A Fine Day for Dying
- El episodio se emitió el 6 oct 1974
- TV-PG
- 52min
Añade un argumento en tu idiomaA woman awakens from a year long coma only to discover that someone wants to kill her. The reason why is a complete mystery and Mannix takes her case, which puts him in the middle of two feu... Leer todoA woman awakens from a year long coma only to discover that someone wants to kill her. The reason why is a complete mystery and Mannix takes her case, which puts him in the middle of two feuding organized crime families.A woman awakens from a year long coma only to discover that someone wants to kill her. The reason why is a complete mystery and Mannix takes her case, which puts him in the middle of two feuding organized crime families.
- Dirección
- Guión
- Reparto principal
- Lou DeMorro
- (as John Duke Russo)
- DeMorro's Henchman
- (sin acreditar)
- Edward Camden
- (sin acreditar)
Reseñas destacadas
While it IS an exciting episode, it also has one of the oldest and worst detective show clichés. Someone knows more about the shootings...and calls Mannix. Instead of telling him on the phone what he knew, he says he wants to meet the detective in person...and you KNOW that means the guy will be dead...and very very soon! I hate this cliché. Apart from that, it is pretty good...with some good twists and turns. Plus the story is very original....so ignore this cliché and enjoy.
Pamela Franklin (who had the good fortune of working with just about every major star in Hollywood) plays Jenny, who suddenly wakes up after a one year coma and learns someone is trying to kill her. Fortunately, Joe is a family friend.
The debit -- of course -- is the hitman could have done her in a long time ago. Sean Penn's famous dad, Leo, directed and got some solid performances from everybody, particularly Franklin. At the time, he was directing episodes for CANNON and MARCUS WELBY. Long associated with BONANZA.
Katherine Helmond makes her second series appearance, playing Jenny's mom, always a fine actress. Best of the senior bad guys is Marc Lawrence, a little older, but the one to watch. In later years, Marc said people with underworld ties actually approached him and complimented the way he played gangsters! He was amazed.
There's a classic Hollywood street scene where Jenny is taken by Joe to where it all began, to get her to remember. Yes, they're going to have bad company. Watch this scene as it's exceptionally directed by Leo Penn. Another scene (the news stand) is at 1770 Vine Street, a few yards from Capitol Records. The reason I bring this up, because when you reach this intersection, you are now officially leaving old Hollywood. Less traffic, and the onramp to North Hollywood and the valley.
Famed bit actor Bob Harks plays a cop and Joe has his new Camaro. Paramount signed a contract with GM, dumping Dodge/Chrysler, so his Dodge was history. The Camaro also fit Mannix's style and got a good workout on the streets of LA. In a few episodes, Joe also drove a sleek red Chevy Impala convertible, the one used on the BRADY BUNCH.
I spoke to the owner of the Brady Bunch house and she said they found a replica of the car in northern California ( not easy after 50 years), and occasionally park it in the driveway for old times sake. What a happy ending.
By the way, the 1975 paperback edition of this episode (Vol. #2) is available for sale on various sites. Always check with the seller as to whether its an original or a re-print.
Another late nite gem with snacks. SEASON 8 Episode 3. Remastered color CBS/Paramount dvd box set. Released 2012.
¿Sabías que...?
- CuriosidadesIn the first scene with the news stand, the headline on the Los Angeles Times reads "SLA tells of plan to free Patty [Hearst]" indicating this was shot in the spring of 1974.
- PifiasDrastic change without explanation: Art's police office is no longer the closet-sized one, seen some 5 episodes prior, with mint green paint on the walls, but now has glass walls and the solid walls are painted a faint gold.
- Citas
Lou DeMorro: I'd offer you a drink, Mannix, but you ain't gonna be here for that long. I hear you've been digging around Eddie Stanik's death.
Joe Mannix: Well, it didn't start out that way. Just kept turning in that direction.
Lou DeMorro: You know, when Eddie Stanik got burned, things got very sticky between Old Man Stanik and me. It cost us both some good soldiers. He wouldn't believe I had nothing to do with it. He still doesn't believe it, but things have calmed down now.
Joe Mannix: And you don't want me stirring them up?
Lou DeMorro: See how quick you pick up on things? I want things left just the way they are.
Joe Mannix: If you didn't kill Eddie Stanik or ordered him killed, why sweat?
Lou DeMorro: Mannix, I didn't bring you over here for a discussion. If you want to keep breathing, back off. Leave it alone. The old man ain't got that much time left anyway, and neither do you if you don't hear good.
Joe Mannix: Okay, Lou... I'll think about it.
[as he leaves, he stops and turns to DeMorro's gunman]
Joe Mannix: You point that thing at me again, you'll be eating it for breakfast.
- ConexionesFeatures Mannix: Nightshade (1971)
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Localizaciones del rodaje
- 1770 Vine Street, Hollywood, Los Ángeles, California, Estados Unidos(Location of old man Peters' outdoor newsstand)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
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