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