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Erwachsen müsste man sein
S. 5.E. 30
Alle FolgenAlle
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
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IMDbPro

The Merchant Marine

  • Folge lief am 28. Apr. 1962
  • TV-G
  • 30 Min.
IMDb-BEWERTUNG
8,0/10
134
IHRE BEWERTUNG
Hugh Beaumont in Erwachsen müsste man sein (1957)
ComedyFamily

Füge eine Handlung in deiner Sprache hinzuAngry with his dad for taking his car keys away, Lumpy Rutherford decides to secretly join the Merchant Marine Corp and has the enlistment information sent to the Cleaver's address instead o... Alles lesenAngry with his dad for taking his car keys away, Lumpy Rutherford decides to secretly join the Merchant Marine Corp and has the enlistment information sent to the Cleaver's address instead of his own. Trying to be a good friend, Wally hides the Corp literature in his room; but, w... Alles lesenAngry with his dad for taking his car keys away, Lumpy Rutherford decides to secretly join the Merchant Marine Corp and has the enlistment information sent to the Cleaver's address instead of his own. Trying to be a good friend, Wally hides the Corp literature in his room; but, when June finds it while cleaning, she's sure that a break-up with his girlfriend and a rec... Alles lesen

  • Regie
    • David Butler
  • Drehbuch
    • Joe Connelly
    • Bob Mosher
    • Dick Conway
  • Hauptbesetzung
    • Barbara Billingsley
    • Hugh Beaumont
    • Tony Dow
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,0/10
    134
    IHRE BEWERTUNG
    • Regie
      • David Butler
    • Drehbuch
      • Joe Connelly
      • Bob Mosher
      • Dick Conway
    • Hauptbesetzung
      • Barbara Billingsley
      • Hugh Beaumont
      • Tony Dow
    • 6Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung6

    Ändern
    Barbara Billingsley
    Barbara Billingsley
    • June Cleaver
    Hugh Beaumont
    Hugh Beaumont
    • Ward Cleaver
    Tony Dow
    Tony Dow
    • Wally Cleaver
    Jerry Mathers
    Jerry Mathers
    • The Beaver
    Frank Bank
    • Lumpy
    Richard Deacon
    Richard Deacon
    • Fred Rutherford
    • Regie
      • David Butler
    • Drehbuch
      • Joe Connelly
      • Bob Mosher
      • Dick Conway
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Handlung

    Ändern

    WUSSTEST DU SCHON:

    Ändern
    • Wissenswertes
      A letter is shown, from the Merchant Marines to Wally and it's formatted as a professional letter; the area for recipient address only shows the house number and Pine; no Road, Ave or Street. The next line just shows Mayfield, no State or Zip. This furthers the debate of where exactly Leave it to Beaver takes place.
    • Patzer
      In the beginning, when Beaver is drying dishes, he picks up a wet plate and only wipes the bottom of the plate before he puts it away.
    • Zitate

      Clarence Rutherford: Yeah when I backed into his gate and busted it he told my father I was an unresponsible driver.

      Wally Cleaver: Anybody can have an accident.

      Clarence Rutherford: That's what I told him last time when I knocked down his mailbox and fence.

    • Verbindungen
      References Abenteuer unter Wasser (1958)

    Benutzerrezensionen6

    Ausgewählte Rezension
    10/10

    Life with Lumpy

    This is one of the few LITB episodes that center on Lumpy Rutherford; the only others that come to mind are "Lumpy's Scholarship" and a couple of early episodes in which Lumpy was a bully.

    Angry with his dad, Lumpy has decided to quit school and join the Merchant Marines. Only thing is, he has had letters and pamphlets from the Marines forwarded to Wally's address so that his dad won't suspect anything. Now, when June discovers these communiqués she is sure that a recent reprimand from Ward has driven Wally to leave home.

    Of all the regular LITB characters, Lumpy has always been the most difficult for me to like, but this episode succeeds in humanizing him - or at least making us feel pity for him. The relationship he enjoys with his father Fred Rutherford is dysfunctional, to put it mildly. Blowhard Fred likes to pretend he is the perfect up-to-date progressive father, full of the latest pop psychology. The reality is quite different, as we learn here: in this family the father doesn't know what the son is up to. You might say that Lumpy and Fred live in a mutually-fed world of delusion.

    The character of Lumpy was memorably fleshed out (as it were) by the late Frank Bank. He played the role as a classic "follower" with little mind of his own, an oafish "second banana" to Eddie Haskell, with always just a touch of effeminate dopeyness ("Yes, Daddy!") that took away any menacing edge the character might have had.

    On another note, I continually wonder why people call LITB a "simplistic" show. Nothing could be further from the truth. This episode has enough irony and emotional complexity for a one-act stage play, with camera work and acting that express the relationships among the characters. It's the small details that made this series great. Just one example: in the closing scene, Ward June and Beaver stand framed in the doorway watching Lumpy and Fred depart; but instead of a symmetrical arrangement, Beaver stands in front of Ward, almost obscuring him: the perfect visual metaphor of a son growing into manhood and taking the place of his father. Indeed, this is a prominent theme of the episode: at one point when Wally is scolding Lumpy for his behavior, Lumpy tells Wally that he sounds just like his father.

    Just one example how artful a series LITB was.
    • MichaelMartinDeSapio
    • 26. Okt. 2015
    • Permalink

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    Details

    Ändern
    • Erscheinungsdatum
      • 28. April 1962 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Roku [united states]
    • Sprache
      • Englisch
    • Drehorte
      • Stage 17, Universal Studios - 100 Universal City Plaza, Universal City, Kalifornien, USA
    • Produktionsfirmen
      • Kayro Productions
      • Revue Studios
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      30 Minuten
    • Farbe
      • Black and White
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.33 : 1

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