Directed by
Perry Henzell |
Writing Credits (in alphabetical order)
Perry Henzell |
Cast (in credits order)
Produced by
David Garonzik | ... | producer |
Arthur Gorson | ... | executive producer |
Justine Henzell | ... | executive producer |
Perry Henzell | ... | producer |
Andy Herz | ... | associate producer |
Chris Romano | ... | producer |
Jeff Scheftel | ... | consulting producer |
Music by
J. Stephen Soles | ... | (as J. Steven Soles) |
Cinematography by
Chris Browne | ||
Peter Jessop | ||
Peter Sinclair |
Editing by
Alexis Chavez | ||
Michael Edwards | ||
Maureen Gosling | ||
Pier Laskey | ||
Dorothy Littlejohn | ||
John Mullen | ||
Caroline Packer | ||
Shac |
Art Direction by
Leo Bernard | ||
Sally Henzell |
Makeup Department
Yvette Hussey | ... | hair stylist |
Carol Reid | ... | hair stylist |
Second Unit Director or Assistant Director
David McNeil | ... | first assistant director |
Art Department
Ria Lewerke | ... | graphic designer |
Sound Department
Mark Anthony | ... | adr mixer |
Andre Bidwell | ... | sound mixer: first insert shoot |
Michael J. Fox | ... | adr mixer |
Bill Jenkins | ... | re-recording mixer |
Joe Kalish | ... | re-recording mixer |
Tom Marks | ... | re-recording mixer |
Bob Pavey | ... | sound |
Scott Poulin | ... | sound editor |
Daniel F. Scherl | ... | sound editor |
Edward Tise | ... | sound |
Ben Whitver | ... | sound assistant |
Visual Effects by
Steve Gibbons | ... | visual effects |
Chris Kern | ... | visual effects producer: Voodoo |
Anita Razzano | ... | digital artist |
Terry Silberman | ... | visual effects supervisor: Voodoo |
Ernie Smith | ... | digital compositor: Voodoo |
Camera and Electrical Department
Hugh Clarke | ... | grip |
Raymond Edwards | ... | assistant camera: first insert shoot |
Arthur Gorson | ... | still photographer |
Cookie Kinkead | ... | still photographer |
Jahsen Levy | ... | camera operator: second insert shoot |
Roy Marsden | ... | grip |
Bob Povey | ... | grip |
John Swaby | ... | assistant camera |
Sugar Thompson | ... | grip |
Kelly Van Horn | ... | gaffer |
Editorial Department
Siggy Ferstl | ... | digital colorist |
Luke Guidici | ... | on-line editor |
Juan Rivera | ... | telecine operator |
Darin Wooldridge | ... | telecine operator (as Darin Woodridge) |
Anthony Motta | ... | telecine assistant (uncredited) |
Music Department
Peter Becker | ... | music research |
Alexis Chavez | ... | music research |
Alexina Matisse | ... | music research |
Aminé Ramer | ... | music supervisor (as Amine Ramer) |
Andrea von Foerster | ... | music supervisor |
Additional Crew
Kinsey Beck | ... | creative consultant |
Timothy Brooks | ... | production assistant: first insert shoot |
Jason Brown | ... | production assistant |
Jacqueline Gannie | ... | production assistant |
Andrew D. Herz | ... | legal services |
Kelly Kroells | ... | HD facility |
Colin Leslie | ... | production accountant |
Jon Neuburger | ... | opticals: Precision Film Lab |
Emilie Raymond | ... | HD facility |
Clay Reed | ... | assistant to producer |
Bonnie Voland | ... | publicist |
Feonia Williams | ... | production assistant: first insert shoot |
Thanks
Stephanie Black | ... | special thanks |
Chris Blackwell | ... | very special thanks |
Nancy Burke | ... | special thanks |
Dan Davis | ... | special thanks: Mullatic Music |
Jordan Fields | ... | thanks |
Martin Flores | ... | special thanks |
Cecilia Garonzik | ... | special thanks |
Judy Geeson | ... | special thanks |
Jason Henzell | ... | special thanks / thanks |
Sally Henzell | ... | special thanks |
Greg Le Duc | ... | special thanks |
Ria Lewerke | ... | with thanks to |
Patricia McGraw | ... | very special thanks |
Pete McGraw | ... | very special thanks |
Gene Pearson | ... | special thanks |
Peter Rieveschl | ... | special thanks |
Jeff Scheftel | ... | special thanks |
Hani Selim | ... | special thanks |
Michael Seltzer | ... | special thanks |
Ed Walther | ... | special thanks |