"Law & Order" Coma (TV Episode 1994) Poster

(TV Series)

(1994)

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7/10
A snotty guy.
rmax3048235 August 2011
Warning: Spoilers
This episode is a bit different, above average even, for a number of reasons. One is that the good guys don't really "win" in the usual sense of the word. Another is that the performance of the heavy is as convincing as it is.

A woman is found in her car, shot in the head, the bullet still in her brain. She's taken to the hospital in what appears to be an irreversible coma.

The detectives (Orbach and Noth) uncover a number of facts that seem to point to the husband as the killer. He beat his wife, he was supposedly alone in his office at the time of the shooting, he'd found out his wife was going to leave him and probably take his money and two children with her.

The husband is played by Larry Miller, balding and with a rough complexion. He runs a comedy club not far from the place of the shooting. And Miller's performance as a snotty, insulting, rotten guy is thoroughly convincing. His arrogance matches his looks. His pupils glint as if made of steel. And the contours of his speech carry their own sneer. He's the kind of guy who, if he had a neck, you'd like to wring it. The actress who plays the victim's distraught sister is middle aged and blond. She LOOKS like somebody's caring sister.

The prosecution is faced with a conundrum. If the bullet is removed from the wife's brain, they may find it matches Miller's gun. However, the operation that would extract the bullet is extremely dangerous to the wife's survival and they advise against it. Waterston and Hennessy press the nearest relative, the wife's sister, into granting permission for the operation. It extracts the bullet.

The episode raises some fascinating moral questions and points up some of the burdens carried by Waterston, whose job is to convict murderers even if the risk of doing harm to others is high.

Nice job. Good series.
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9/10
Larry Miller Makes This One
Better_TV4 May 2018
When a wife with a bullet in her brain goes into a vegetative coma, the prime suspect seems pretty obvious: her jerkoff comedy club-owning husband, played with an air of effortless a-holery by Larry Miller. Sometimes L&O side characters can be a bit sleepy and clichéd, so Miller's fast-talking performance as a blatantly selfish middle-class degenerate is pretty refreshing.

In a hilariously dark line, he even admits: "I don't need you to tell me I'm a son of a b***h ... But I happen to be a son of a b***h whose wife was shot by some other son of a b***."

This plot would be pretty generic without Miller's involvement, and without a classic L&O late-game twist: the DA's office desperately needs a ballistics report on the bullet embedded inside the victim. But the surgery could kill her. Is it ethical for them to sign off on surgery to get the bullet - and what if the bullet ends up not proving anything?

Debra Monk is great as the victim's grieving sister, who has always hated Miller's character. There's a certain amount of ambiguity to the way this one ends - it's intriguing rather than feeling like a cop out.

A great example of how to take a basic "husband vs. wife" plot and make it interesting.
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7/10
Too Soon
bkoganbing22 July 2013
Warning: Spoilers
Larry Miller makes the first of two appearances on Law And Order as Michael Dobson, owner of a comedy club with a quick wit and a facile mind that is used in committing a perfect crime. The crime is that of the murder of his wife and mother of his two children.

Sad to say that Sam Waterston makes the call to go after Miller too soon. With an imperfect case and the possibility that Miller might flee the jurisdiction, Waterston chooses to prosecute. And there's hubris involved. Miller thinks he's the smartest guy around and Waterston wants to show him he's not.

The crucial evidence needed for this case comes to Jerry Orbach and Chris Noth too late, linking Miller with the guy who actually did the deed. You won't believe what it is when they find it, but double jeopardy attachs.

Nicely done episode about a man who outsmarts our justice system. Good performance also by Debra Monk as the victim's sister.
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8/10
A lot of meat in this sandwich
TheLittleSongbird11 November 2020
Season 5 started off promisingly with "Second Opinion", it didn't understandably feel completely settled and McCoy is far more likeable and professional in other episodes but it was interesting and well done. So it is hard to not expect lots from the second episode "Coma", especially if you found the previous four seasons of very high quality on the whole (the case with me), it does sound like a very standard case but the 'Law and Order' franchise has shown more than once that it can take standard-sounding cases and make them more interesting and sometimes special.

"Coma" does manage to make its case a lot more interesting than it sounds on paper, as conceptually it is pretty basic, although it doesn't quite have the special quality. It is a very good episode, better than "Second Opinion", with attitudes towards the case in question holding up a good deal more, with a huge amount to enjoy. "Coma" is not quite a great episode, it nearly was, and it is a long way from being a 'Law and Order' high-point. But it really is well worth watching.

McCoy is better written here, less of a jerk here, but he has still handled latter cases much more professionally. Too much premature conclusion jumping with too little evidence.

This may have been solved a little if the evidence found late in the game was found sooner in the story in a twist that actually is still very well executed and unexpected but feels like it comes too late.

It is Larry Miller who steals the show and the main reason for watching "Coma", he really gives one the creeps and does fast-talking with ease. Giving a pretty cliched and potentially annoying type of role a refreshingly unsettling personality without being too obvious. He also has one of the best and darkest, also darkly funny, lines of the season and of the early seasons (starting with "I don't need you to tell me...", unrepeatable here so am not writing it in full). Debra Monk is affecting. The case is always intriguing and is not too obvious or convoluted, there are a couple of decisions in the writing mentioned already that don't quite come off but it was always compelling. The performances really help, not just Miller in particular but the regulars are all great (despite reservations about McCoy's character writing Sam Waterston is fine in the role).

Character interaction has tension and snap, but also looks natural and never too rehearsed that it comes over as clinical, the exchanges between McCoy and Logan (involving ham sandwich) and McCoy and Schiff regarding conflict of interest). Production values are slick and have a subtle grit, with an intimacy to the photography without being too claustrophobic. The music isn't used too much and doesn't get too melodramatic. The dialogue is smart and always intriguing, with plenty of it moving, chilling and provoking thought, the mentioned line from Dobson is pure genius.

Overall, very well done. 8/10
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8/10
Larry Miller steals the episode ...
mloessel13 January 2022
Warning: Spoilers
'Coma' is a very compelling episode with Larry Miller doing the scene stealing. He plays a comedy club owner who does the dirty deed of killing his wife (or hiring someone to do it) and then gets an acquittal. Miller's character is despicable arrogant and makes you want to slap him. And he's good. In the final scene McCoy is sitting in his chair wondering what happened knowing he's been out played. Oh well ...
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7/10
Larry Miller guest stars
safenoe21 November 2023
Warning: Spoilers
Famous comedian Larry Miller guest stars as the murder suspect in this fifth season episode, Coma. In fact, I think Larry is one of the few Seinfeld guest stars to also star in Law and Order, but maybe I guess. Anyway, Larry does a decent job playing the alleged villain in Coma, and we are left wondering whether the accused really did the murderous deed or not.

Anyway, I'm enjoying watching the early seasons of Law and Order and seeing the streets of New York City, which are less grimy compared to seasons one and two, so there's less of the a French Connection and Serpico feel now that we're in season five.
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