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Usa l'app
Quella casa nella prateria
S6.E9
Tutti gli episodiTutto
  • Il Cast e la Troupe
  • Recensioni degli utenti
IMDbPro

The King Is Dead

  • L’episodio è andato in onda il 12 nov 1979
  • TV-PG
  • 49min
VALUTAZIONE IMDb
7,3/10
306
LA TUA VALUTAZIONE
Leo Gordon and Nora Meerbaum in Quella casa nella prateria (1974)
DramaFamilyRomanceWestern

Aggiungi una trama nella tua linguaAging professional wrestler Milo Stavroupolis comes to nearby Mankato to "fight" the locals. Stavroupolis' promoter, the shrewd Jimmy Hart, convinces Jonathan Garvey to fight the old man ...... Leggi tuttoAging professional wrestler Milo Stavroupolis comes to nearby Mankato to "fight" the locals. Stavroupolis' promoter, the shrewd Jimmy Hart, convinces Jonathan Garvey to fight the old man ... unaware that the fight was "fixed." But there's even more heartbreak ahead, as Stavroupol... Leggi tuttoAging professional wrestler Milo Stavroupolis comes to nearby Mankato to "fight" the locals. Stavroupolis' promoter, the shrewd Jimmy Hart, convinces Jonathan Garvey to fight the old man ... unaware that the fight was "fixed." But there's even more heartbreak ahead, as Stavroupolis is suffering emotionally (and physically) after years of fighting; his beloved wife, An... Leggi tutto

  • Regia
    • Michael Landon
  • Sceneggiatura
    • Blanche Hanalis
    • Laura Ingalls Wilder
    • Michael Landon
  • Star
    • Michael Landon
    • Karen Grassle
    • Melissa Gilbert
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,3/10
    306
    LA TUA VALUTAZIONE
    • Regia
      • Michael Landon
    • Sceneggiatura
      • Blanche Hanalis
      • Laura Ingalls Wilder
      • Michael Landon
    • Star
      • Michael Landon
      • Karen Grassle
      • Melissa Gilbert
    • 6Recensioni degli utenti
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto10

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    Interpreti principali24

    Modifica
    Michael Landon
    Michael Landon
    • Charles Ingalls
    Karen Grassle
    Karen Grassle
    • Caroline Ingalls
    • (solo nei titoli)
    Melissa Gilbert
    Melissa Gilbert
    • Laura Ingalls
    • (solo nei titoli)
    Melissa Sue Anderson
    Melissa Sue Anderson
    • Mary Ingalls Kendall
    • (solo nei titoli)
    Rachel Lindsay Greenbush
    Rachel Lindsay Greenbush
    • Carrie Ingalls
    • (as Lindsay Sidney Greenbush)
    • (solo nei titoli)
    Sidney Greenbush
    Sidney Greenbush
    • Carrie Ingalls
    • (as Lindsay Sidney Greenbush)
    • (solo nei titoli)
    Richard Bull
    Richard Bull
    • Nels Oleson
    Katherine MacGregor
    Katherine MacGregor
    • Harriet Oleson
    Merlin Olsen
    Merlin Olsen
    • Jonathan Garvey
    Hersha Parady
    Hersha Parady
    • Alice Garvey
    Patrick Labyorteaux
    Patrick Labyorteaux
    • Andrew 'Andy' Garvey
    • (as Patrick Laborteaux)
    Matthew Labyorteaux
    Matthew Labyorteaux
    • Albert Quinn Ingalls
    • (as Matthew Laborteaux)
    Leo Gordon
    Leo Gordon
    • Milo Stavroupolis
    Ray Walston
    Ray Walston
    • Jimmy Hart
    Nora Meerbaum
    • Anna Stavroupolis
    Jack Yates
    • Hans Mueller
    • (as John Robert Yates)
    Jennifer Rhodes
    Jennifer Rhodes
    • Nurse
    Charles Julian
    • Bookie
    • Regia
      • Michael Landon
    • Sceneggiatura
      • Blanche Hanalis
      • Laura Ingalls Wilder
      • Michael Landon
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti6

    7,3306
    1
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    10

    Recensioni in evidenza

    9BDeWittP

    One of the heavyweights.

    This is a pretty good episode and, in my opinion, one of the better ones of the sixth season. This was when the show was at it's best, just before the quality of the series began to decline. It was also when more and more of the plots started to move away from the Ingalls familial relationships and focus on other characters and stories. The story opens with Milo Stavroupolis, who was once the mighty European Heavyweight Greco-Roman wrestling champion and is now a patsy paid to lose in fixed wrestling matches.

    His wife is in the hospital, dying, and admonishes him for making himself a laughingstock in the fake matches, and pretending that he loves it. Milo tries to explain, unconvincingly, that he does indeed care because he is only giving the public what they want. In truth, he is only participating in the matches because he needs to pay his wife's hospital bills. His wife, Anna, doesn't buy it and wishes she wasn't in such poor health so he wouldn't have to resort to the wrestling schemes to keep her alive.

    As it turns out, the next stop for Milo (traveling as the # 1 Heavyweight Wrestling Contender), Champion Hans Mueller, and their shrewd, conniving promoter, Jimmy Hart is in Mankato. They search for a new "contender" to wrestle Milo, only planning to have him lose the bout to the Champ, Mueller, to lengthen they odds so that they can make more money.

    Well, the next guy happens to be Jonathan "Big John" Garvey. Jimmy and Milo take an immediate interest in Garvey, noticing his size and strength while he is unloading his wagon. Milo picks a fight with him, letting Garvey manhandle him. After some conning by Hart, Garvey is persuaded into thinking that he is he's a good wrestler and agrees to wrestle Milo again in an elimination bout, while making him think that he will most likely beat the Champ, Mueller.

    After Jonathon beats Milo in the fixed bout, and Milo finds out that his wife has died, Milo has a change of heart, and we learn that Jimmy Hart isn't the only one with tricks up his sleeve. Milo, desperate to redeem himself, confronts Garvey telling him that the bout was indeed fixed, and that he threw the match. After they wrestle again, Garvey is indeed convinced that Milo is the real deal. He agrees to let Milo stand in for him in the Championship bout. Milo then tells Mueller at the start of the bout "This time, I not wrestle like clown."

    The ending is actually somewhat predictable, but very redeeming and satisfying. Leo Gordon, playing thugs most of his career, does an excellent job of playing the confused and depressed Milo Stavroupolis. We see his inner conflict and his ambivalence about the predicament he's in. Ray Walston is also excellent as the crooked and smooth-talking conman, Jimmy Hart. Jack Yates is also good as the smug, arrogant Champion.

    I wonder if this episode has any historical accuracy, as the premise of the story still has relevance today with the WWF being as fake as it is. The King is Dead is a good character study and more about the redemption of a human being and being truthful, rather than wrestling. This is a well-acted, entertaining, and very satisfying episode to watch. The King is Dead is definitely a contender for one of the season's best episodes.
    9TheFearmakers

    The Night And The City

    Needs to be said here that this highly entertaining, break from the routine Little House on the Prairie episode The King is Dead is extremely similar to and obviously inspired by the classic film noir The Night and the City...

    Not to be confused with the Robert DeNiro remake and starring Richard Widmark in the Ray Walston role who manages a younger, cocky, hot-shot wrestler and an old experienced one, both butting heads throughout and at the end, leading to the same tragic results from the big screen to the small...

    Herein Leo Gordon as the old wrestler, who was a muscular tough guy actor in his prime and herein, but not just performing initially as he was a San Quentin inmate who got his break under Don Siegel in Riot in Cell Block 11... playing the most dangerous of the rioting felons... basically, he was playing himself...

    This is also the best Jonathan Garvey episode, giving the former Rams player some action and physical interplay, as he's not that fantastic with dialogue...

    Meanwhile Ray Walston gets to be shady and dishonest and he does it well, which is no surprise as he was one of those veteran actors who Hollywood adored but didn't cast him enough.
    4mitchrmp

    Bottom Ten

    This episode is definitely on my bottom ten list. I'm not a wrestling fan, but I still enjoyed the other episode (Joe Kagen's story) much, much more than this one. I am yawningly board watching this. And Harriet Olsen's "comic relief" only serves to isolate me further. She's done a lot of low things in her time, but gambling with the church money was pretty low. I think the episode would have been much better if she had lost it...

    If you like wrestling, this one's a good episode for you. But I could do without it. We don't get to see most of the Ingalls' family, nor do we get to see my new favorite character - Almanzo Wilder...
    10reaganblue

    Fun Episode For Fans of Pro-Wrestling

    My personal favorite episode, of the series. Besides being a fan, I worked in indie Pro-Wrestling for about 10 years. I was a manager, show general manager, a one time booker, part-owner and wrestled two matches.

    Character actor Leo Gordon, is remembered for John Wayne movies. He does a perfect job, as Milo. Also, he shows you're never to old to accomplish what you do. Though he dies, having one more match, he gets redemption for himself and his late wife. (At the episode's start, you see she's the love of his life).

    Wrestling fans will love it, because it shows the beginning of old school kayfabe. That began matches turning into works (staged), instead of shoots (real). In reality, kayfabe become more common after 1900.

    Promoters began making matches works, because real matches went to long. An average match could go three hours, before a pin or submission occurred. Fans got bored and left. The last shoot pro-match, was Frank Gotch vs. George Hackenschmidt World Championship match. (Gotch was U. S. Champion and Hackenschmidt European Champion). Gotch won both and ended shoots. "The King Is Dead" gives you the idea, of the one last real fight.

    Mainstream LHOTP fans rank this episode, as a "bottom of the barrel" episode. Pro-fans, will call it one of the best.

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    Dettagli

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    • Data di uscita
      • 12 novembre 1979 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Siti ufficiali
      • Hallmark Channel
      • INSP
    • Lingua
      • Inglese
    • Luoghi delle riprese
      • Big Sky Ranch - 4927 Bennett Road, Simi Valley, California, Stati Uniti
    • Aziende produttrici
      • Ed Friendly Productions
      • National Broadcasting Company (NBC)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      49 minuti
    • Colore
      • Color
    • Mix di suoni
      • Mono
    • Proporzioni
      • 1.33 : 1

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