Lane is getting married and the entire episode consists of a Korean Wedding and then the American Wedding.Lane is getting married and the entire episode consists of a Korean Wedding and then the American Wedding.Lane is getting married and the entire episode consists of a Korean Wedding and then the American Wedding.
Scott Patterson
- Luke Danes
- (credit only)
Matt Czuchry
- Logan Huntzberger
- (credit only)
Kelly Bishop
- Emily Gilmore
- (credit only)
Edward Herrmann
- Richard Gilmore
- (credit only)
June Kyoto Lu
- Lane's Grandmother
- (as June Kyoko Lu)
Featured review
The episode of Lane and Zach's wedding starts strong, offering a heartfelt exploration of family, culture, and the hidden layers of Mrs. Kim's character. The parallel between her fear of her own mother and the two weddings-one traditional and one more true to Lane and Zach's personalities-is beautifully done. Mrs. Kim's "secret rock and roll" is her Christianity, and her unexpected duality adds depth to an often rigid character.
Lane shines throughout the episode, carrying the emotional weight as one of the few characters who hasn't been dragged into absurd plotlines. However, the focus often strays from her, undermining what could have been an even better showcase of her journey.
Missed opportunities for Lane -- The bachelorette party is a glaring example of this. While Babette and Miss Patty are iconic, their involvement here feels misplaced. This should have been Lane's moment, shared with Rory and a few other young women, even if some were just extras. A party centered around Lane's identity and relationships would have felt far more authentic than the Lorelai-centric tone the scene adopts.
There's a moment when Lorelai looks at Rory's camera and finds a photo of April taken at Jess's place in Philadelphia. This made me revisit the sequence: the encounter between Rory and April happens apparently in real-time. There's no moment like, "Let's capture this memory with a photo!" The girls meet, exchange a few words, and then Luke and April leave. So, this isn't absurd humor or a playful reinterpretation-it's just sloppy writing. The episodes are too close together for retroactive details that don't fit.
Lorelai's misstep: A drama bomb from nowhere -- The episode maintains its balance-almost-until the very end, when Lorelai delivers an uncharacteristically self-centered and incoherent speech. Out of nowhere, at Lane's wedding, Lorelai decides to announce to the world that her wedding to Luke won't happen as planned. While it's been clear for a while that their relationship is on shaky ground, this dramatic revelation feels rushed and undeserved.
The moment is a far cry from Lorelai's earlier dramatic choices, like when she ran away from her wedding with Max and embarked on a cathartic road trip with Rory. That was a journey of self-discovery, with absurd yet meaningful moments that made perfect sense within the context of her character. Here, her drunken, out-of-place monologue derails an otherwise lovely episode and adds unnecessary chaos.
A tangled mess of storylines -- Not only is Lorelai's romantic arc with Luke suffocating under the weight of poorly executed drama, but Rory's relationship with Logan is also floundering. Characters are saying and doing things, but these moments don't connect organically. It's like scattering beads across a table rather than threading them into a coherent necklace.
So, in my opinion, Lane and Zach's wedding episode had the potential to be one of the standout moments of Gilmore Girls' later seasons. The cultural nuances, the parallels with Mrs. Kim's past, and Lane's long-overdue spotlight all laid a solid foundation. But the episode falters when it shifts focus away from Lane to deliver an ill-conceived dramatic twist with Lorelai.
While Lane remains one of the few characters still grounded in meaningful storytelling, the main romantic arcs of the series are drowning in disarray, leaving the audience adrift with them. This episode reminds us of Gilmore Girls' brilliance, but also of how much it's lost its way.
Lane shines throughout the episode, carrying the emotional weight as one of the few characters who hasn't been dragged into absurd plotlines. However, the focus often strays from her, undermining what could have been an even better showcase of her journey.
Missed opportunities for Lane -- The bachelorette party is a glaring example of this. While Babette and Miss Patty are iconic, their involvement here feels misplaced. This should have been Lane's moment, shared with Rory and a few other young women, even if some were just extras. A party centered around Lane's identity and relationships would have felt far more authentic than the Lorelai-centric tone the scene adopts.
There's a moment when Lorelai looks at Rory's camera and finds a photo of April taken at Jess's place in Philadelphia. This made me revisit the sequence: the encounter between Rory and April happens apparently in real-time. There's no moment like, "Let's capture this memory with a photo!" The girls meet, exchange a few words, and then Luke and April leave. So, this isn't absurd humor or a playful reinterpretation-it's just sloppy writing. The episodes are too close together for retroactive details that don't fit.
Lorelai's misstep: A drama bomb from nowhere -- The episode maintains its balance-almost-until the very end, when Lorelai delivers an uncharacteristically self-centered and incoherent speech. Out of nowhere, at Lane's wedding, Lorelai decides to announce to the world that her wedding to Luke won't happen as planned. While it's been clear for a while that their relationship is on shaky ground, this dramatic revelation feels rushed and undeserved.
The moment is a far cry from Lorelai's earlier dramatic choices, like when she ran away from her wedding with Max and embarked on a cathartic road trip with Rory. That was a journey of self-discovery, with absurd yet meaningful moments that made perfect sense within the context of her character. Here, her drunken, out-of-place monologue derails an otherwise lovely episode and adds unnecessary chaos.
A tangled mess of storylines -- Not only is Lorelai's romantic arc with Luke suffocating under the weight of poorly executed drama, but Rory's relationship with Logan is also floundering. Characters are saying and doing things, but these moments don't connect organically. It's like scattering beads across a table rather than threading them into a coherent necklace.
So, in my opinion, Lane and Zach's wedding episode had the potential to be one of the standout moments of Gilmore Girls' later seasons. The cultural nuances, the parallels with Mrs. Kim's past, and Lane's long-overdue spotlight all laid a solid foundation. But the episode falters when it shifts focus away from Lane to deliver an ill-conceived dramatic twist with Lorelai.
While Lane remains one of the few characters still grounded in meaningful storytelling, the main romantic arcs of the series are drowning in disarray, leaving the audience adrift with them. This episode reminds us of Gilmore Girls' brilliance, but also of how much it's lost its way.
- sydneywell-50328
- Jan 15, 2025
- Permalink
Storyline
Did you know
- TriviaLane has four wedding dresses. The first one, her mother's wedding dress, she doesn't actually wear. The second one is a traditional Korean/Buddhist dress which she wears to the first wedding ceremony. She then wears a modified version that Lorelai made of her mom's dress to the church ceremony. Once Lane's mom leaves the wedding, Lorelai reveals a second modification to the original dress when she pulls the long skirt off and leaves Lane in a short wedding dress with a frilly skirt and a tulle petticoat (and when it unbuttons in the front, the collar lapels are pink).
- GoofsIn the previous episode, The Real Paul Anka (2006), Mrs. Kim tells Lorelai that she was married to Mr. Kim 28 years ago. When Mrs. Kim has her sex talk with Lane, she remarks that maybe she will be lucky like Mrs. Kim was and only have to do "it" once. This would make Lane 27, but she is only 21.
- Quotes
Lorelai Gilmore: Lorelai Gilmore: disappointing mothers since 1968.
- ConnectionsReferences Rhoda (1974)
- SoundtracksWhere You Lead
Performed by Carole King and Louise Goffin
Words and Music by Carole King and Toni Stern
Produced by Greg Wells and Carole King
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