So get ready for a five minute something tour.
You'll be given a lens eye view of the 16mm mid century modern camera as it tests , light , shadow , shape , form , contrast , sharpness , obfuscation, symmetry, disparity , Depth , motion , background and color.
And that's all folks.
Don't quote me on it but this maybe by the people that brought you color bars late at night. It really is a good example of the impact color camera technology had on the ACE and other such individuals in this era of filming. I don't mean to wax poetic so strongly on what appears to be such a short subject , or to imply that you should add weight to a film that had a firmly trenched point accumulated score in the areas of both film relevance and effort. It's just that when faced with a blast of such edited images one cannot help but reflect on an important question :
Why does this need to be a 600 Character review? Anyone?
You'll be given a lens eye view of the 16mm mid century modern camera as it tests , light , shadow , shape , form , contrast , sharpness , obfuscation, symmetry, disparity , Depth , motion , background and color.
And that's all folks.
Don't quote me on it but this maybe by the people that brought you color bars late at night. It really is a good example of the impact color camera technology had on the ACE and other such individuals in this era of filming. I don't mean to wax poetic so strongly on what appears to be such a short subject , or to imply that you should add weight to a film that had a firmly trenched point accumulated score in the areas of both film relevance and effort. It's just that when faced with a blast of such edited images one cannot help but reflect on an important question :
Why does this need to be a 600 Character review? Anyone?
