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The X-Files
S4.E22
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IMDbPro

Elegy

  • Episode aired May 4, 1997
  • TV-14
  • 45m
IMDb RATING
7.8/10
4.1K
YOUR RATING
Gillian Anderson in The X-Files (1993)
AdventureCrimeDramaMysterySci-FiThriller

Apparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their... Read allApparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their only lead is an autistic psychiatric patient.Apparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their only lead is an autistic psychiatric patient.

  • Director
    • Jim Charleston
  • Writers
    • Chris Carter
    • John Shiban
  • Stars
    • David Duchovny
    • Gillian Anderson
    • Steven M. Porter
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    4.1K
    YOUR RATING
    • Director
      • Jim Charleston
    • Writers
      • Chris Carter
      • John Shiban
    • Stars
      • David Duchovny
      • Gillian Anderson
      • Steven M. Porter
    • 13User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos50

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    Top cast19

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    David Duchovny
    David Duchovny
    • Fox Mulder
    Gillian Anderson
    Gillian Anderson
    • Dana Scully
    Steven M. Porter
    Steven M. Porter
    • Harold Spuller
    Alex Bruhanski
    Alex Bruhanski
    • Angelo Pintero
    Sydney Lassick
    Sydney Lassick
    • Chuck Forsch
    Nancy Fish
    Nancy Fish
    • Nurse Innes
    Danny Kamin
    Danny Kamin
    • Detective Hudak
    • (as Daniel Kamin)
    Lorena Gale
    Lorena Gale
    • Attorney
    Michael Puttonen
    Michael Puttonen
    • Martin Alpert
    • (as Mike Puttonen)
    Christine Willes
    Christine Willes
    • Karen Kosseff
    Ken Tremblett
    Ken Tremblett
    • Uniformed Officer
    Jennifer Bradsen
    • Lauren Heller
    • (uncredited)
    Kate Braidwood
    Kate Braidwood
    • Day Room Patient #5
    • (uncredited)
    Arthur Corber
    • Day Room Patient #4
    • (uncredited)
    Fawnia Mondey
    Fawnia Mondey
    • Blonde bowler
    • (uncredited)
    Gerry Nairn
    • Sergeant Conner
    • (uncredited)
    John Nolan
    • Day Room Patient #3
    • (uncredited)
    Carolyn Tweedle
    • Day Room Patient #2
    • (uncredited)
    • Director
      • Jim Charleston
    • Writers
      • Chris Carter
      • John Shiban
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    7.84K
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    Featured reviews

    7fernandoschiavi

    This episode weaves together elements of ghostly apparitions and the psychological struggles of its characters, particularly focusing on Mulder and Scully

    The twenty-second episode of the fourth season of The X-Files, titled "Elegy," directed by Jim Charleston, is a haunting exploration of grief, loss, and the supernatural. Written by Chris Carter, this episode weaves together elements of ghostly apparitions and the psychological struggles of its characters, particularly focusing on the emotional weight carried by both Mulder (David Duchovny) and Scully (Gillian Anderson). The narrative kicks off with a chilling scene at a bowling alley where a young woman is found dead, her body mysteriously wedged in the pinsetter. This incident sets off a series of eerie events that lead Mulder and Scully to investigate a string of deaths connected to ghostly sightings.

    As the investigation unfolds, Mulder and Scully learn that several witnesses have seen apparitions of the deceased just before their deaths. The pacing of "Elegy" is deliberate, allowing viewers to absorb the emotional stakes involved as Mulder and Scully navigate through layers of mystery and personal trauma. A particularly striking moment occurs when Harold Spuller (played by Steven M. Porter), an autistic man who works at the bowling alley, reveals his deep connection to the victims. His character serves as a poignant reminder of how trauma can manifest in various forms, highlighting the complexities of human emotion and connection.

    Visually, "Elegy" employs a dark and atmospheric aesthetic that enhances its themes of despair and the supernatural. Charleston's direction captures both the eerie ambiance of the bowling alley and the emotional turmoil experienced by the characters. The cinematography effectively utilizes shadows and dim lighting to evoke feelings of dread, particularly during scenes where Mulder confronts the implications of seeing ghosts. Critics have praised this visual storytelling for its ability to immerse viewers in a world where death looms large and unresolved feelings linger.

    The performances in this episode are particularly noteworthy, especially from Porter as Harold Spuller. His portrayal captures the vulnerability and innocence of a man grappling with his unique abilities; he embodies both confusion and profound sadness as he navigates his connections to the victims. Duchovny delivers a strong performance as Mulder, showcasing his determination to uncover the truth while grappling with his own fears about mortality. Anderson's Scully provides crucial support; her skepticism grounds Mulder's theories while emphasizing her concern for Harold's well-being. The chemistry between Duchovny and Anderson continues to shine throughout the episode, adding depth to their partnership as they confront complex moral dilemmas.

    Thematically, "Elegy" raises significant questions about death, connection, and the nature of grief. The episode critiques how society often overlooks those who are different; it examines how individuals like Harold can be marginalized despite their profound insights into human experience. Additionally, it highlights societal attitudes toward mental health; characters like Harold represent those who struggle for acceptance in a world that often misunderstands them. This exploration invites viewers to reflect on their beliefs regarding empathy, loss, and the importance of human connection in times of sorrow.

    "Elegy" stands out as one of The X-Files' most emotionally resonant episodes, successfully blending elements of supernatural horror with social commentary while exploring complex themes related to grief and identity. While it may challenge traditional narrative structures by focusing more on character development than procedural elements, it effectively maintains tension and emotional depth throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society, solidifying The X-Files as a thought-provoking examination of human experience amidst extraordinary phenomena. As it reflects broader societal concerns regarding loss and acceptance, "Elegy" leaves audiences contemplating their own relationships with grief and understanding.
    8Sleepin_Dragon

    Even when she sees it, she won't believe it.

    Young women are being killed by a serial killer, but just as they die, their spirit is being seen by various people.

    I am seeing a change in the relationship between Mulder and Scully, something is definitely going on there, I'm not sure if it's to do with her illness, or just time bringing them closer together, but things are changing. She's still not willing to believe what she sees with her own eyes though, she is still the eternal pessimist.

    I think the writer did a great job, putting together quite a unique episode, I loved the tone, and I especially loved the whodunnit vibe it had going on.

    I thought Steven M. Porter put in a hugely credible performance as Harold, clearly an actor with some skills, and the ability to make you feel a degree of empathy.

    8/10.
    8Muldernscully

    She Is Me

    Elegy is a decent episode about people seeing apparitions of dead people right as they die. What makes this episode extra special though, is the overt mythology of Scully's cancer woven into the storyline. I like it anytime an episode attempts to explore more into Mulder and Scully's relationship with each other. First of all, I like the smile Scully gives when Mulder bowls the strike. It's like he's trying to impress her, and she almost appears to be turned on by it. It's quite a mysterious grin. In the least, she is impressed. Where the story really takes off is when Scully sees a ghost herself and the written words "She is me". She doesn't tell Mulder immediately, but instead, goes and sees an FBI psychologist. Scully is not ready to admit to Mulder that she may have seen something "paranormal", especially when the vision may be related to her own mortality. Mulder's mini-speech to Scully at the end is touching and speaks the truth about all relationships. Kudos to John Shiban for developing Mulder and Scully's relationship a little bit more and writing a decent murder mystery to boot.
    6james-79702

    Soooo.....

    Who was the murderer 🤔 Seems like they've written a whole story about the witness.

    Storyline

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    Did you know

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    • Trivia
      The Thunderbird Bowling Center, where the bowling alley scenes were filmed, insisted that the bowling surfaces be preserved. To comply, the production staff were forced either to wear bowling shoes or to wear makeshift "paper booties" on their feet.
    • Goofs
      None of the highlighted bowling scores correspond to the number of pins marked down for the given frame. Also, the score goes from 131 in one frame to 166 in the next. In bowling the maximum increase in score from one frame to the next is only thirty pins.
    • Quotes

      Angelo Pintero: [agitated] Look, I'm not making this up.

      Fox Mulder: No one's suggesting that you are, Mr. Pintero.

      Angelo Pintero: I saw the look on her face.

      [glances at Scully, who gives a deadpan look]

      Fox Mulder: Can I ask you a favor? Can I get a soda? A cola or something like that?

      Angelo Pintero: Sure, yeah.

      [he walks off to get a soda]

      Fox Mulder: [grinning] What *is* that look, Scully?

      Dana Scully: I would've thought that after four years you'd know exactly what that look was.

      Dana Scully: What, you don't believe in ghosts?

    • Soundtracks
      The X-Files
      Written by Mark Snow

      Performed by John Beal

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    Details

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    • Release date
      • May 4, 1997 (United States)
    • Country of origin
      • United States
    • Official sites
      • Hulu
      • Instagram
    • Language
      • English
    • Filming locations
      • Stage 2, North Shore Studios, North Vancouver, British Columbia, Canada
    • Production companies
      • Ten Thirteen Productions
      • 20th Century Fox Television
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      45 minutes
    • Color
      • Color
    • Sound mix
      • Stereo
      • Dolby
    • Aspect ratio
      • 4:3

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