Unconvincing drama of lost love that simply fails to gel. An old flame of Matt's, named Cara, comes to town, apparently to rekindle Matt's affections. She's grown rather hard-bitten, however, so Matt is on guard. Then Dillon learns that a notorious bank robber named Tolliver is headed Dodge's way, and is known to send ahead a woman to scout the town. Now Matt's really on guard.
The savvy viewer can see the ending of this entry coming from a mile away. Perhaps the half-hour's best scene is where Amanda Blake as Kitty shows her subtle acting skills with Arness. Dressed in something that looks like a discarded pile of frilly lace, she can barely conceal her distaste for Matt's interest in another woman. Worse, Dillon wants Kitty to take in Cara and show her the ropes at the Long Branch. It's a little gem for Blake who maintains a delicately proper edge through-out. Also, note how delicately the script implies that Cara is a "fallen woman" whose virtue was cast aside once Matt left her. This is typical 1950's innuendo which avoided such plain-spoken words as "prostitute" at all costs. All in all, a familiar road, rather poorly done.