This is what I read about it on the back of the vcd:"After a remarkable career directing crime thrillers, comedies, and action films, Kuei Chih-Hung spent his remaining time at Shaw Studio unleashing some of the nastiest horror films ever set in celluloid. A startling tale of a necrophilia serial murderer courtesan corpse, "Corpse Mania" could be called "outrageous" and "amazing", but never "politically correct"! Be warned: you may regret it, but you'll never forget it." To my surprise this turned out be a rather graphic Hong Kong giallo! I honestly enjoyed this one,especially as the movie offers some neat surprises.It's also pretty stylish.Corpse Mania is just waiting to be discovered by fans of the genre.
12 Reviews
An homage to Fulci, Bava, & Argento from the Shaw Brothers.
samxxxul5 July 2020
Corpse Mania was produced by The Shaw Brothers whose horror movies were always outrageous, maggot-ridden fun. This movie owes a lot to giallo, but remains singular with its grotesque horror and romantic leanings to create a simultaneously gloomy and mesmerizing atmosphere. It is a crime horror story dealing with a serial killer in the background of a red-light district. The movie simply delivers exactly on the points to be expected, watch out for the ritualistic corpse washing scene.
One of the fine points of Corpse Mania is that it manages these shifts in tone-from a mostly comic (if repulsive) first half to a downright bleak ending. Somehow, they make it all fit together, in a stew only a Category III Hong Kong film can bring you. The first half is rather meandering, and the characterization is basically non-existent. However, this is still good for a lazy Sunday afternoon and if you get a kick out of twisted humour, this is well worth a watch.
Shaw Brothers do giallo.
BA_Harrison2 February 2010
Corpse Mania is one of those titles that makes me immediately think of those insane, bug-infested, gross-out, black magic movies that proliferated in Hong Kong during the early 80s; but although this film does have its fair share of creepy-crawlies, what the movie most closely resembles seems far less likely—a giallo!
Just like those Italian murder mysteries, Corpse Mania features stylish cinematography that makes maximum use of vivid colours and strong lighting, a mysterious killer who keep his face well hidden (in this case wearing a scarf, dark glasses and a hat to disguise himself), red herrings aplenty, several bloody death scenes, and a silly ending in which the killer's true identity is finally revealed (along with the reason why they're making such a mess in the first place). As is common with this kind of fare, not everything makes perfect sense (particularly so with my version, in which the English subtitles were partially obscured), and sometimes the going is tough during the less lurid moments, but the film's creative visuals and a general willingness to offend make it reasonably entertaining nonsense nonetheless.
During the course of his film, director Chih-Hung Kuei presents his viewers with not one, but two scenes of necrophilia (this is where we are treated to some delightful shots of completely naked dead women smothered in writhing maggots), a pretty cool decapitation, several gory knife attacks, and a body falling from a height and going splat on impact with the ground; there is also a well orchestrated moment of tension which sees a woman struggling to raise the alarm as she is gradually pulled beneath her bed, some inexplicably surreal behaviour from the necrophiliac, who rubs a corpse with a big furry glove before eventually getting jiggy with it, and this being a Shaw Brothers production, we even get a smattering of kung fu action.
6.5 out of 10, rounded up to 7 for IMDb.
Just like those Italian murder mysteries, Corpse Mania features stylish cinematography that makes maximum use of vivid colours and strong lighting, a mysterious killer who keep his face well hidden (in this case wearing a scarf, dark glasses and a hat to disguise himself), red herrings aplenty, several bloody death scenes, and a silly ending in which the killer's true identity is finally revealed (along with the reason why they're making such a mess in the first place). As is common with this kind of fare, not everything makes perfect sense (particularly so with my version, in which the English subtitles were partially obscured), and sometimes the going is tough during the less lurid moments, but the film's creative visuals and a general willingness to offend make it reasonably entertaining nonsense nonetheless.
During the course of his film, director Chih-Hung Kuei presents his viewers with not one, but two scenes of necrophilia (this is where we are treated to some delightful shots of completely naked dead women smothered in writhing maggots), a pretty cool decapitation, several gory knife attacks, and a body falling from a height and going splat on impact with the ground; there is also a well orchestrated moment of tension which sees a woman struggling to raise the alarm as she is gradually pulled beneath her bed, some inexplicably surreal behaviour from the necrophiliac, who rubs a corpse with a big furry glove before eventually getting jiggy with it, and this being a Shaw Brothers production, we even get a smattering of kung fu action.
6.5 out of 10, rounded up to 7 for IMDb.
I Love You To Death...And Beyond. 1-2-Watch.
P3n-E-W1s315 May 2022
Greetings And Salutations, and welcome to my review of Corpse Mania; here's the breakdown of my ratings:
Story: 1.50 Direction: 1.25 Pace: 1.25 Acting: 1.25 Enjoyment: 1.25
TOTAL: 6.50 out of 10
Scolecipobics and Necrophobics beware of this picture. I hope the cadavers in this movie weren't actresses lying still. If they were, then you have my heartfelt respect. To be covered in so many crawling maggots as they twitched and skimmed the hairs on your body: Urgh!
What Corpse Mania possesses in its story is an evolving and unfolding murder mystery. I would hasten to add that it's one of the best I've seen. It works brilliantly to keep your curiosity circulating through your brain as you try to deduce, before the detective, who is the demented killer. What's more, the clues are there - along with a plethora of red herrings. Sadly, the story stales around midway, and my attention drifted - Though only slightly. I was back to being fully immersed for the climactic reveal, which I'd only gotten half correct. Damn, my deductive skills are slipping.
This dark thriller does contain some wince-inducing imagery. Enter slick bluish-skinned naked women covered in maggots. Alone, that is awful enough, but they then add the necrophilia element into the mix. If these scenes don't chill the morrow in your bones, I think you should go and see somebody. However, it's Chih-Hung Kuei that makes these frightful scenes more frightening by adding soft focus, subdued lighting, and empathic colours, which gives them a sense of elegance and grandeur, especially in the corpse washing section. And that only adds to your uneasiness. Kuei lets the story unfold at a steady pace, which is ideal for this type of tale. It allows the audience plenty of time to take in the facts and the gory details.
The cast, on the whole, is excellently suited to their characters. The one exception is Master Li, though I suspect that is down more to the writing than the actor's performance. It would have been nice to have more background on Master Li and his motives for wanting to free the prostitutes. It would have given the actor more to put into his performance. At the moment, he's cold and mysterious, which isn't a terrible thing. But the poor old actor just sits around looking bored. He needed more fire in those eyes. When you see Master Li, you see a bloke who's laidback to the point of being horizontal. He doesn't appear to possess the energy or the motive to carry out these acts. I wanted more from our alleged madman fetishist.
I would happily recommend Corpse Mania to all dark thriller fans around the globe. And, I hope your little grey cells fire better than mine did on the day.
Please feel free to visit my Killer Thriller Chiller and The Game Is Afoot lists to see where I ranked Corpse Mania.
Take Care & Stay Well.
Story: 1.50 Direction: 1.25 Pace: 1.25 Acting: 1.25 Enjoyment: 1.25
TOTAL: 6.50 out of 10
Scolecipobics and Necrophobics beware of this picture. I hope the cadavers in this movie weren't actresses lying still. If they were, then you have my heartfelt respect. To be covered in so many crawling maggots as they twitched and skimmed the hairs on your body: Urgh!
What Corpse Mania possesses in its story is an evolving and unfolding murder mystery. I would hasten to add that it's one of the best I've seen. It works brilliantly to keep your curiosity circulating through your brain as you try to deduce, before the detective, who is the demented killer. What's more, the clues are there - along with a plethora of red herrings. Sadly, the story stales around midway, and my attention drifted - Though only slightly. I was back to being fully immersed for the climactic reveal, which I'd only gotten half correct. Damn, my deductive skills are slipping.
This dark thriller does contain some wince-inducing imagery. Enter slick bluish-skinned naked women covered in maggots. Alone, that is awful enough, but they then add the necrophilia element into the mix. If these scenes don't chill the morrow in your bones, I think you should go and see somebody. However, it's Chih-Hung Kuei that makes these frightful scenes more frightening by adding soft focus, subdued lighting, and empathic colours, which gives them a sense of elegance and grandeur, especially in the corpse washing section. And that only adds to your uneasiness. Kuei lets the story unfold at a steady pace, which is ideal for this type of tale. It allows the audience plenty of time to take in the facts and the gory details.
The cast, on the whole, is excellently suited to their characters. The one exception is Master Li, though I suspect that is down more to the writing than the actor's performance. It would have been nice to have more background on Master Li and his motives for wanting to free the prostitutes. It would have given the actor more to put into his performance. At the moment, he's cold and mysterious, which isn't a terrible thing. But the poor old actor just sits around looking bored. He needed more fire in those eyes. When you see Master Li, you see a bloke who's laidback to the point of being horizontal. He doesn't appear to possess the energy or the motive to carry out these acts. I wanted more from our alleged madman fetishist.
I would happily recommend Corpse Mania to all dark thriller fans around the globe. And, I hope your little grey cells fire better than mine did on the day.
Please feel free to visit my Killer Thriller Chiller and The Game Is Afoot lists to see where I ranked Corpse Mania.
Take Care & Stay Well.
Queasy Shaw horror
Leofwine_draca19 August 2022
CORPSE MANIA (1981, original title Shi yao) is a rare Asian attempt at a giallo, although it starts off as something entirely else. It was made by Shaw Brothers, the Hong Kong studio best known for their kung fu epics, although they knocked out a fair few atmospheric and very grisly horrors in the early 1980s and this is certainly one of them. It starts off with a true crime feel, as a husband's love for his wife carries on after her death...Grisly stuff for sure, a mix of queasy necrophile love scenes and copious maggotry, so only strong stomachs need apply here.
Thankfully things soon take a different turn, with a killer wielding a massive knife and wearing a blue gown, black hat, sunglasses and white scarf works his way through folk associated with a busy brothel. BLOOD & BLACK LACE seems a key inspiration here, but the film has an atmosphere all of its own, and the murders are grisly enough to satisfy ardent horror lovers. Not one of Shaw's best horrors, but watchable all the same if you like seeing the inspirations.
Thankfully things soon take a different turn, with a killer wielding a massive knife and wearing a blue gown, black hat, sunglasses and white scarf works his way through folk associated with a busy brothel. BLOOD & BLACK LACE seems a key inspiration here, but the film has an atmosphere all of its own, and the murders are grisly enough to satisfy ardent horror lovers. Not one of Shaw's best horrors, but watchable all the same if you like seeing the inspirations.
A carrion of worms and larvae.
HumanoidOfFlesh21 October 2009
"Corpse Mania" is not as demented as it's reputed to be.I found Kuei Chih-Hung's earlier horror flick "The Killer Snakes" more disturbing and revolting.However there are some gruesome shots of decomposing female corpses eaten by maggots.There are also several intense murder scenes and some atmospheric bits that suggest Mario Bava's influential "Blood and Black Lace".A calm,inconspicuous young man has quite a special taste in women:he likes them dead.The factor of disgust bounces up to new heigths when the director shows us naked corpses of women,covered from head to toe with countless crawling maggots and he has the camera exploring every single body part.There is a necrophiliac killer on the loose wearing a black coat,a black hat,a white scarf and big sunglasses.The killings are gory enough:a stabbing in a car,vicious throat slashing,smashed head and a decapitation.The climax is fairly surprising.8 out of 10.
Looks good, too hard to follow
Groverdox25 April 2021
"Corpse Mania" is a Hong Kong giallo. As such, it features a masked killer, blood like red paint, and stylish photography.
Unfortunately, and typically for HK genre flicks, this one also features a hard-to-follow plot, murky characterisation and too much dialogue. The only times it really got my attention were particularly well photographed moments using light and shadow. At times, it's like a photography book come to life.
The movie is called "Corpse Mania" presumably as a reference to its killer's necrophilia. There is only one scene of this, which is nowhere near as repulsive as it could have been, mostly because the "corpse" in the scene is clearly an actress pretending to be dead.
Also, like apparently all HK horror flicks, this one features an abundance of creepy crawlies. At least in this case they don't spew forth from people's mouths like they did in "Seeding of a Ghost" and "Centipede Demon".
Unfortunately, and typically for HK genre flicks, this one also features a hard-to-follow plot, murky characterisation and too much dialogue. The only times it really got my attention were particularly well photographed moments using light and shadow. At times, it's like a photography book come to life.
The movie is called "Corpse Mania" presumably as a reference to its killer's necrophilia. There is only one scene of this, which is nowhere near as repulsive as it could have been, mostly because the "corpse" in the scene is clearly an actress pretending to be dead.
Also, like apparently all HK horror flicks, this one features an abundance of creepy crawlies. At least in this case they don't spew forth from people's mouths like they did in "Seeding of a Ghost" and "Centipede Demon".
A Chinese Giallo!
jameselliot-14 July 2009
Warning: Spoilers
The name may suggest some grainy, low-budget 70's American slasher. Corpse Mania is an astonishing, transgressive Chinese giallo, the first I've ever seen. Without the Internet and the chain of companies that culminate in Netflix, I'd have never known about hundreds of excellent foreign films that never made it to US theaters. A few minutes into Corpse Mania and it's apparent that director Kuei Chih Hung and his writing partner On Szeto were heavily influenced by Mario Bava's Blood & Black Lace. The artistic cinematography highly evocative of Bava's genius with its deep blues and blood reds, fog-shrouded locations and creepy, decrepit large houses. The masked, behatted knife-wielding murderer brutally striking in operatic, shocking scenes that are pure Italian giallo. Kuei Chih Hung takes the basic plot (and look) of Black Lace and pushes it way--way--over the edge, changing the original's fashion house to a house of prostitution. While the police investigation in Black Lace was of minor importance to Bava, who was more interested in depicting his picturesque murders, the police investigation is the main thrust of CM, headed with grim determination and plodding authority by Yung Wong. In another alteration, the villain is not only insane, he's a necrophile, bringing sick hookers to his home. After the girls eventually die of their illnesses, he abuses them in graphic, revolting detail. (Warning: There are sickening scenes of maggots crawling all over their decomposing bodies.) The English subtitle translation of Cantonese is typically stilted but this is to be expected. Like Black Lace, there's several twist endings (that I never saw coming) and a final scene that depicts the bureaucratic approach to execution that exists to this day in China. Kuei Chih Hung created a little-known horror masterpiece that DVD has resurrected. Like Bava, his interest is style and surreality, not logic, common sense (why does a girl walk alone down dark alleys knowing a killer is after her?) plot details and reality. The fact that he got the Shaw Brothers to produce it is itself surprising.
Maggots and giallo
BandSAboutMovies10 October 2020
Warning: Spoilers
Not all slashers are domestic, as we again test the "Is it giallo or is it slasher?" game with the Shaw Brothers-produced 1981 film Corpse Mania. It's directed by Chih-Hung Kuei, who would go on to create the strange Curse of Evil and the "I don't have a word good enough to properly convent the level of strange" film The Boxer's Omen.
Inspector Chang is beginning to figure out that all of the dead bodies in his area all were visitors to the brothel of one Madam Lan and all fingers point to Mr. Li, a man who has already been jailed for defiling corpses, which really doesn't seem like the kind of crime you get out of jail for due to good behavior.
Sure, you might know who the killer is from the moment the movie starts, but give this points for his bandaged get-up, inventive stalking scenes and not shying away from the gore, including a scene where the killer gets a corpse ready for, well, love and then admires it the more it draws maggots.
From real maggots crawling all over its actresses and astounding blasts of blood to a dummy thrown off a roof that's so fake that Lucio Fulci would stand up and laugh out loud, this movie has it all. It's fog and mood suggest a Hong Kong Blood and Black Lace if Bava decided to take a break from all the sexualized violence to deliver a kung fu sequence.
Inspector Chang is beginning to figure out that all of the dead bodies in his area all were visitors to the brothel of one Madam Lan and all fingers point to Mr. Li, a man who has already been jailed for defiling corpses, which really doesn't seem like the kind of crime you get out of jail for due to good behavior.
Sure, you might know who the killer is from the moment the movie starts, but give this points for his bandaged get-up, inventive stalking scenes and not shying away from the gore, including a scene where the killer gets a corpse ready for, well, love and then admires it the more it draws maggots.
From real maggots crawling all over its actresses and astounding blasts of blood to a dummy thrown off a roof that's so fake that Lucio Fulci would stand up and laugh out loud, this movie has it all. It's fog and mood suggest a Hong Kong Blood and Black Lace if Bava decided to take a break from all the sexualized violence to deliver a kung fu sequence.
An admirable change of pace for Hong Kong horror
fertilecelluloid16 October 2008
Warning: Spoilers
Kwei Chi-Hung delivers a Hong Kong-style giallo in "Corpse Mania", possibly his most technically accomplished film. The "borrowed" soundtrack of Don Coscarelli's "Phantasm" (by Fred Myrow and Malcolm Seagrave) sets the spooky tone as the camera prowls a smoky boulevard of the Shaw lot. A man is watched as he carries a sick woman into an abandoned building. Later, a terrible crime is discovered. Necrophilia is the featured paraphilia in this atmospheric horror pic. A well-meaning fiend is rescuing sick women from the streets by giving them a bed in his home and the requisite tender loving care (with benefits). When they die, he doesn't bother reporting them to the authorities. Instead, he romances them in death. This is merely the set-up for a horror pic that pushes beyond conventional genre boundaries. Less hysterical than the director's previous work and more controlled, it is a mood piece with a substantial plot. Although it is explicit at times and bloody (like any giallo), it definitely attempts something very different for Hong Kong horror and succeeds admirably.
Not all that bad Hong Kong slasher/giallo
kannibalcorpsegrinder4 July 2019
Following the discovery of a dead body, a police inspector realizes the similarities to a case from a neighboring village and travels there to conduct his investigation where he falls into the plot of a vicious killer conducting a killing spree against a local whorehouse and must stop it.
Overall, this one has plenty to recommend about it. The movie's at its best when dealing with the abundant and grimy sleaze packed into it. The very nature of a killer running around defiling bodies and committing necrophilic acts on those bodies is quite unsettling from the very start, and doing as many detailed shots of the body's being examined while absolutely crawling with maggots and worms is absolutely revolting. That the girls are nude in this manner while covered in such a nausea-inducing state makes for a queasy experience which is suitably matched by the scenes caressing the naked bodies in the morgue in an almost orgasmic manner to really get an uneasy feeling about the material present. The extended close-ups and panning shots along the body showing the insects crawling out of the orifices or simply congealed on the various points present with the rotting, desiccated skin underneath creates even more disgust and grime within here, and helps to provide the appropriately dirty air throughout with the revolting concept being equaled by their realistic execution. Another suitably strong aspect here is the melding of the grimy atmosphere with the storyline. The inclusion of elements from the giallo and krimi genres, especially the policeman's dominance of the first half conducting an investigation into the crimes and setting the events around a whorehouse playing major roles in the film. From the first attack on the security guard on patrol to the excellent ambush inside a car outside the whorehouse and then the big dual attack at the chicken farm nearby that offers two different attacks inside, there's plenty of strong action scenes throughout here. With the finale taking place in the upper realms of the whorehouse with a fun attack and chase scene giving this one lot of great gore and fun at the ending, these manage to hold it up rather nicely. There are a few minor issues with this one. The biggest problem to be had is the rather flat and sedate pacing that runs throughout the first half, as the scenes not focusing on his investigation tend to be quite bland with the focus on the whorehouse and their inner workings, which aren't in the least bit interesting. Watching how they entertain guests, the behind-the-scenes struggles trying to keep the sickly performer healthy and the various bits of comic relief trying to get inside the building don't have much of any interest as it drops the necrophile angle in favor of these investigations singling out the individual we all know is the killer. That aspect also manages to hold the later half back since the main focus here turns away from these aspects to turn to the slasher scenes and investigations. With the revelations and double-crosses in this section emerging into far more convoluted scenarios than necessary, this half of the film is a lot more underwhelming than it really should be.
Rated Unrated/R: Graphic Violence, Graphic Language, Full Nudity and explicit themes of necrophilia.
Overall, this one has plenty to recommend about it. The movie's at its best when dealing with the abundant and grimy sleaze packed into it. The very nature of a killer running around defiling bodies and committing necrophilic acts on those bodies is quite unsettling from the very start, and doing as many detailed shots of the body's being examined while absolutely crawling with maggots and worms is absolutely revolting. That the girls are nude in this manner while covered in such a nausea-inducing state makes for a queasy experience which is suitably matched by the scenes caressing the naked bodies in the morgue in an almost orgasmic manner to really get an uneasy feeling about the material present. The extended close-ups and panning shots along the body showing the insects crawling out of the orifices or simply congealed on the various points present with the rotting, desiccated skin underneath creates even more disgust and grime within here, and helps to provide the appropriately dirty air throughout with the revolting concept being equaled by their realistic execution. Another suitably strong aspect here is the melding of the grimy atmosphere with the storyline. The inclusion of elements from the giallo and krimi genres, especially the policeman's dominance of the first half conducting an investigation into the crimes and setting the events around a whorehouse playing major roles in the film. From the first attack on the security guard on patrol to the excellent ambush inside a car outside the whorehouse and then the big dual attack at the chicken farm nearby that offers two different attacks inside, there's plenty of strong action scenes throughout here. With the finale taking place in the upper realms of the whorehouse with a fun attack and chase scene giving this one lot of great gore and fun at the ending, these manage to hold it up rather nicely. There are a few minor issues with this one. The biggest problem to be had is the rather flat and sedate pacing that runs throughout the first half, as the scenes not focusing on his investigation tend to be quite bland with the focus on the whorehouse and their inner workings, which aren't in the least bit interesting. Watching how they entertain guests, the behind-the-scenes struggles trying to keep the sickly performer healthy and the various bits of comic relief trying to get inside the building don't have much of any interest as it drops the necrophile angle in favor of these investigations singling out the individual we all know is the killer. That aspect also manages to hold the later half back since the main focus here turns away from these aspects to turn to the slasher scenes and investigations. With the revelations and double-crosses in this section emerging into far more convoluted scenarios than necessary, this half of the film is a lot more underwhelming than it really should be.
Rated Unrated/R: Graphic Violence, Graphic Language, Full Nudity and explicit themes of necrophilia.
Ridiculously Underrated
DarkSpotOn19 June 2023
You know... When i say i want a Mystery this is what i mean... Mysteries like Se7en and Manhunter are horrible, because there's nothing going on. This is a movie that actually has something always going on, and you it's fascinating and interesting. If Nekromantik and Guinea Pig & Guinea Pig 5 had a baby, this movie would be it.
I can say that the ending was unexpected! I though Master Li was the killer the whole time! The ending was completely off guard! The acting is for the most part good, some of the scenes in this movie look incredible. There were 3 or 4 scenes in this movie that just look beautiful.
The story is a serial killer that's also has paraphilic disorder, strikes again, and then the law is trying to capture him. However, the way the movie is structured, the way it just turns 360 degrees like MARTYRS, and actually keeps you going, is a miracle. I can not say that there was anything boring during this whole movie!
If you are into serial killer mysteries stuff like THE UNTOLD STORY, ROSARY MURDERS, ANGST, HENRY PORT. OF SERIAL KILLER, BEDEVILLED, EBOLA SYNDROME, LAST HOUSE ON THE LEFT and PEEPING TOM, and sure GUINEA PIG films, because there are elements in this that remind me of that franchise, this is in your BOAT.
I can say that the ending was unexpected! I though Master Li was the killer the whole time! The ending was completely off guard! The acting is for the most part good, some of the scenes in this movie look incredible. There were 3 or 4 scenes in this movie that just look beautiful.
The story is a serial killer that's also has paraphilic disorder, strikes again, and then the law is trying to capture him. However, the way the movie is structured, the way it just turns 360 degrees like MARTYRS, and actually keeps you going, is a miracle. I can not say that there was anything boring during this whole movie!
If you are into serial killer mysteries stuff like THE UNTOLD STORY, ROSARY MURDERS, ANGST, HENRY PORT. OF SERIAL KILLER, BEDEVILLED, EBOLA SYNDROME, LAST HOUSE ON THE LEFT and PEEPING TOM, and sure GUINEA PIG films, because there are elements in this that remind me of that franchise, this is in your BOAT.
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