A young Korean artist lives in Amsterdam. She is a bit of a loner and has never had a serious relationship, insisting that she is "waiting" for the right person. She works in the public square, drawing portraits for passersby but, for herself, she also indulges in painting her favorite flowers, daisies. But, all of a sudden, she has a secret admirer. Flowers are delivered to her residence every day at 4:15, usually daisies, yet she can not catch the sender in the act. This is because, unknown to her, her beau is a Korean hit-man, and he wishes to remain hidden, for now. One day in the square, however, another attractive Korean man sits for the artist and happens to be carrying a pot of daisies. She concludes that he is her shy hero and, also, the man she has been waiting to find. This second gentleman, too, has a secret; he is an Interpol agent. The assassin can see everything that transpires in the square, due to having an apartment close by. Naturally, he is disturbed that another man has entered the young girl's life. How will this shadowy love triangle play out? This is a beautiful picture to watch. The setting in Amsterdam and the surrounding countryside is very, very lovely. Add in three most attractive young Korean actors and, visually, any viewer has a stunning panorama in front of them. The story is quite nice, too, being a mixture of drama and action, with a dash of the unexpected. Costumes are very fetching and the production values, high. In short, anyone searching for a quality foreign film with a compelling story and great scenery would find this movie a wonderful choice for a diverting evening. Should you have someone's hand to hold during the view, so much the better.
28 Reviews
A Nutshell Review: Daisy
DICK STEEL25 April 2006
Flowers! If it's one thing you'll take away from this movie, it's gonna be the flowers. They feature so prominently and are used as plot devices, you'll become an expert in identifying with daisies and black tulips by the time the movie ends.
Set in Amsterdam, Daisy tells the frustrating love triangle story between 1 girl and the 2 men in her life. One a professional hit-man eking out a living, the other an Interpol agent. Featuring a Pan-Asian cast (Korean, Hong Kong) and crew (director Andrew Lau from Hong Kong, writer from Korea, and a Thai post production team), I could imagine the headaches in coordination.
Park Yi (Jung Woo-sung) is a hit-man who found a soft spot for painter Hye-young (played by the pretty Jeon Ji-hyun). It's love at first sight in the meadows of daisies, where her clumsiness caught his attention. However, being shy and ever mindful of the dangers of his professional career, he can only admire her from afar, do little (or perhaps big) things for her in an anonymous fashion, but the one that takes the cake is sending her potted daisies everyday without fail at 4:15pm. He becomes her guardian angel from afar, shielding her and keeping her safe from harm.
Hye-young is in love with this mysterious stranger. She is constantly waiting for him to appear, but I really wonder how difficult could that be given the almost punctual daisy delivery. Nonetheless, she's terribly moved, and touched by this sole act. However, as the stars would have it, interpol detective Jeong Woo (Lee Sung-jae) chances upon Hye-young at a town square during one of his undercover missions, and he too is captivated by her. In a similar fashion, because of his profession, he is doubtful if he should make the first move.
Which is where the audience would find it frustrating. The lady obviously would fall for the wrong guy (then again, it's the "good" guy), Park Yi being infuriated by Jeong Woo's pursuit, but yet still refuses to step out and identify himself, and Jeong Woo being the opportunist in grabbing the free anonymous identity unwittingly. It's almost as if you wanna give everyone a slap to wake them all up.
That aside, it is precisely this tension that keeps you intrigued. And it is wickedly fun to watch the two male leads finding it tough to fall in love without jeopardizing their careers, or their loved one. But fret not action fans, there are enough cat-and-mouse revelations and unsaid camaraderie in the mould of Infernal Affairs, as well as ample gunfights, although I felt the ending could have been scripted tighter.
What rocks is the clever editing. Telling the story in a non-linear timeline (no worries, it ain't that bad, you'll still be able to follow the narrative) from the points of view of all the leads, keeping you in suspense, and culminating in a three way split screen showcasing all their emotions in a single converging event, which I thought was extremely well-done.
It's a beautiful film in terms of landscapes of lush meadows and busy city squares, with plenty of classical music to sooth the soul. As with romance movies, all the leads are eye candy - the girls will have a field day with the two handsome male leads, while the guys have to make do with a somewhat pudgy-faced (argh! OK lah, at certain angles) Jeon Ji-hyun.
If you're into a romance movie with an equal balance in the action/tension department, then Daisy would be your choice. If you prefer a more conventional weepy, then the other Korean movie making its debut here at the same time, You are My Sunshine, would be your alternative. And yes, I totally dig the ending scene, which I thought only the Koreans do it best? Kinda reminded me of the JSA one.
Set in Amsterdam, Daisy tells the frustrating love triangle story between 1 girl and the 2 men in her life. One a professional hit-man eking out a living, the other an Interpol agent. Featuring a Pan-Asian cast (Korean, Hong Kong) and crew (director Andrew Lau from Hong Kong, writer from Korea, and a Thai post production team), I could imagine the headaches in coordination.
Park Yi (Jung Woo-sung) is a hit-man who found a soft spot for painter Hye-young (played by the pretty Jeon Ji-hyun). It's love at first sight in the meadows of daisies, where her clumsiness caught his attention. However, being shy and ever mindful of the dangers of his professional career, he can only admire her from afar, do little (or perhaps big) things for her in an anonymous fashion, but the one that takes the cake is sending her potted daisies everyday without fail at 4:15pm. He becomes her guardian angel from afar, shielding her and keeping her safe from harm.
Hye-young is in love with this mysterious stranger. She is constantly waiting for him to appear, but I really wonder how difficult could that be given the almost punctual daisy delivery. Nonetheless, she's terribly moved, and touched by this sole act. However, as the stars would have it, interpol detective Jeong Woo (Lee Sung-jae) chances upon Hye-young at a town square during one of his undercover missions, and he too is captivated by her. In a similar fashion, because of his profession, he is doubtful if he should make the first move.
Which is where the audience would find it frustrating. The lady obviously would fall for the wrong guy (then again, it's the "good" guy), Park Yi being infuriated by Jeong Woo's pursuit, but yet still refuses to step out and identify himself, and Jeong Woo being the opportunist in grabbing the free anonymous identity unwittingly. It's almost as if you wanna give everyone a slap to wake them all up.
That aside, it is precisely this tension that keeps you intrigued. And it is wickedly fun to watch the two male leads finding it tough to fall in love without jeopardizing their careers, or their loved one. But fret not action fans, there are enough cat-and-mouse revelations and unsaid camaraderie in the mould of Infernal Affairs, as well as ample gunfights, although I felt the ending could have been scripted tighter.
What rocks is the clever editing. Telling the story in a non-linear timeline (no worries, it ain't that bad, you'll still be able to follow the narrative) from the points of view of all the leads, keeping you in suspense, and culminating in a three way split screen showcasing all their emotions in a single converging event, which I thought was extremely well-done.
It's a beautiful film in terms of landscapes of lush meadows and busy city squares, with plenty of classical music to sooth the soul. As with romance movies, all the leads are eye candy - the girls will have a field day with the two handsome male leads, while the guys have to make do with a somewhat pudgy-faced (argh! OK lah, at certain angles) Jeon Ji-hyun.
If you're into a romance movie with an equal balance in the action/tension department, then Daisy would be your choice. If you prefer a more conventional weepy, then the other Korean movie making its debut here at the same time, You are My Sunshine, would be your alternative. And yes, I totally dig the ending scene, which I thought only the Koreans do it best? Kinda reminded me of the JSA one.
something missing...
bidor6 June 2006
The cast are good. The setup is interesting. However I cannot stop feeling that there is something missing in this movie. It lacks couple things that would make the audience believe in the story. The main problem, I believe, is the characters lack depth. The constant flashbacks waste a lot of time telling the same story three times. Therefore, although the movie is fairly long, there are not enough scenes for each character to develop and show us their personalities. The setting is also unbelievable as well. A bunch of Koreans in Netherland, especially one working as a cop and one working as an assassin, does this feel like a credible story?
The movie is somewhat entertaining, the actors and actress did a good job, the cinematography is pleasing but I just feel disappointed that all these good effort did not add up to a good movie.
The movie is somewhat entertaining, the actors and actress did a good job, the cinematography is pleasing but I just feel disappointed that all these good effort did not add up to a good movie.
Watching both versions a MUST to really appreciate it
keal19 October 2006
I saw the Korean version of Daisy first. It came across as a simple love story that flowed nicely from start to finish. I saw it 3 times as I waited for my copy of the director's cut to arrive.
Then I got the DC and watched it. Wow! I think this is the first REAL director's cut I've ever seen. Amazing how detailed the editing is in both versions! The DC is laid out like a hardcore thriller, with the love story in the background. It moves at a slower pace than the Korean version.The variations between both versions are so drastic, it seems like two totally different movies. I thought I would be worn out watching the movie again, toughing it out just to look for the added scenes. That wasn't the case. It really felt like I was watching a whole new movie.
While the DC is 20 minutes longer than the Korean version, you'll be hard-pressed to pinpoint where or what has been changed. 2 seconds chopped off here. A second added there. An entire scene added here. Another erased there. In both versions, scenes have been added, omitted or chopped up and reordered. In some scenes, entire lines of dialogue were replaced or reordered - while the scene itself was untouched. Even simple sound effects were added/omitted from each version - having a major impact on the mood of the film, and sometimes even changing the outcome of a scene. What comes across as a tender moment in the Korean version is a sad, somber one in the DC. The endings of both versions leave room for interpretation. As far as I can tell, both versions end a LOT different, and were intended that way.
I'm assuming most people will be acquiring the director's cut of the film, and will find the movie pretty decent, but a little long and boring. If that's the case, look for the Korean version. Same movie, but different feel. I think there's a deluxe 3-DVD version that contains both cuts of the film - not sure.
The versions compliment each other so well that as a pair, I'll watch Daisy more often than I do any of my other favorite Korean movies. Alone, I'd say the Korean version is a nice love story that I'd watch once in awhile. The director's cut, I'll watch maybe once or twice, then never again, as I find the pacing dull. But they just go so well together! For what I consider the best experience, I'd say watch the Korean version first. Then watch the director's cut to help fill in the gaps of the story that you were curious about.
The editing is the real star of the film.
Then I got the DC and watched it. Wow! I think this is the first REAL director's cut I've ever seen. Amazing how detailed the editing is in both versions! The DC is laid out like a hardcore thriller, with the love story in the background. It moves at a slower pace than the Korean version.The variations between both versions are so drastic, it seems like two totally different movies. I thought I would be worn out watching the movie again, toughing it out just to look for the added scenes. That wasn't the case. It really felt like I was watching a whole new movie.
While the DC is 20 minutes longer than the Korean version, you'll be hard-pressed to pinpoint where or what has been changed. 2 seconds chopped off here. A second added there. An entire scene added here. Another erased there. In both versions, scenes have been added, omitted or chopped up and reordered. In some scenes, entire lines of dialogue were replaced or reordered - while the scene itself was untouched. Even simple sound effects were added/omitted from each version - having a major impact on the mood of the film, and sometimes even changing the outcome of a scene. What comes across as a tender moment in the Korean version is a sad, somber one in the DC. The endings of both versions leave room for interpretation. As far as I can tell, both versions end a LOT different, and were intended that way.
I'm assuming most people will be acquiring the director's cut of the film, and will find the movie pretty decent, but a little long and boring. If that's the case, look for the Korean version. Same movie, but different feel. I think there's a deluxe 3-DVD version that contains both cuts of the film - not sure.
The versions compliment each other so well that as a pair, I'll watch Daisy more often than I do any of my other favorite Korean movies. Alone, I'd say the Korean version is a nice love story that I'd watch once in awhile. The director's cut, I'll watch maybe once or twice, then never again, as I find the pacing dull. But they just go so well together! For what I consider the best experience, I'd say watch the Korean version first. Then watch the director's cut to help fill in the gaps of the story that you were curious about.
The editing is the real star of the film.
love from flower
echo_caoli11 May 2006
No matter I love you or not, I use my life to proof the long time waiting. In the last moment, my life just likes the daisy blooming in the picture. This is a typical Asian movie, which combines the element of the South Korean's tragedy and the element of china's action movie. It gives you a feeling from the deep heart. May be you are a litter puzzled about the detail, however, use your heart, you can experience something different.
The views and pictures in this film are so beautiful. It's a traveling for your eyes. If you like classic music, you also can be satisfaction by the movie. Yes, although there are some raw skills in this film, they didn't affect it become a good and moving movie.
Using your heart, your eyes and your hearing to feel the different kind of love coming from the other side of the world.
The views and pictures in this film are so beautiful. It's a traveling for your eyes. If you like classic music, you also can be satisfaction by the movie. Yes, although there are some raw skills in this film, they didn't affect it become a good and moving movie.
Using your heart, your eyes and your hearing to feel the different kind of love coming from the other side of the world.
A Love Masterpiece
murali-8276114 June 2021
Interesting structure - worth watching
phd_travel3 April 2020
Although parts of this movie are slow I felt the story was involving. The setting in Holland is pretty and the music is nice. The plot structure of showing different perspectives of the protagonists is interesting. The love triangle isn't that predictable. Although tragic I actually found the outcome satisfying. Gianna Jun is sweet and then serious. A departure from her usually cute roles. Jung Woo Sung is a cool killer. Worth a watch.
The Killer - Korean Style
soeprijo193 September 2012
Again, I'm late 6 years to watch a good Asian movie. This makes me think why cinemas in my country only play Hollywood summer blockbusters when there are many better non Hollywood movies out there. Anyway... This movie really reminds me of HK Chow Yun Fat's The Killer (1987). There is a romantic killer and disable girl as his love interest. By then, the girl was blind after the shoot out and in Daisy, the girl can not speak after the gun fight. Both killers are decent man and have a good self consciousness (I doubt there is really a gun for hire out there like our lead actor). But that's all of the resemblance. The tone of Daisy is drama, so action is not very intense. Even at the end, when the final show down between the killer and the villains, the intensity is not very high. But one thing differ this movie from its predecessor, it's Jun Ji Hyun. She's really a good actress, capable of drawing our sympathy, feel her love and pain even though she does not speak nearly for half end of the movie. When she discovered the truth about the man whom she really loved, deep down in our heart we really wish happiness for her, even though some of us maybe know what's coming. Definitely 8/10
HK Neo Reviews: Daisy
webmaster-30172 August 2010
Simply unconvincing
Love is all about timing and it's no good meeting the right person at the wrong place and the wrong time. Well, at least for a good 100 minutes of Daisy it seems to be heading towards that way, but then all of a sudden director Andrew Lau takes a complete U-turn and goes for anything is possible – "the future can be changed". The result is weird, confusing, unbelievable and a tad too long. Running at 110 minutes, Daisy is at least 20 minutes too long, and the effect on the audience is straining and dragging on and on, which isn't exactly the right type of emotions to have. Without doubt, this is an Andrew Lau film, the director who helmed a production called Infernal Affairs, but somehow, it plays more like a typical melodramatic Korean film and adding some spices of Johnnie To's Fulltime Killer. The end product isn't original and the overall feeling is pretty much unconvincing and when the only pros are the beautiful backdrop of Amsterdam, the pretty painter and good production values, you can tell that a lot of things are heading the wrong direction.
The movie goes like this: "Daisy" is a story about the inevitable showdown between a detective and a killer who fall in love with the same woman. In the story, Jeon plays a street artist who dreams of opening her own exhibition someday, while Jeong portrays a killer who loves her but cannot confess his love to her because of his profession.
Sometimes, you wonder how the hell a director like Andrew Lau can co-direct films like Infernal Affairs and Young and Dangerous, and then go on and create crap like The Park, Wesley's Mysterious Files when left alone.
Whatever the case, in Daisy, Lau isn't just unconvincing, but also disappointing. It is extremely unfortunate that the bright spot of Korean cinema is now resorting to cliché and Lau does nothing new, but reinforces that fact. Adding to the wound is the casting of hugely popular Jeon Ji-Hyun from My Sassy Girl, further enhancing the fact of how the hell did this movie turned out so boring.
Jeon Ji-Hyun is alongside, Ha Ji-won and Song Hye-kyo as Neo's favourite Koreans and while her performance here is hugely different from her loud mouthed fame from My Sassy Girl. She offers nothing new or fresh to the mute role and frankly it is a role that can be done by any other actresses. Muting a talkative girl is as much a pain for her to stop talking, let alone for the audience to endure through it. Nonetheless she is an extremely likable character and possessing pretty face to go with it. Lee Sung-Jae performs far better than the Andy Lau wannabe - Jung Woo-Sung. Lee shows some good acting chops and his chemistry with Jeon is romantic to watch. Perhaps it is the moment that he disappears from the screen that the movie becomes a tad too long and leaning towards boredom. In some way, his eyes resemble a Tony Leung Chiu Wai with a Korean flair and in an ironic contrast, Jung parallels an Andy Lau. Perhaps it is Andrew Lau's fault in filming them as if they are HK superstars, rather than letting them be themselves, but nonetheless, it is a shockingly crap performance from Jung and his encounters with Jeon is stupid and utterly unbelievable.
As I mentioned before, there is a spice of Fulltime Killer within this film, and certainly Jeon's role is not unlike Kelly Lin and Jung being the Andy Lau and Lee as the cop. However, despite Fulltime Killer being flawed itself, it was still highly enjoyable and utterly and stylishly cool, but Daisy is just far too uneven and more importantly unconvincing. Sure, there are bits and pieces in the first 90 minutes that is worth watching; especially the scene where Lee encounters Jeon in the middle of the beautiful backdrop of Amsterdam, their awkward moment of romance is a beautiful moment to endure. Unfortunately those moments are far and in between and the rest is just predictable and unconvincing.
All in all, Daisy isn't bad movie, but it is utterly unconvincing. Even typing this review, right now, I realise that I have been typing one word over and over again – unconvincing. It is rare that I keep using the same word over and over again to describe a movie, but it is exactly the reason why the movie didn't work. Andrew Lau has yet to prove that he can handle a movie by himself, and if it takes a co-director for him to have any success, then he should stop directing alone. Sometimes, a director really needs to know what the hell he is aiming to achieve, so that the audience can understand the message that he is trying to put across. It is no good, emphasising the point of missed opportunities and meeting the person at the wrong time and place for a good portion of the movie, then all of a sudden turning 180 degrees saying that it doesn't really matter. The effect is that of leaving the audience feeling stupid and more unbelievable than believable. Perhaps one word can sum up the whole film and you probably already know what word it would be – unconvincing
I rate it 6/10
The movie goes like this: "Daisy" is a story about the inevitable showdown between a detective and a killer who fall in love with the same woman. In the story, Jeon plays a street artist who dreams of opening her own exhibition someday, while Jeong portrays a killer who loves her but cannot confess his love to her because of his profession.
Sometimes, you wonder how the hell a director like Andrew Lau can co-direct films like Infernal Affairs and Young and Dangerous, and then go on and create crap like The Park, Wesley's Mysterious Files when left alone.
Whatever the case, in Daisy, Lau isn't just unconvincing, but also disappointing. It is extremely unfortunate that the bright spot of Korean cinema is now resorting to cliché and Lau does nothing new, but reinforces that fact. Adding to the wound is the casting of hugely popular Jeon Ji-Hyun from My Sassy Girl, further enhancing the fact of how the hell did this movie turned out so boring.
Jeon Ji-Hyun is alongside, Ha Ji-won and Song Hye-kyo as Neo's favourite Koreans and while her performance here is hugely different from her loud mouthed fame from My Sassy Girl. She offers nothing new or fresh to the mute role and frankly it is a role that can be done by any other actresses. Muting a talkative girl is as much a pain for her to stop talking, let alone for the audience to endure through it. Nonetheless she is an extremely likable character and possessing pretty face to go with it. Lee Sung-Jae performs far better than the Andy Lau wannabe - Jung Woo-Sung. Lee shows some good acting chops and his chemistry with Jeon is romantic to watch. Perhaps it is the moment that he disappears from the screen that the movie becomes a tad too long and leaning towards boredom. In some way, his eyes resemble a Tony Leung Chiu Wai with a Korean flair and in an ironic contrast, Jung parallels an Andy Lau. Perhaps it is Andrew Lau's fault in filming them as if they are HK superstars, rather than letting them be themselves, but nonetheless, it is a shockingly crap performance from Jung and his encounters with Jeon is stupid and utterly unbelievable.
As I mentioned before, there is a spice of Fulltime Killer within this film, and certainly Jeon's role is not unlike Kelly Lin and Jung being the Andy Lau and Lee as the cop. However, despite Fulltime Killer being flawed itself, it was still highly enjoyable and utterly and stylishly cool, but Daisy is just far too uneven and more importantly unconvincing. Sure, there are bits and pieces in the first 90 minutes that is worth watching; especially the scene where Lee encounters Jeon in the middle of the beautiful backdrop of Amsterdam, their awkward moment of romance is a beautiful moment to endure. Unfortunately those moments are far and in between and the rest is just predictable and unconvincing.
All in all, Daisy isn't bad movie, but it is utterly unconvincing. Even typing this review, right now, I realise that I have been typing one word over and over again – unconvincing. It is rare that I keep using the same word over and over again to describe a movie, but it is exactly the reason why the movie didn't work. Andrew Lau has yet to prove that he can handle a movie by himself, and if it takes a co-director for him to have any success, then he should stop directing alone. Sometimes, a director really needs to know what the hell he is aiming to achieve, so that the audience can understand the message that he is trying to put across. It is no good, emphasising the point of missed opportunities and meeting the person at the wrong time and place for a good portion of the movie, then all of a sudden turning 180 degrees saying that it doesn't really matter. The effect is that of leaving the audience feeling stupid and more unbelievable than believable. Perhaps one word can sum up the whole film and you probably already know what word it would be – unconvincing
I rate it 6/10
- www.thehkneo.com
my favourite korean movie
boni9131 July 2018
Encouraging effort, but doesn't quite hit the mark
leekandham5 December 2006
Daisy (데이지) Jeon Ji-hyun, Jung Woo-sung, Lee Sung-jae Dir: Andrew Lau - 2006 - Korea / Hong Kong / Netherlands
Hye-young (Jeon Ji-hyun) is a painter in Amsterdam who looks after her grandfather's antique shop during the week and earns extra money by being a street painter during the weekend. It's through her painting that she meets Jeong-woo (Lee Sung-jae), an Interpol cop who is chasing a criminal, but keeps Hye-young in the dark about his real work. Meanwhile, Hye-young is dying to meet the man who leave flowers on her doorstep every day, and built a bridge over a stream for her when she once fell in. Little does she know that he's really a contract killer, Park-yi (Jung Woo-sung), and a shy man, who has fallen for her.
If I were to super-critical, Daisy unfortunately didn't carry the strongest script for me, despite what appeared to be a fantastic concept. A few plot flaws spoilt the cleverness of some of the scenes, and generally, it lacked some of the sophistication I'd expect from a Korean melodrama. This was compounded by some over-acting, which left a feeling that much of the realism was lost from the movie. However, that would be the super-critical view, as there were some positives.
This is one of the rare romantic movies for acclaimed director, Andrew Lau, who famed for his fantastic thriller, Infernal Affairs. With that background, much could be expected from Lau, and this was one challenge that would test his versatility as a director. One of the outstanding features of Infernal Affairs was the cinematography, and Lau has transferred it to this movie using some superb camera angles to add to the visual beauty and mood of the film.
Overall, I did enjoy the film, although I did think that it could be better, given the brilliance of Lau's previous film. However, Lau has done well with a different script and I think he has proved himself as one of the best directors in Hong Kong mainstream cinema at the moment. One with some nice flowers.
6/10
Hye-young (Jeon Ji-hyun) is a painter in Amsterdam who looks after her grandfather's antique shop during the week and earns extra money by being a street painter during the weekend. It's through her painting that she meets Jeong-woo (Lee Sung-jae), an Interpol cop who is chasing a criminal, but keeps Hye-young in the dark about his real work. Meanwhile, Hye-young is dying to meet the man who leave flowers on her doorstep every day, and built a bridge over a stream for her when she once fell in. Little does she know that he's really a contract killer, Park-yi (Jung Woo-sung), and a shy man, who has fallen for her.
If I were to super-critical, Daisy unfortunately didn't carry the strongest script for me, despite what appeared to be a fantastic concept. A few plot flaws spoilt the cleverness of some of the scenes, and generally, it lacked some of the sophistication I'd expect from a Korean melodrama. This was compounded by some over-acting, which left a feeling that much of the realism was lost from the movie. However, that would be the super-critical view, as there were some positives.
This is one of the rare romantic movies for acclaimed director, Andrew Lau, who famed for his fantastic thriller, Infernal Affairs. With that background, much could be expected from Lau, and this was one challenge that would test his versatility as a director. One of the outstanding features of Infernal Affairs was the cinematography, and Lau has transferred it to this movie using some superb camera angles to add to the visual beauty and mood of the film.
Overall, I did enjoy the film, although I did think that it could be better, given the brilliance of Lau's previous film. However, Lau has done well with a different script and I think he has proved himself as one of the best directors in Hong Kong mainstream cinema at the moment. One with some nice flowers.
6/10
Great Movie
RaajueSheikh12 June 2021
A slow poison
www-sri12 November 2016
Warning: Spoilers
Like the summery suggests, this movie works like a slow poison. The pacing of the movie is really slow but that didn't stop me from liking it. After the end of the movie i sat down on my chair thinking about the movie for an hour. And after a week i decided to write the review of this movie. Well, i won't call it a review, these are my general thoughts regarding the movie. So, i warn you there will be minor spoilers. Daisy is a tragic love triangle between a cop, a painter and an assassin. Hye-young(ji-hyun jun) is a 25 years old painter living in Amsterdam, who looks after her grandfather's antique shop. One day she meets Jeong-woo(Lee sung-jae), an Interpol cop whose job is to put an end to the Asian mafia in Amsterdam, both fall in love with each other, but one day a gun fire happens in the middle of the street. Hye-young and jeong-woo both got hurt. In this tragic accident Hye-young looses her voice and Jeong-woo got shot in the arm and sent back to Korea. Enter park yi(Woo-sung Jung), an assassin by profession. He tries to steal the heart of Hye-young and also helps her to forget the sad past. After his relentless effort Hye-young accepts his love. Everything was working well for Park Yi but suddenly Hye-young finds Jeong woo standing at her doorsteps. Thus, we have our movie.
The plot of the movie is really good and it had the potential to turn into a great romantic movie, the only thing matters is the Execution and that is the greatest problem i have with this movie. The screenplay of the movie is really slow. The first 50 minutes were really enjoyable. But after that this movie really drags on. There was no chemistry between JI-Hyun jun and Woo-sung jung. We don't feel the romance between those two. We see Hye-young as a mute girl fighting with her own feelings and park yi trying really hard to appease her but we don't get to see how he does that and director introduces the time gap of one year. And after one year the situation is slightly changed, Hye-young and park yi are now couples but we don't see how that happened. And it is replaced by some gangster and mafia plot. And then the whole thing is turned into a convoluted mess. But the last 15 minutes of the movie really worked for me and the ending was something i didn't expect at all. The ending of the movie was really tragic and completely turns the table.
Performance wise, all three lead actors did a fine job. Woo-sung jung's role as an assassin is perfect, Sung-jae lee also did a good job but the performance of ji hyun- jun wasn't up to the mark. No offense, i liked her acting in My sassy girl and wind struck and even in this movie she did a fine job at first but after she loses her voice i lost interest in her character, but again i feel she did an OK job but the actress of her caliber could've done better. The movie is set in Amsterdam which is really weird because i haven't seen any Asian movie filmed outside the continent. Maybe they thought filming the movie in Amsterdam will give the movie a romantic feel to it and i guess it worked, at least for the most part.
Daisy is a good romantic movie but it's no way comparable to other Korean romantic classics such as A moment to remember, my sassy girl and the classic. But the great plot, solid performance and a good climax made it a must watch for all Asian movie lovers and also for anyone who want to watch a good tragic romantic story. Sorry for my bad English.I Am a south Asian and English is not my forte but i tried really hard keep this review understandable to the general English speaking people.
The plot of the movie is really good and it had the potential to turn into a great romantic movie, the only thing matters is the Execution and that is the greatest problem i have with this movie. The screenplay of the movie is really slow. The first 50 minutes were really enjoyable. But after that this movie really drags on. There was no chemistry between JI-Hyun jun and Woo-sung jung. We don't feel the romance between those two. We see Hye-young as a mute girl fighting with her own feelings and park yi trying really hard to appease her but we don't get to see how he does that and director introduces the time gap of one year. And after one year the situation is slightly changed, Hye-young and park yi are now couples but we don't see how that happened. And it is replaced by some gangster and mafia plot. And then the whole thing is turned into a convoluted mess. But the last 15 minutes of the movie really worked for me and the ending was something i didn't expect at all. The ending of the movie was really tragic and completely turns the table.
Performance wise, all three lead actors did a fine job. Woo-sung jung's role as an assassin is perfect, Sung-jae lee also did a good job but the performance of ji hyun- jun wasn't up to the mark. No offense, i liked her acting in My sassy girl and wind struck and even in this movie she did a fine job at first but after she loses her voice i lost interest in her character, but again i feel she did an OK job but the actress of her caliber could've done better. The movie is set in Amsterdam which is really weird because i haven't seen any Asian movie filmed outside the continent. Maybe they thought filming the movie in Amsterdam will give the movie a romantic feel to it and i guess it worked, at least for the most part.
Daisy is a good romantic movie but it's no way comparable to other Korean romantic classics such as A moment to remember, my sassy girl and the classic. But the great plot, solid performance and a good climax made it a must watch for all Asian movie lovers and also for anyone who want to watch a good tragic romantic story. Sorry for my bad English.I Am a south Asian and English is not my forte but i tried really hard keep this review understandable to the general English speaking people.
Nice music
azzurra-ying3 May 2006
Warning: Spoilers
Despite the music I'm sorry to say that the atrocity of plot and use of clichés in movies just don't work for me. The plot of Daisy is forgivable as long as you take it to be the tragic love story of a lonely young woman instead of anything of the thriller genre. The landscape's beautiful but with the making a display out of Monet and Van Gogh and sunflowers, it completes and entrenches the clichés of popular understandings of impressionist work - warm, fuzzy, comfortable calender backdrop type of pictures. Korean movies (comedies excluded) has never disappointed me in churning out clichés - dark, silent, emotional males; fair, pure-looking and totally victimised, equally silent and emotional females. In this one Jun Ji Hyun completely made it to be the Ultimate Silent and Emotional female by losing both her voice and lover. To be fair I do think she acted well though, and really made a pretty, stirring picture with the nice selection of music.
Great movie
sirc_zurc01416 January 2011
I don't know how to comment or how to express myself after watching "Daisy". The first review of this movie helps me a lot but I can't tell that it's right! I watched first the DC and I think it's greater than the Korean version. It is more natural and lovely. And I can't also say that my review is right. Hehehehe. All I can sure is that you better watch the DC version and Korean version of Daisy and you will not regret any single moment crying and laughing while watching. No matter how many edit done in this movie still you will feel the heart of the story. It's really amazing, until now i can't get over.
One of my favorite movies! You should watch it!
One of my favorite movies! You should watch it!
I liked it a lot
ragan_1231 October 2018
Decent
timboh5624 September 2006
Good, but not great. I thought the plot progression throughout the film was quite weak, unlike in My Sassy Girl. The plot wasn't half bad, but I would've appreciated it a lot more if it wasn't so predictable and if it wasn't charged with so many clichéd themes. The acting was pretty good, and Jun Ji Hyun basically saved this film completely, mostly because she's the prettiest girl in the world, and she's one of the most charismatic, convincing and greatest actresses out there. However, the character development throughout the film was just too thin, and I felt this film was rushed. Visually, the cinematography was quite good throughout the film and really sets the mood of the film, but I think the clichéd plot was unforgivable. Oh well, it was a decent effort.
It glowes with emotions...
azetkhataieva24 August 2019
Warning: Spoilers
It is much clear from the start that the outcome of this film will be a heart-wrenching one!It cheats your hope in many ways,but you can't help but fall in love with it all! This is a romantic drama that represents a daisy flower which symbolize innocence and purity through a love-triangle,in which two opposite forces falls in love with one woman.
Gianna gives out a outstanding performance as the carefree painter Hye-young. A young woman who has her heart on her sleeve who waits for her true love that has given her daisies for a long time and even build a bridge for her. Thinking its her new friend Jeong Woo...she has actually no idea who it really was. The character of Jeong Woo played by Lee Sung-jae had sadly no emotional depth that could relate me much to him. Fate made him meet Hye-young,but also took him ruthlessly away from her. professional hitman Park Yi played by Woo-sung has a dark charisma that kept you glued to the screen every time he made a appearance,his loneliness shows from his sad expressions...and his doomed love and passion for Hye-young was what made the true spark in this whole film. Them two together on-screen was magic!
Gianna gives out a outstanding performance as the carefree painter Hye-young. A young woman who has her heart on her sleeve who waits for her true love that has given her daisies for a long time and even build a bridge for her. Thinking its her new friend Jeong Woo...she has actually no idea who it really was. The character of Jeong Woo played by Lee Sung-jae had sadly no emotional depth that could relate me much to him. Fate made him meet Hye-young,but also took him ruthlessly away from her. professional hitman Park Yi played by Woo-sung has a dark charisma that kept you glued to the screen every time he made a appearance,his loneliness shows from his sad expressions...and his doomed love and passion for Hye-young was what made the true spark in this whole film. Them two together on-screen was magic!
Although Lacking the Action Andrew Lau's Films are Notable For, Daisy is a Sombre, Character Driven Love Story About Beauty, Longing and Acceptance
totalovrdose12 June 2015
To have Andrew Lau's name associated with a film like Daisy struck me as rather peculiar upon completion of my original viewing, for unlike many of his other works, notable often for their action, the romantic storyline could almost be comparative to a film helmed by Wong Kar Wai. Though the film conveys a similarity to Mr. Lau's Bullets of Love, the strong focus on the three lead characters, each of whom experience love and loss in equal measure, their narration, that assists in scaffolding their feelings and perspectives, is unlike what Mr. Lau has previously showcased. However, his vision can often be seen during the quick cuts exhibited within the infrequent fight scenes, that are often times frenetic, yet at the same time, focused on the segment's most important characters.
The themes of love, death, beauty and art are accentuated by the poignant soundtrack that adds to the atmosphere, while the exceptional song, uniquely used for lead character Hye-Young (Jun Ji-Hyun), further emphasizes the words and opinions that she does not personally give voice to, which makes for an even more emotive setting. An artist, originally from the South Korean countryside, this location, alongside the streets of Amsterdam where the film is primarily set, heightens the artistic beauty of the world Hye-Young inhabits, making a living by temporarily working at her grandfather's antique store, while dedicating the majority of her life to her artistic endeavors.
Ms. Ji-Hyun brilliantly encapsulates her character's passion for art, and equally gives life to her pain and frustration. The antique store helps emphasize her grandfather's fear that Hye-Young, if she does not find an acceptable suitor, will soon end up much like some of the unwanted items in his store, and though she refuses to accept such ideas, her initial thoughts on love, that are perhaps overloaded, do evidently stress her desires. Her heart, in secret, already belongs to a man she has never met, Park Yi (Jung Soo-Wung), who frequently sends her daisies, though does not have the courage to reveal himself to her, after dedicating himself to the life of a contract killer.
Hoping to one day find her secret admirer, Hye-Young coincidentally bumps into Jeong Woo (Lee Sung-Jae), an Interpol detective, who, after forming an attachment to her, doesn't have the heart to reveal he is in fact not the man who sends her daisies after she suspects him to be the man she's longed to meet. Park Yi has only the capacity to sadly watch, there being a deep seeded sense of hopelessness evident in the feature that is used to great affect, and though each character is open to love, they, at the same time, are scared of hurting the other, especially as both the assassin and the detective begin to come closer to unmasking the other's identity.
Despite one's initial assumption, that this part of the plot would presumably add much tension to the story, a violent, bitter struggle for Hye-Young's heart is not what actually occurs. Instead, the tension is developed through character choices, as viewers are continuously left wondering which of the two men Hye-Young will choose to dedicate her love to, and whether or not she still longs to meet the man who sends her daises, or if her heart has instead settled for another.
Although the film executes its ability to leave the audience guessing, due to deliberate gaps in the plot (that are filled over the duration of the feature), and through a narrative that isn't always chronological, the characters are so well developed, viewers will potentially be able to predict the directionality and outcome regardless, though this never takes away from the emotional intensity of the feature.
Despite Daisy's length, which could be evaluated as longer than necessary, alongside potential accusations about its slow pace, the scenes and accompanying visuals never feel forced or out of place, their meaningful, evocative intent successfully being channeled towards the viewer until the film's conclusion. Though the film's often sombre atmosphere is undeniable, its beauty lies in its advocating for, and strong admittance of, love, forgiveness and acceptance.
The themes of love, death, beauty and art are accentuated by the poignant soundtrack that adds to the atmosphere, while the exceptional song, uniquely used for lead character Hye-Young (Jun Ji-Hyun), further emphasizes the words and opinions that she does not personally give voice to, which makes for an even more emotive setting. An artist, originally from the South Korean countryside, this location, alongside the streets of Amsterdam where the film is primarily set, heightens the artistic beauty of the world Hye-Young inhabits, making a living by temporarily working at her grandfather's antique store, while dedicating the majority of her life to her artistic endeavors.
Ms. Ji-Hyun brilliantly encapsulates her character's passion for art, and equally gives life to her pain and frustration. The antique store helps emphasize her grandfather's fear that Hye-Young, if she does not find an acceptable suitor, will soon end up much like some of the unwanted items in his store, and though she refuses to accept such ideas, her initial thoughts on love, that are perhaps overloaded, do evidently stress her desires. Her heart, in secret, already belongs to a man she has never met, Park Yi (Jung Soo-Wung), who frequently sends her daisies, though does not have the courage to reveal himself to her, after dedicating himself to the life of a contract killer.
Hoping to one day find her secret admirer, Hye-Young coincidentally bumps into Jeong Woo (Lee Sung-Jae), an Interpol detective, who, after forming an attachment to her, doesn't have the heart to reveal he is in fact not the man who sends her daisies after she suspects him to be the man she's longed to meet. Park Yi has only the capacity to sadly watch, there being a deep seeded sense of hopelessness evident in the feature that is used to great affect, and though each character is open to love, they, at the same time, are scared of hurting the other, especially as both the assassin and the detective begin to come closer to unmasking the other's identity.
Despite one's initial assumption, that this part of the plot would presumably add much tension to the story, a violent, bitter struggle for Hye-Young's heart is not what actually occurs. Instead, the tension is developed through character choices, as viewers are continuously left wondering which of the two men Hye-Young will choose to dedicate her love to, and whether or not she still longs to meet the man who sends her daises, or if her heart has instead settled for another.
Although the film executes its ability to leave the audience guessing, due to deliberate gaps in the plot (that are filled over the duration of the feature), and through a narrative that isn't always chronological, the characters are so well developed, viewers will potentially be able to predict the directionality and outcome regardless, though this never takes away from the emotional intensity of the feature.
Despite Daisy's length, which could be evaluated as longer than necessary, alongside potential accusations about its slow pace, the scenes and accompanying visuals never feel forced or out of place, their meaningful, evocative intent successfully being channeled towards the viewer until the film's conclusion. Though the film's often sombre atmosphere is undeniable, its beauty lies in its advocating for, and strong admittance of, love, forgiveness and acceptance.
Hey - Daisy
wsuthep25013 June 2013
Warning: Spoilers
1 The love I've been dreaming of
is all so close to me. But all I can do is
just watching you without words. 2 In this city of strangers
I lived day by day painting love. Waiting and hoping that you'll be here
with the scent of daisies. 3 It is too late but now
I finally recognize you. But maybe we were not meant to be. I never wanted to let this love fly away.
But I am sorry I have to leave with you still breathing here. 4 Every day in the same time you always nearby me, Only I didn't recognize stupidly and you passed through me *3 It is too late but now I finally recognize you. But maybe we were not meant to be. I never wanted to let this love fly away.
But I am sorry I have to leave with you still breathing here.
http://mblog.manager.co.th/chonsamun1/2013/05/31/hey-daisy-ost- English-sub/
But I am sorry I have to leave with you still breathing here. 4 Every day in the same time you always nearby me, Only I didn't recognize stupidly and you passed through me *3 It is too late but now I finally recognize you. But maybe we were not meant to be. I never wanted to let this love fly away.
But I am sorry I have to leave with you still breathing here.
http://mblog.manager.co.th/chonsamun1/2013/05/31/hey-daisy-ost- English-sub/
A Masterpiece
shivasharma-253277 September 2017
Daisy (deiji) is a great film. It has a mix of action, drama and romance. It is a movie that tells an awkward love triangle between a naive painter, a cop and an assassin. It touches themes about the difficulty of confessing one's love due to difficulty in situations. The love story was great due to the Koreans,who are well-known for their classic romantic films and the cops and criminal story was just as great due to the Chinese,who are well-known for making great action films. All and all the movie must be in Top 250 korean movies and has everything. I highly recommend it....
Bad Plot
loner00823 April 2006
Warning: Spoilers
Somehow i watched the movie thinking it might be good, after all Infernal Affairs was great. Unfortunately this one is real bad. Some how the cop and killer race appeared out of no where. wasn't the cop on another case? and suddenly, they just switched departments, from arresting drugs dealers to assassins. Anyway, spoiler... isn't it stupid to start shooting the person who shot the people who wants to shoot u. And if the cop had much better intelligence, the assassin wouldn't miss his shot if he was out to kill him in the first place.
The story is also too slow pace. Please dun make thrillers with slow Korean melodrama kind of love story. it kind of spoils everything, not here nor there. Therefore it deserves only the middle grade...5 points.
The story is also too slow pace. Please dun make thrillers with slow Korean melodrama kind of love story. it kind of spoils everything, not here nor there. Therefore it deserves only the middle grade...5 points.
To see you so sad, that's why I showed up.
clinluo7 April 2020
The fresh beauty like "Daisy" gives the film the basic color of beauty in Amsterdam, the tragedy constructed by the painter, the policeman, the killer, and the three different visual structures, and the gestation in a peaceful relationship at first glance. In fact, it is full of a kind of hidden romance, which makes the pure and sincere love of "Daisy" fascinating and sublimating.
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