The Bride Wore Red
- Episódio foi ao ar 18 de dez. de 1988
- TV-14
- 45 min
Adicionar um enredo no seu idiomaA groom to be gets a lesson in monogamy from the stripper from hell at his bachelor party and then his bride is overwhelmed with suspicion and mistrust and busts married men who cheat due to... Ler tudoA groom to be gets a lesson in monogamy from the stripper from hell at his bachelor party and then his bride is overwhelmed with suspicion and mistrust and busts married men who cheat due to having caught her father step-out on mom when she was a child.A groom to be gets a lesson in monogamy from the stripper from hell at his bachelor party and then his bride is overwhelmed with suspicion and mistrust and busts married men who cheat due to having caught her father step-out on mom when she was a child.
- Direção
- Roteiristas
- Artistas
- Mr. Jordan
- (as Arthur David Roberts)
- Danny
- (as Jaime P. Gomez)
- Young Jessica
- (as Katy Walker)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The episode is divided into two halves, each presenting a different facet of the theme. The first half revolves around Gavin (Eddie Driscoll), a groom-to-be on the verge of marrying Jessica. Jessica harbors concerns about Gavin's sincerity in their impending marriage, leading him to make heartfelt promises of commitment. However, matters take a strange turn at Gavin's bachelor party when he encounters a mysterious stripper. The same enigmatic woman inexplicably appears at their wedding, marking the beginning of a surreal and bizarre series of events. This portion of the episode is fraught with oddities and never truly finds its footing, ultimately meandering without a clear resolution.
In the second half, the focus shifts to Jessica, who is now married to Gavin but plagued by unwavering suspicions of his fidelity. A traumatic childhood memory of catching her father in an act of infidelity has deeply scarred her, and she harbors a vendetta against cheating husbands. Determined to expose and blackmail men who stray from their commitments, Jessica engages in a dangerous game. This part of the episode feels more coherent and engaging compared to the first half, as it taps into psychological tensions and moral dilemmas. However, the narrative still relies on a twist ending that, while serving as a cautionary tale, doesn't offer any particularly novel insights into the themes it explores.
One of the notable aspects of the episode is the presence of Diane Franklin, a recognizable face in '80s cinema. However, her performance in "The Bride Wore Red" tends to be overwrought, often veering into melodramatic territory. This detracts from the impact of the story's emotional beats and character dynamics. Despite this, Franklin's appearance adds a layer of familiarity for those familiar with her previous work.
In terms of horror elements, the episode incorporates Freddy Krueger's appearances in his signature segments. While these segments provide some reprieve and familiarity for fans of the series, they don't significantly contribute to the narrative or its thematic exploration.
Overall, "The Bride Wore Red" struggles to maintain a consistent tone and storytelling quality throughout its runtime. While the second half manages to salvage the episode to some extent, the lack of a satisfying resolution and some uneven performances prevent it from fully realizing its potential. The inclusion of surreal elements, moral lessons, and a touch of horror showcases the series' eclectic approach but also highlights the challenges it faces in maintaining a cohesive and engaging narrative. Despite its shortcomings, the episode still offers a glimpse into the series' exploration of the human psyche and the complexities of relationships under the shadow of Freddy Krueger's influence.
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- Citações
Freddy Krueger: It's time for our boy faced the music with Rapmaster Freddy.
- ConexõesReferences Felicidade de Mentira (1937)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Locações de filme
- 210 Bonsall Ave, Los Angeles, Califórnia, EUA(Springwood Psychiatric Hospital - exterior)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro