Directed by
Alex Gibney |
Writing Credits (WGA)
Alex Gibney | ... | (written by) |
Cast (in credits order)
Produced by
Sidney Blumenthal | ... | executive producer |
Don Edkins | ... | executive producer: Steps International |
Hans Robert Eisenhauer | ... | commissioning editor: ZDF/Arte |
Martin Fisher | ... | co-producer (as Marty Fisher) |
Blair Foster | ... | co-producer |
Jannat Gargi | ... | Imaging Producer |
Alex Gibney | ... | producer |
Don Glascoff | ... | executive producer |
Mette Heide | ... | executive producer: Steps International |
Mette Hoffman Meyer | ... | executive producer |
Robert Johnson | ... | executive producer |
Sloane Klevin | ... | co-producer |
Eva Orner | ... | producer |
Susannah Shipman | ... | producer |
Jedd Wider | ... | executive producer |
Todd Wider | ... | executive producer |
Music by
Ivor Guest | ||
Robert Logan |
Cinematography by
Maryse Alberti | ||
Greg Andracke |
Editing by
Sloane Klevin |
Art Department
Michael Ahern | ... | carpenter: New York studio shoot, reenactment (as Mike Ahern) |
Joe Cairo | ... | art director: New York studio shoot, reenactment |
Amanda Ford | ... | production designer: New York studio shoot, reenactment |
Gina Freedman | ... | props: New York studio shoot, reenactment |
Sound Department
Felix Andrew | ... | sound mixer |
Mike Boyle | ... | additional sound (as Michael Boyle) |
Travis Call | ... | audio post supervisor |
Margaret Crimmins | ... | sound designer |
Jim Daumeyer | ... | additional sound |
Don Grissom | ... | additional sound |
Michael Isabell | ... | additional sound |
Steve Osmon | ... | sound mixer |
James Peterson | ... | additional sound (as Jimmy Peterson) |
Brenda Ray | ... | additional sound |
Len Schmitz | ... | additional sound |
Greg Smith | ... | sound designer |
Paul Thompson | ... | additional sound |
Tony Volante | ... | re-recording mixer |
Claudia Woloshin | ... | additional sound |
Visual Effects by
Craig Davis | ... | visual effects designer: Version2 |
Tim Farrell | ... | visual effects designer: Version2 |
Jannat Gargi | ... | Digital Intermediate Producer |
Lydia Holness | ... | head of production: Version2 / visual effects producer: Version2 |
Kelley McDermott | ... | visual effects producer: Version2 |
Mike McKenna | ... | visual effects designer: Version 2 |
Rebecca Mitchell | ... | assistant visual effects producer: Version2 |
Federico Saenz-Recio | ... | visual effects designer: Version2 |
Kieran Walsh | ... | inferno artist: Version2 / visual effects creative director: Version2 |
Stunts
Elliot Santiago | ... | stunt coordinator: New York studio shoot, reenactment |
Camera and Electrical Department
Felix Andrew | ... | additional cinematographer |
Benjamin Bloodwell | ... | assistant camera (as Ben Bloodwell) |
Mariusz Cichon | ... | assistant camera |
Nate Clapp | ... | assistant camera (as Nate Clap) |
Luis Colon | ... | grip |
Matt Green | ... | additional cinematographer |
Andrew B. Hansen | ... | gaffer (as Andrew Hanson) |
Roger Holliday | ... | assistant camera (as Roger Holiday) |
Peter Jouvenal | ... | additional cinematographer |
Idris Kabulzad | ... | additional cinematographer |
Brian Leach | ... | gaffer |
Chris Li | ... | additional cinematographer |
Alan McIntyre Smith | ... | gaffer (as Alan Smith) |
Étienne Sauret | ... | additional cinematographer (as Etienne Sauret) |
Brett Wiley | ... | additional cinematographer |
Claudia Woloshin | ... | assistant camera |
Animation Department
Craig Davis | ... | animator: Version2 |
Tim Farrell | ... | animator: Version2 |
Mike McKenna | ... | animator: Version2 |
Federico Saenz-Recio | ... | animator: Version2 |
Casting Department
Daphne McWilliams | ... | executive director of casting: New York studio shoot, reenactment |
Christine Nelson | ... | casting: New York studio shoot, reenactment |
Editorial Department
Marc Brown | ... | film output: digital intermediate |
Eric Bruggemann | ... | additional editor |
Tim Farrell | ... | on-line editor: Version2 |
Nick Fraser | ... | commissioning editor: BBC Storyville |
Lindy Jankura | ... | assistant editor |
Jonathan Liebert | ... | digital cinema mastering |
Scot Olive | ... | colorist: PostWorks (as Scott Olive) |
Leigh Anne Sides | ... | assistant editor |
Don Wyllie | ... | on-line editor: high definition. Frame: Runner |
Music Department
Fred Ala | ... | musician: acoustic guitar |
Cameron Craig | ... | recording and mix engineer |
Amar Dhanjan | ... | musician: singer |
Adam Green | ... | musician: steel guitar and electric guitar |
Mario Grigorov | ... | composer: additional music |
Ivor Guest | ... | musician: keyboards and arrangements |
Robert Logan | ... | musician: keyboards |
Faheem Mahzar | ... | musician: singer |
Malikdelha | ... | musical director |
John McCullough | ... | music supervisor |
Philip Sheppard | ... | musician: cello and electric cello |
Paul Wassif | ... | musician: dobro |
Additional Crew
Lisa Andracke | ... | production assistant |
Richard Dworkin | ... | transcripts: Transcripts Associates |
Jacqueline Eckhouse | ... | production counsel: Sloss Law (as Jackie Eckhouse) |
Salimah El-Amin | ... | researcher (as Salimah El Amin) |
Ben Fine | ... | end titles |
Jennifer Zolten Freed | ... | production accountant (as Jennifer Freed) |
Garren Givens | ... | intern |
Lisa Gray | ... | intern |
Rahmat Haqmal | ... | translator |
Erin Heidenreich | ... | sales agent |
Charlie Hoxie | ... | intern |
Nick Johnson | ... | intern |
David Joray | ... | production assistant |
Barbara Karen | ... | production accountant |
Marzia Milanesi | ... | publicist |
Dana O'Keefe | ... | sales agent |
Amanda Ritchie | ... | production assistant |
Peter Russotti | ... | production coordinator |
Marcia Rutledge | ... | insurance: Marsh Entertainment Insurance |
Hanif Sherzad | ... | fixer: Afghanistan |
Ben Sozanski | ... | production assistant / researcher |
Robert Stein | ... | legal counsel: Pryor Cashman Sherman & Flynn |
Rebecca Wexler | ... | intern |
Crystal Whelan | ... | production coordinator |
Jordan Young | ... | production assistant |
Thanks
Frank Gibney | ... | dedicatee (as Frank B. Gibney) |