Sheng si jie (2005) User Reviews

Recommended. Sadly, it's based on a true story.

[contact604 · 8/10 · 15 October 2005]

This movie is also known as Life Death Plunder and Stolen Life.

Yan-ni, a young woman raised in Beijing by relatives, generally sullen and withdrawn. She scarcely knows her parents and doesn't know why she isn't with them; when they visit Beijing, she can't bring herself to speak to them.

The first spark of hope enters her life when she's offered a university place, but (as she informs us voice-over) her ruination begins the day she moves into the college dorm. She meets Muyu (Wu Jun), who drives a delivery truck and is the first person ever to take a shine to her. University students are considered prestigious and have a bright future. He is a lowly driver and a peasant (in his words). Before long, they're dating. Then she gets pregnant, drops out of college and moves into a dingy room in Beijing's "underground city" with her lover ­ who, she belatedly learns, has never been quite honest with her.

They're All Based On True Stories, Aren't They?

[boblipton · 6/10 · 10 November 2020]

Xun Zhou is a new college student, caught up in the exciting new life in the dangerous city of Beijing. She falls for a handsome taxi driver, Jun Wu, and soon falls pregnant and desperately in love. She drops out of college without informing her parents, and they begin a desperately poor life with only their baby and their love.... or so she believes.

It's a well executed soap opera of the dangerous-stalker variety, the sort of movie you see on the cable channels intended for a women's audience. It seems to be very well done, with a very bad ending untypical of the American variety, but of course my unfamiliarity with the Chinese language may be affecting my judgment.

Unpleasant but real

[hou26-tw · 7/10 · 12 October 2019]

An unpleasant but real story about a deceived and desperate mother. Grey tone fills up the screen. The basement scene is very impressive. It is the fourth cooperation on Screen of Wu Jun and Zhou Xun: April Rhapsody, The Colour of Money and Comprador Family (They both worked in Palace of Desire but didn't meet in an act). They were in the same agency at that time. However, every performance of the duo never looks the same.

universal theme of a mothers eternal love

[creistyt · 10/10 · 9 December 2006]

This movie is extremely well done in a very subtle way but does get to the basic universal human truth of the love a mother has for her child forever.

It addresses the social mores that put young mothers in hopeless situations forcing them into outcomes that they never could have imagined could have happened to them at the beginning of a relationship.

This movie not only exposes the evils of the the billions of dollars spent in the world dealing in the shameful lucrative transfer of babies for adoption... but also exposes the painful scars both mother and her lost baby carry for life...in this case the lifelong effects show in a surprisingly subtle twist in the life story of one of the main characters.

Stolen Life gets a message across that needs to be told...exposed to the light of truth.

sheng si jie

[mossgrymk · 5/10 · 26 November 2020]

Wonder if "Sheng si jie" means "The Story Of A Doormat" in Chinese? A bit repetitive, to say the least, (i.e. endless variations on the cluelessness and weakness of Jan'ni) and at three hours plus definitely not my cup of green tea. C minus.

A very political film encouraging intellectuals to have disdain for ordinary folks

[charles1848 · 4/10 · 12 December 2006]

This movie has a basic problem - a disconnect between the facts of the story it tells and the tone it takes. The man Muyu is a dastardly character, no doubt about it, but consider that he works quite hard living with the main female character, that he makes little money from his horrible swindle. He remains a struggling ex-villager who is now a worker.

Yet the tone is that the woman with intellectuals for parents has been deeply wronged, no matter how much her emotional blindness and stupid moves contribute to her fate. In one scene he tells her of his disdain for the educated and smugly observes how he, a lowly guy, has swindled her. The message of the film, and it certainly has a message, is that intellectuals should beware and dislike ordinary working folks. The character type of the latter is this womanizing, swindling guy. (Incidentally, the art-film style guarantees that intellectuals more than most folks will be the viewers of Stolen Life.)

This is a very political film, a product of the reaction to the storms of the 1960s. It is a film encouraging elitism, teaching disdain for the people in the basement.

So bad it's good!

[writetosomeoneelse · 6 March 2020]

Idiotic plot, horrible acting.

Sound is quality is comparable to radio communications in a WW2-era tank. You cannot hear the actors speaking from the out of place and overly dramatic music. It's not a great loss, considering the moronic dialogue, but it kind of bothers.

In every episode there is some weird case of sexual trauma, for example - a couple getting stuck during an intercourse. It's supposed to be funny, but it's just awkward.

I've seen better acting in preschool plays.

Unintentional comedy at its best!