Prequel, sequel or whatever they want to call it, the most positive comment I can give to "The Thing" is that it sparked my desire to re-watch John Carpenter's 1982 original and perhaps even the almighty 1951 pioneer classic "The Thing from another World", just so I can spot the little connections and audit if everything – in fact - interweaves nicely together. I've read quite a lot of harsh and severely impolite reviews on this film, but personally I must say I enjoyed it very much. Admittedly, however, I might be a bit prejudiced one two specific levels, namely a) I do not worship the Carpenter milestone like many fellow genre lovers do. It's a terrific and very influential classic, of course, but I don't consider it sacred and wouldn't rank it in my personal top 10 or so. And b) I'm a Belgian who spends a lot of time in The Netherlands. What does that have to do with anything, I hear you say? Well, not much indeed, except for the fact that "The Thing" was the directorial debut of Dutch filmmaker Matthijs Van Heijningen Jr., and if you'd know how many Belgian and/or Dutch directors aspire to build up careers in Hollywood, yet how very few of them ever even come close, this is praiseworthy to say the least. Van Heijningen literally came out of nowhere and all of a sudden now directs a relatively large-budgeted Sci-Fi horror flick with a massive reputation and a cast full of fairly famous faces. His father may have earned quite some money producing famous Dutch flicks, but this is nevertheless an impressive and respectable accomplishment.
"The Thing" 2011 is a fast-paced and visually astonishing, albeit unsurprising Sci-Fi/horror shocker. I state unsurprising because the film follows the exact same narrative structure and introduces very similar characters as in John Carpenter's original, which makes this nonetheless some kind of crossover between a prequel and a remake. Norwegian expedition members stumble upon a gigantic spacecraft underneath the thick ice of Antarctica and even discover a deep-frozen alien specimen within the same perimeter. Expedition leader Dr. Halvorson recruits American paleontologist Kate Lloyd to investigate the remains, but he clearly has a hidden agenda and wants to keep the discovery as confidential as possible for reasons of profitability. Whilst under observation, the alien naturally thaws and promptly goes on an unstoppable annihilation rampage thanks to his unique ability to duplicate the people it already killed. The one essential aspect this version lacks is undoubtedly the atmosphere of paranoia and hostility. Once the alien's hunting methods are known, there's general distrust and fear between the characters that isn't illustrated as tense as in Carpenter's film. There's a sequence in which Dr. Lloyd demands that everyone opens their mouth to check if they have teeth fillings, simply because the alien is unable to reproduce artificial body corrections. This particular sequence is a bit suspenseful, but simultaneously overlong and somewhat silly, because – like one of the group members righteously remarks – people suddenly can get banned from the circle "because they floss". On a more positive note "The Thing" definitely outshines the vast majority of other horror releases nowadays, thanks to the presence of authentic characters instead of irritating genre stereotypes... Of course, it would have been quite impossible to cast scantily clad babes and dim-witted jocks as arctic explorers... Also, the 1982 film may have benefited tremendously from Ennio Morricone's musical guidance, but Marco Beltrami provides a new score that is nearly as intense. But the biggest trump of "The Thing", and probably the main reason to grant it at least one viewing, is the gore. Even though all the special effects and make-up is computer engineered, Van Heijningen Jr. and his crew succeeded in making the special effects look as raw and disturbing as in the original. There are multiple gory highlights, for example the forming of the notorious two-headed creature, that will appeal to horror freaks of ALL generations; younger ones as well as skeptical John Carpenter groupies.
