"The Avengers" Who Was That Man I Saw You With? (TV Episode 1969) Poster

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8/10
Tara King - Traitor?
ShadeGrenade28 March 2009
Warning: Spoilers
Like Philip Levene before him, Jeremy Burnham was an actor ( he appeared in the 'Avengers' episode 'The Town Of No Return' ) who switched to writing. He penned five of the 32 Thorson adventures, all of them good, of which this is one.

Tara has been assigned to try and break the security of the War Room - an underground centre where a computer known as 'The Field Marshal' is in control of Britain's nuclear defences. Gilpin ( Alan MacNaughtan ), the man in charge of the War Room, informs General Hesketh ( Ralph Michael ) that the Field Marshal thwarted a rocket attack in 1961. Incredulous, the General says: "But there was no rocket attack in 1961!". "Precisely!", responds Gilpin.

Following an unsuccessful break-in ( why she is blacked-up? It is daytime! ), she prepares to organise another. But unbeknowest to her - foreign agents Gregory Zaroff ( Alan Browning ) and Dangerfield ( Alan Wheatley ) plan to discredit her by making it appear as though she has gone over to the other side.

When pictures of Tara chatting to Zaroff in a London street are sent to Mother, he immediately reduces her Departmental rating. She is kept prisoner in her flat, but escapes and sets out to clear her name. Her only ally is Steed...

The late Alan Browning is best known for his role as 'Alan Howard' in 'Coronation Street'. The character married the Street's resident sex bomb Elsie Tanner ( Pat Phoenix ) as did the actor who played him. Like Ian Hendry, he was a good actor who would have gone on to bigger things had it not been for a drink problem. He died in 1979. Alan Wheatley - the elegantly dressed 'Dangerfield' - was the 'Sheriff Of Nottingham' in 'The Adventures Of Robin Hood' which starred Richard Greene. Why his base of operations is a boxing ring in an opulent drawing room is not made clear ( though its no more bizarre than some of Mother's hide-outs ).

The concept of a computer controlling a country's defence system would be explored in the movie 'Colossus: The Forbin Project', released in 1970. The villains' hope that by discrediting Tara they can force the War Room to dismantle the Field Marshal for a limited time, leaving the country wide open to rocket attack.

The scene where Tara drives up to a red phone box in the middle of the English countryside inspired the original opening of the 1998 film.

Steed's trick with the house of cards is clever. How did he do it?
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8/10
One last detail I missed in my previous comment....
searchanddestroy-115 April 2019
Sorry folks, I forgot... The very last sequence, just before the closing credits, is absolutely exquisite....Far better than the episode itself. This sequence represents the pure AVENGERS eerie charm, that will stay in my mind as long as I live. I love this show for this kind of moments. I remember my childhood. Anyway, enjoy, as Steed and Tara in this masterpiece scene.
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8/10
Avengers in Espionage Mode
LCShackley24 March 2021
One of the attractions of The Avengers is the variety of story types: fantasy, espionage, science fiction, revenge, etc. This one falls solidly in the espionage category, featuring Tara King trying to breach the security of a top-secret government project. Why is she doing it, and who is she working for? Those questions drive the plot along, with the usual band of quirky secondary characters, including a villain who admires his own elegant feet, and an old lady who reads lips. There are plenty of standard spy tropes, including hidden cameras, and messages hidden in phone booths, plus a superbly choreographed fight scene at the end which may be the most acrobatically satisfying fight of the entire series. The final tag scene is classic Avengers, and is long enough to give you a good hearing of Laurie Johnson's "Tara" theme. Howard Blake, filling in for Johnson on the main score, does a seamless job of integrating with the standard "Avengers" sound, with the addition of what sounds like a Wurli electric piano. Don Chaffey (who directed some of my favorite PRISONER episodes) does an artistic job with interesting shots and angles.

I had not watched the Tara episodes for many years, and was expecting to be disappointed when I binged them recently. However, with only a couple of exceptions, these stories hold up well in the AVENGERS canon.
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9/10
Is Tara a traitor?
Tweekums26 July 2015
Warning: Spoilers
Tara has been given the task of testing the security surrounding the top secret War Room and the computer, known as the Field Marshal that is housed there. She has tried many times and although she is able to get into the room it seems impossible that she will be able to damage the Field Marshal or steal any classified material. Unknown to her enemy agents are plotting to discredit her; arranging for her to be seen with agent Gregor Zaroff, making sure he is seen around her apartment, sending her gifts and even arranging a murder using a pistol stolen from her house. As suspicion raises her security clearance is revoked and it seems that Steed is the only person who believes she is innocent. The question is; why are Zaroff and his boss, Dangerfield trying to make it look like Tara is a traitor?

This enjoyable episode sees Linda Thorson take centre stage again and she does a fine job in the role. The story gets off to a cracking start as we see a camouflaged Tara dealing with the guards before heading to the War Room. This leads to a scene where the purpose of her mission is clearly explained without it feeling like blatant exposition. While few viewers will seriously think Tara is a traitor there is enough evidence to make it believable that others would think that. Guest star Alan Wheatley made an enjoyable villain; his 'office' in a boxing ring is as bizarre as Mother's various offices and his elegant suits even made Steed curious about his tailor! As the story progresses the tension rises; we can't help but feel for Tara as more evidence emerges and enjoy it as she sets about proving her loyalty. Overall a really good episode.
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10/10
Jeremy Burnham's final script
kevinolzak15 May 2011
"Who Was That Man I Saw You With?" was the last of 5 excellent episodes scripted by actor Jeremy Burnham, this time directed by Don Chaffey. Tara is assigned to break the defenses of an impregnable War Room newly designed by Steed, but so far has not been successful. Meanwhile, enemy agent Gregor Zaroff (Alan Browning, "Intercrime") has been sending her gifts and money as payment for special favors, leading Mother to believe that she has switched over to the other side. Steed remains dubious that Tara is now a traitor, especially when she escapes and demonstrates how circumstantial evidence might lead to a conviction. Also featuring Alan MacNaughton ("The Town of No Return"), Aimee Delamain ("November Five"), and Richard Owens ("The 50,000 Breakfast").
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9/10
First class.
Sleepin_Dragon14 September 2022
Tara King is tasked with trying to break through security at a top secret war room, but she's suspected of being on the payroll of the other side, the dangerous Zaroff.

It's yet another very good episode from this fine final series, there is a confidence about every aspect, from the top notch production, to the great acting, to the first class storyline.

I am slightly biased as a big fan of Tara, but I think it's fair to say that she wasn't always written for in the best possible way, this whole episode however has her at its core, and Thorson is awesome. Tara is smart, fierce and logical, one of her best episodes to date.

Film like qualities throughout, it looks terrific, you can see that the budget wasn't skimped on for this one.

Mother's dungeon, I love that his bases are becoming more and more elaborate, and a little wilder, he sits like a vampire waiting for his prey.

9/10.
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8/10
Where Tara drives at?
searchanddestroy-115 April 2019
This sixth season is definitely very different from the previous one, whilst the show remains excellent. I don't even mention Linda Thorson - who is of course also different from Diana Rigg, more ingenue and light minded, why not? - but the overall schemes, settings and topics. This sixth season is more urban, than the fourth and fifth, you have less countrysides settings, but that doesn't mean you have not at all. Only less. London districts are widely shown. And weird settings, for instance Mother headquarters, are indeed the main interest in this season, more than in the Diana Rigg's period; you can see that more budget was allowed to those matters. And the science fiction lines also seem to be abandoned, but not entirely, in this sixth season. No Cybernauts, no growing and man eating plants, but that doesn't mean you have not at all. Only less. Espionage was the original scheme of the series, the genesis of this show, in the early sixties, if you remember well. Espionage and certainly not weird or fantasy. So, espionage is back. That very point leads me to talk about this episode, which provides a pure espionage topic. Except the settings, Mother's, or the bad guy's boxing room headquarters, you have nothing really exceptional, nothing really typical of the series. You would have never seen this very scheme in the two previous seasons. Or maybe, but with other elements "made in Avengers", for instance WHO'S WHO?, with Mrs Peel. And the topic of the main lead accused of something he - or she - did not do, is overused. Nothing new here. But why not? I watch the total series in continuity, so it's very easy for me to notice all those details and changes from an episode to another or a season to the next one.
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