An outstanding episode that captures all that was excellent about this series. The fascinating premise of chancing upon a thought-lost earth mission alive and well and living on Ultima Thule! Bombastic characters you care about and can't fully figure out. A simmering conflict that keeps revealing the inconvenient cracks in this prima facie paradise. Couple all that with a beautiful big-budget set, beautiful big-busted women, and stepped-up special effects.
Okay, so the whole damn thing was swiped wholesale from ZARDOZ. Who cares? If you're gonna plunder a plot, steal from the best, right? And ZARDOZ was arguably the smartest science-fiction film of 1974, the year preceding this episode's Fall '75 broadcast.
The Eternals of ZARDOZ are the immortal Thulians here. The Apathetics have their parallel in the Revered Ones, and the Brutals are the hapless mortals of Moonbase Alpha who, like Sean Connery's Zed, are lured into this faux-Paradise by a gregarious man with a nefarious plan.
The beautiful women on screens both big and small were scantily clad, baring ample bosoms. I thought of the Sirens leading lusty sailors to their peril. Alan goes all far-out space nut in the presence of such feminine pulchritude, ready to abandon ship and drop anchor on this barren but bodacious-babe-laden planet.
Reminding me of Ian Anderson sans flute, Mad Jack Tanner the erstwhile commander of the expedition plays the fool but is the wisest one of all. Like Arthur Frayn and Friend in ZARDOZ, Jack leads Zed/Koenig down a yellow-brick road to revelation, pulling back the curtain on the man with the booming voice.
Commander Koenig plays the boy who saw the emperor was naked, even when trusted friends insisted to the contrary. I was stunned at Victor and Helena's uncritical embrace of Rowland and his claims. In the presence of this outer-space Svengali, they appeared mesmerized, Helena all but swooning, Victor moronically grinning. Even after Koenig sprung the spasmodically shaking Victor from that phone booth of doom, Victor's faith in Rowland remained unswayed.
Conversely, Koenig saw clearly the horror of what unbridled science had wrought and the imminent danger it posed. Calling the failed guinea pigs of Rowland's insane experimentation "Revered Ones" was simply spin, a euphemism to salve the consciences of the perpetrators and tamp down the terror such Josef Mengelesque experiments should have provoked in the castaways of Ultima Thule. Not content to accept the immortality thrust upon them, Rowland and his scientist cohort are compelled to know exactly how it works. Why? For the betterment of humanity? No, so they can "bottle it," so to speak, then leave this world and conquer others.
"Wait for it," I thought, in the conclusion I knew was coming, even had Mad Jack not prophesied the jealous planet's not letting its people go. If anyone argues this episode wasn't lifted from ZARDOZ, the ending would be the trump card to triumphantly slap down. A man and woman holding hands when death comes a'calling. Coincidental? I say thee nay!
This was an awesome episode in almost every way--but only almost! The soap-sud snow was a misfire, and certainly looked worse in bluray than it did on my old rabbit-eared TV back in the '70s (where every show appeared to have been filmed on snowy Ultima Thule!). And hey, I'm no Alan Alda, but even I was wincing at how women were portrayed here. I mean, after 800-plus years the one thing these women are encouraged to do is sit around leisurely in cleavage-revealing outfits (on an ice planet, no less!) while men like Alan leap from one to the other ogling them?
That 800-plus-year reveal suffered under scrutiny. Surely the radio equipment and monitors would have worn out after a few centuries. And after almost a millennium, Rowland instantly recalls by name Moonbase Alpha? That would literally be ancient history for Rowland. And Victor and Helena's immediate recollection of this mission being lost in 1986 was also dubious, as was the dazed and just-thawed-out Helena being suddenly awed by Rowland, of course knowing exactly who he was. Why not just exclaim he was required reading at the Academy?
Those are all just quibbles and nitpicks, however. I thoroughly enjoyed this one, and I enjoyed it all the more thanks to the twin titanic talents of Brian Blessed and John Shrapnel.
PS: As the credits rolled, did you wonder as I did who got the unenviable call back at Alpha: "Cleanup in Eagle One!"??
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