Calendrier de lancementsLes 250 meilleurs filmsFilms les plus populairesParcourir les films par genreEn tête du box-officeHoraire des présentations et billetsActualités du cinémaFilms indiens en vedette
    À l'affiche à la télévision et en diffusion en temps réelLes 250 meilleures séries téléSéries télé les plus populairesParcourir les séries TV par genreActualités TV
    À regarderDernières bandes-annoncesIMDb OriginalsChoix IMDbIMDb en vedetteFamily Entertainment GuideBalados IMDb
    OscarsCannes Film FestivalStar WarsAsian Pacific American Heritage MonthSummer Watch GuidePrix STARmeterCentre des prixCentre du festivalTous les événements
    Personnes nées aujourd'huiLes célébrités les plus populairesNouvelles des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de visionnement
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'application
The Agatha Christie Hour
S 1.E 4
Tous les épisodesTout
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

The Fourth Man

  • L'épisode a été diffusé 28 sept. 1982
  • 52m
ÉVALUATION IMDb
7,0/10
220
MA NOTE
The Agatha Christie Hour (1982)
CrimeDramaMystery

Ajouter une intrigue dans votre langueWhen three learned men (a doctor, a lawyer and a priest) debate a young woman's recent suicide, they are joined by a fourth man with intimate knowledge of the case.When three learned men (a doctor, a lawyer and a priest) debate a young woman's recent suicide, they are joined by a fourth man with intimate knowledge of the case.When three learned men (a doctor, a lawyer and a priest) debate a young woman's recent suicide, they are joined by a fourth man with intimate knowledge of the case.

  • Director
    • Michael Simpson
  • Writers
    • William Corlett
    • Agatha Christie
  • Stars
    • John Nettles
    • Michael Gough
    • Geoffrey Chater
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,0/10
    220
    MA NOTE
    • Director
      • Michael Simpson
    • Writers
      • William Corlett
      • Agatha Christie
    • Stars
      • John Nettles
      • Michael Gough
      • Geoffrey Chater
    • 7Commentaires d'utilisateurs
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos41

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 36
    Voir l’affiche

    Rôles principaux13

    Modifier
    John Nettles
    John Nettles
    • Raoul Letardau
    Michael Gough
    Michael Gough
    • Sir George Durand
    Geoffrey Chater
    Geoffrey Chater
    • Canon Parfitt
    Alan MacNaughtan
    Alan MacNaughtan
    • Sir Campbell Clark
    Prue Clarke
    • Annette Ravel
    Fiona Mathieson
    • Felicie Bault
    Roy Leighton
    • Young Raoul
    Barbara Bolton
    • Mademoiselle
    Frederick Jaeger
    Frederick Jaeger
    • The Count
    Eric Richard
    Eric Richard
    • Stage Manager
    Christopher Wren
    • Annette's Attendant
    Stuart Fell
    Stuart Fell
    • Juggler
    Cy Town
    Cy Town
    • Porter
    • Director
      • Michael Simpson
    • Writers
      • William Corlett
      • Agatha Christie
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs7

    7,0220
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    6misctidsandbits

    This One Is a Poser

    As this tale concerns the supernatural and "orthodox: Christianity, it goes down rather hard on the pertinent points. I can understand everyone's perspective, especially the religious figure. While I appreciate his view, I can think that something else is at play in this instance for which his religious training did not prepare him.

    It seems every prolific writer eventually delves into the supernatural. This is especially true of the mystery writers (such as Conan Doyle). However, throughout her works, I did not find Agatha Christie out of touch with the genre, either of the supernatural or the effects of religion, per se, some of which deserve pillorying. This is with the understanding that there is a difference in religion and literally taken Biblical Christianity. Christie did not demean Christianity, I have found, but its posing counterpart in the guise of standardized religion.

    Thus, this was a bold endeavor, rather early-on in her career, and likely universally not anyone's favorite of her stories of any type. Personally, I come to her for diversion and entertainment, and the subject story does not fall into those ranks for me.

    However, she is always good, and this is not a story I would revisit; however, it is not one that I would strike from my ownership of her works.
    8mcher-51775

    John Nettles is great!

    Fans of Midsomer murders will enjoy watching John Nettles (DCI Barnaby) as Raoul!

    It is an intriguing short story and the episode brought the story to life very well! Definitely a case where adaptation matches the story with small changes that enhance the original on screen!

    John Nettles' portrayal of Raoul shows devotion and the intent to make sense of the mystery!

    Even though the production quality is not great, the outdoor scenes of Felicie, Annette and Raoul are atmospheric! Annette's piano playing and singing is also very natural

    Many episodes of the Agatha Christie Hour were thoughtfully cast and written, this is one of the best in the series!
    ctyankee1

    Story makes no sense and is awful

    Four men are on a train and they are all discussing the death of a woman named Felicie who supposedly had multiple personalities. It is about a girl that was living in a home for children that have no where to go.

    John Nettles is not part of the group of 3 but he knows the woman they are discussing because he lost his parents and lived in the same home which is huge.

    RAOUL/Nettles goes on to tell the men about some of the people he made friends with Felicie and Annette. He describes how pretty, smart and talented Annette is.

    He says him and Felicie were Annette's slaves like it was a joke. He loves Annette. Annette was mean, she called Felicie names and mocked her. That did not seem wrong to Raoul/Nettles.

    This is not a Agatha Christie story. She never made the main character look good who was evil and she did not put believe in spiritualism at valid. The characters that were nuts or bad had Crosses around their necks. She did not mock religion like in this story.
    6Prismark10

    The Fourth Man

    The Fourth Man is an unusual Agatha Christie story. It is a psychological even a a supernatural story delving into a character being possessed.

    Raoul Letardau (John Nettles) joins three men in a train compartment to discuss the suicide of a young woman. She strangled herself as she suffered from some kind of multiple personality disorder.

    The other men on the train are a doctor, a lawyer and a priest who are left intrigued by the story Raoul recalls. Raoul is a journalist who was present at the lecture the doctor gave. He also knew two women involved in this case since childhood.

    Raoul made friends with Felicie and Annette when they were both girls. Annette was clever, pretty and talented. When she grew up she enchanted everyone as a performer but illness cut her life short.

    Felice was hardworking and strong. She was not pretty and used to be cruelly mocked by Annette. Time after time Annette could dominate Felice, even after her death.

    It took a while to get the story going. I was also distracted because the actresses playing the young girls were clearly too old for the roles. Although they would later also play the older Felicie and Annette.

    It needed to be more surefooted at the beginning although it did get better as the story went on. A rather bold story from Christie.







    are sharing a compartment in a night train, enjoying some casual conversation along the way. Their order is disrupted by a fourth passenger in the same compartment, who was present at the doctor's latest lecture, and tells them a personal but also related story of growing up, dual personalities, and possible murder. His story is quite absorbing, and his small audience, as well as the bigger one watching this movie, is carried along, trying to guess where it's going. When it arrives at its destination, the nature of the story is left ambiguous: is it about supernatural "possession"? A strong personality dominating a weak one? A girl with excellent acting abilities that has been fooling everyone? This is yet another Agatha Christie tale which shows how ahead of her time she was in many ways, like her questioning and challenging of the "established" authorities in both the religious and the scientific fields. Exceptionally well-cast, unusual and haunting episode. *** out of 4.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This story is from the short story collection The Hound of Death and Other Stories
    • Gaffes
      Although John Nettles affects a heavy French action initially, it virtually disappears as time goes on. John Nettles' character is French. When he is relating the story to the three men on the train he is speaking in English, but since he is meant to be a Frenchman speaking in another tongue, he speaks with a French accent. In the flashback scenes he is 'speaking French', and so does not speak with a French accent. So, his French accent does not disappear, it is used to denote the times when he is not speaking in his own language.
    • Citations

      Felicie Bault: You made me look ridiculous.

      Annette Ravel: [In a mean-spirited manner] I didn't have to try very hard.

    Meilleurs choix

    Connectez-vous pour évaluer et surveiller les recommandations personnalisées
    Se connecter

    FAQ1

    • What's the name of the Italian song sung three times in the episode?

    Détails

    Modifier
    • Date de sortie
      • 28 septembre 1982 (United Kingdom)
    • Pays d’origine
      • United Kingdom
    • Langues
      • English
      • Italian
    • sociétés de production
      • Thames Television
      • Granada
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      52 minutes
    • Couleur
      • Color

    Nouvelles connexes

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    The Agatha Christie Hour (1982)
    Lacune principale
    What is the Spanish language plot outline for The Fourth Man (1982)?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la façon de contribuer
    Modifier la page

    En découvrir davantage

    Consultés récemment

    Veuillez activer les témoins du navigateur pour utiliser cette fonctionnalité. Apprenez-en plus.
    Obtenir l'application IMDb
    Connectez-vous pour plus d’accèsConnectez-vous pour plus d’accès
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • License IMDb Data
    • Salle de presse
    • Publicité
    • Tâches
    • Conditions d’utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.