Füge eine Handlung in deiner Sprache hinzuAn alien Magus claims to be God, and abducts Koenig and Maya, and Helena and Tony, to a planet it has created so that they can breed.An alien Magus claims to be God, and abducts Koenig and Maya, and Helena and Tony, to a planet it has created so that they can breed.An alien Magus claims to be God, and abducts Koenig and Maya, and Helena and Tony, to a planet it has created so that they can breed.
- Regie
- Drehbuch
- Hauptbesetzung
Glenda Allen
- Operative
- (Nicht genannt)
Robert Reeves
- Peter Reeves
- (Nicht genannt)
Terry Yorke
- Ape Man
- (Nicht genannt)
Empfohlene Bewertungen
I did not find any real scares or thrills within this story which was a shame; Terence Feely I think went on to write the excellent Bringers of Wonder, so clearly could manage to do much better. The omnipresent being idea has been done much better in Star Trek, Magus doesn't really do quite enough to earn his villain status and could have been a lot more threatening and unstoppable. A number of other episodes would feature better writing better villains and better guest actors.
Like many other reviewers, I love Star Trek. The minute the godlike creature appeared I instantly thought of Michael Forest as Apollo in the Star Trek episode WHO MOURNS FOR ADONAIS? (Another reviewer incorrectly used the name Adonis, but it is Adonais.)
Lost in Space with its silly aliens and limited at times special effects also came to my mind when the mutant aliens were shown.
I have been rewatching Space: 1999 since I haven't seen the series since its original broadcast. Watching the episodes in production order, I see how each episode became more and more cartoonish and sunk to a Lost in Space meets Star Trek monster of the week.
After watching this Star Trek rip off and after yesterday watching the episode BRIAN THE BRAIN (which made me think of the Star Trek episode THE CHANGELING with Nomad) I can see why the show began to lose its loyal fan base.
I will continue to watch the series, but I think the show definitely went into decline once Fred Freiberger, the Star Trek producer of season three, became involved with Space: 1999.
Lost in Space with its silly aliens and limited at times special effects also came to my mind when the mutant aliens were shown.
I have been rewatching Space: 1999 since I haven't seen the series since its original broadcast. Watching the episodes in production order, I see how each episode became more and more cartoonish and sunk to a Lost in Space meets Star Trek monster of the week.
After watching this Star Trek rip off and after yesterday watching the episode BRIAN THE BRAIN (which made me think of the Star Trek episode THE CHANGELING with Nomad) I can see why the show began to lose its loyal fan base.
I will continue to watch the series, but I think the show definitely went into decline once Fred Freiberger, the Star Trek producer of season three, became involved with Space: 1999.
The expression "jumped the shark" refers to when a TV series, out of desperation, does something so atypical and so wrong to try (in vain) to rejuvenate the series. To fans, it marks the beginning of the end. The exact reference is when on "Happy Days", Fonzie jumped a tank full of sharks with his motorcycle--a very dumb and desperate gimmick to say the least.
As far as "Space: 1999" goes, it was obvious during season one that the series had problems. Despite a large budget and international syndication, the show had trouble attracting an audience. Some of this was due to the show's strange plots but much of it was the sterile and static nature of the show. In a completely misguided attempt to rejuvenate the show, the series decided that instead of making a few minor tweaks, it changed a lot--too much. It essentially jumped the shark by losing some of its stars (the big loss was Barry Morse), changing its music, adding a new character that could shape-shift into animals(!!!), bringing in "Star Trek" producer Fred Freiberger and 'jazzing up' the scripts. What this jazzing up entailed was actually much cheaper special effects (season one had been very good--two was just god-awful) and lots of silly monsters in latex suits! In addition, the show (with Freiberger) had one more ace up their sleeves--ripping off scripts from the original "Star Trek" series!! Sadly, they didn't even bother ripping off the good shows--mostly just the terrible ones.
In this episode, the script clearly is a rip-off of one of the very, very worst "Trek" shows, "Who Mourns for Adonis?". While there were of course a few small differences, it is practically impossible to see the two shows and not see the similarities--especially at the way it ends. Because the show is one giant rip-off, I can't give it a score any higher than 3.
The show's 'big four' (Commander Koenig, Dr. Russell, Mya and Tony) are brought to a new world by a guy claiming he's God. By the way, beware--this sort of plot totally sucks ("Star Trek V" is a great case in point) and you KNOW that ultimately the guy can't be God! In this case, a very, very technically advanced and god-like guy brings them to the planet to have them create a whole new population--sort of like having two Adams and two Eves! Despite his powers, Koenig and the rest are not about to worship this guy nor stay on the planet if they can help it. Been there, done that.
As far as "Space: 1999" goes, it was obvious during season one that the series had problems. Despite a large budget and international syndication, the show had trouble attracting an audience. Some of this was due to the show's strange plots but much of it was the sterile and static nature of the show. In a completely misguided attempt to rejuvenate the show, the series decided that instead of making a few minor tweaks, it changed a lot--too much. It essentially jumped the shark by losing some of its stars (the big loss was Barry Morse), changing its music, adding a new character that could shape-shift into animals(!!!), bringing in "Star Trek" producer Fred Freiberger and 'jazzing up' the scripts. What this jazzing up entailed was actually much cheaper special effects (season one had been very good--two was just god-awful) and lots of silly monsters in latex suits! In addition, the show (with Freiberger) had one more ace up their sleeves--ripping off scripts from the original "Star Trek" series!! Sadly, they didn't even bother ripping off the good shows--mostly just the terrible ones.
In this episode, the script clearly is a rip-off of one of the very, very worst "Trek" shows, "Who Mourns for Adonis?". While there were of course a few small differences, it is practically impossible to see the two shows and not see the similarities--especially at the way it ends. Because the show is one giant rip-off, I can't give it a score any higher than 3.
The show's 'big four' (Commander Koenig, Dr. Russell, Mya and Tony) are brought to a new world by a guy claiming he's God. By the way, beware--this sort of plot totally sucks ("Star Trek V" is a great case in point) and you KNOW that ultimately the guy can't be God! In this case, a very, very technically advanced and god-like guy brings them to the planet to have them create a whole new population--sort of like having two Adams and two Eves! Despite his powers, Koenig and the rest are not about to worship this guy nor stay on the planet if they can help it. Been there, done that.
WUSSTEST DU SCHON:
- WissenswertesThe music soundtrack for this episode was made up of cues from previous episodes with the exception of a library track, "How Beautiful is Night" by Robert Farnon, in the first night scene around the campfire.
- PatzerBy the time Koenig sends Maya out on a reconnaissance as an owl, it has already been established several times that Maya and Tony can't touch each other. Yet after Maya transforms into an owl, Tony holds her on his arm. If the interdiction doesn't work while she's in a form other than her own, the Alphans should take note of it, and if it does still work, then Tony shouldn't be able to hold her.
- Zitate
Commander John Koenig: We make our own choices!
Magus: Much less often than you think.
- VerbindungenFeatured in The Gerry Anderson Podcast: Pod 62: Kevin Grazier (Part Two) (2019)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
