Elegy
- Episode aired May 4, 1997
- TV-14
- 45m
Apparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their... Read allApparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their only lead is an autistic psychiatric patient.Apparitions of women killed by a serial killer start appearing to people. Mulder figures they may be harbingers of death for those who see them. Scully is skeptical until she sees one. Their only lead is an autistic psychiatric patient.
- Detective Hudak
- (as Daniel Kamin)
- Martin Alpert
- (as Mike Puttonen)
- Lauren Heller
- (uncredited)
- Day Room Patient #5
- (uncredited)
- Day Room Patient #4
- (uncredited)
- Blonde bowler
- (uncredited)
- Sergeant Conner
- (uncredited)
- Day Room Patient #3
- (uncredited)
- Day Room Patient #2
- (uncredited)
Featured reviews
As the investigation unfolds, Mulder and Scully learn that several witnesses have seen apparitions of the deceased just before their deaths. The pacing of "Elegy" is deliberate, allowing viewers to absorb the emotional stakes involved as Mulder and Scully navigate through layers of mystery and personal trauma. A particularly striking moment occurs when Harold Spuller (played by Steven M. Porter), an autistic man who works at the bowling alley, reveals his deep connection to the victims. His character serves as a poignant reminder of how trauma can manifest in various forms, highlighting the complexities of human emotion and connection.
Visually, "Elegy" employs a dark and atmospheric aesthetic that enhances its themes of despair and the supernatural. Charleston's direction captures both the eerie ambiance of the bowling alley and the emotional turmoil experienced by the characters. The cinematography effectively utilizes shadows and dim lighting to evoke feelings of dread, particularly during scenes where Mulder confronts the implications of seeing ghosts. Critics have praised this visual storytelling for its ability to immerse viewers in a world where death looms large and unresolved feelings linger.
The performances in this episode are particularly noteworthy, especially from Porter as Harold Spuller. His portrayal captures the vulnerability and innocence of a man grappling with his unique abilities; he embodies both confusion and profound sadness as he navigates his connections to the victims. Duchovny delivers a strong performance as Mulder, showcasing his determination to uncover the truth while grappling with his own fears about mortality. Anderson's Scully provides crucial support; her skepticism grounds Mulder's theories while emphasizing her concern for Harold's well-being. The chemistry between Duchovny and Anderson continues to shine throughout the episode, adding depth to their partnership as they confront complex moral dilemmas.
Thematically, "Elegy" raises significant questions about death, connection, and the nature of grief. The episode critiques how society often overlooks those who are different; it examines how individuals like Harold can be marginalized despite their profound insights into human experience. Additionally, it highlights societal attitudes toward mental health; characters like Harold represent those who struggle for acceptance in a world that often misunderstands them. This exploration invites viewers to reflect on their beliefs regarding empathy, loss, and the importance of human connection in times of sorrow.
"Elegy" stands out as one of The X-Files' most emotionally resonant episodes, successfully blending elements of supernatural horror with social commentary while exploring complex themes related to grief and identity. While it may challenge traditional narrative structures by focusing more on character development than procedural elements, it effectively maintains tension and emotional depth throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society, solidifying The X-Files as a thought-provoking examination of human experience amidst extraordinary phenomena. As it reflects broader societal concerns regarding loss and acceptance, "Elegy" leaves audiences contemplating their own relationships with grief and understanding.
I am seeing a change in the relationship between Mulder and Scully, something is definitely going on there, I'm not sure if it's to do with her illness, or just time bringing them closer together, but things are changing. She's still not willing to believe what she sees with her own eyes though, she is still the eternal pessimist.
I think the writer did a great job, putting together quite a unique episode, I loved the tone, and I especially loved the whodunnit vibe it had going on.
I thought Steven M. Porter put in a hugely credible performance as Harold, clearly an actor with some skills, and the ability to make you feel a degree of empathy.
8/10.
Did you know
- TriviaThe Thunderbird Bowling Center, where the bowling alley scenes were filmed, insisted that the bowling surfaces be preserved. To comply, the production staff were forced either to wear bowling shoes or to wear makeshift "paper booties" on their feet.
- GoofsNone of the highlighted bowling scores correspond to the number of pins marked down for the given frame. Also, the score goes from 131 in one frame to 166 in the next. In bowling the maximum increase in score from one frame to the next is only thirty pins.
- Quotes
Angelo Pintero: [agitated] Look, I'm not making this up.
Fox Mulder: No one's suggesting that you are, Mr. Pintero.
Angelo Pintero: I saw the look on her face.
[glances at Scully, who gives a deadpan look]
Fox Mulder: Can I ask you a favor? Can I get a soda? A cola or something like that?
Angelo Pintero: Sure, yeah.
[he walks off to get a soda]
Fox Mulder: [grinning] What *is* that look, Scully?
Dana Scully: I would've thought that after four years you'd know exactly what that look was.
Dana Scully: What, you don't believe in ghosts?
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