VeröffentlichungskalenderDie 250 besten FilmeMeistgesehene FilmeFilme nach Genre durchsuchenTop Box OfficeSpielzeiten und TicketsFilmnachrichtenSpotlight: indische Filme
    Was läuft im Fernsehen und was kann ich streamen?Die 250 besten SerienMeistgesehene SerienSerien nach Genre durchsuchenTV-Nachrichten
    EmpfehlungenNeueste TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightIMDb-Podcasts
    OscarsInternationale Filmfestspiele von CannesStar WarsMonat des asiatisch-pazifischen amerikanischen ErbesLeitfaden zur SommeruhrSTARmeter AwardsZentrale AuszeichnungenFestival CentralAlle Ereignisse
    Heute geborenBeliebteste ProminenteProminente Nachrichten
    HilfecenterBereich für BeitragsverfasserUmfragen
Für Branchenexperten
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
IMDbPro

Galilée ou L'amour de Dieu

  • Fernsehfilm
  • 2005
IMDb-BEWERTUNG
7,5/10
107
IHRE BEWERTUNG
Galilée ou L'amour de Dieu (2005)
BiographyDramaHistory

Füge eine Handlung in deiner Sprache hinzuThe Dialogues, Galileo's masterpiece, were published in 1632 with the approval of Catholic censors. It was applauded by intellectuals but nevertheless aroused the Church's ire. Despite his c... Alles lesenThe Dialogues, Galileo's masterpiece, were published in 1632 with the approval of Catholic censors. It was applauded by intellectuals but nevertheless aroused the Church's ire. Despite his continued insistence that his work in the area was purely theoretical, despite his strict f... Alles lesenThe Dialogues, Galileo's masterpiece, were published in 1632 with the approval of Catholic censors. It was applauded by intellectuals but nevertheless aroused the Church's ire. Despite his continued insistence that his work in the area was purely theoretical, despite his strict following of the church protocol for publication of works (which required prior examination... Alles lesen

  • Regie
    • Jean-Daniel Verhaeghe
  • Drehbuch
    • Claude Allègre
    • Jean-Claude Carrière
  • Hauptbesetzung
    • Claude Rich
    • Daniel Prévost
    • Jean-Pierre Marielle
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    107
    IHRE BEWERTUNG
    • Regie
      • Jean-Daniel Verhaeghe
    • Drehbuch
      • Claude Allègre
      • Jean-Claude Carrière
    • Hauptbesetzung
      • Claude Rich
      • Daniel Prévost
      • Jean-Pierre Marielle
    • 1Benutzerrezension
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos1

    Poster ansehen

    Topbesetzung15

    Ändern
    Claude Rich
    Claude Rich
    • Galilée
    Daniel Prévost
    Daniel Prévost
    • Le grand inquisiteur
    Jean-Pierre Marielle
    Jean-Pierre Marielle
    • Le pape Barberini
    Frédéric van den Driessche
    Frédéric van den Driessche
    • Le jésuite
    Pascal Elso
    • Le dominicain
    Pierre Vernier
    Pierre Vernier
    • Bellarmin
    Laurent Malet
    Laurent Malet
    • Beneto Castelli
    Alexandre Zloto
    • Mario Guiducci
    Bernard Haller
    Bernard Haller
    • Maître Marino
    Valérie Kaprisky
    Valérie Kaprisky
    • Marina
    Adélaïde Bon
    • Céleste
    Claude Allègre
    • Nicolini
    Jean-Louis Trintignant
    Jean-Louis Trintignant
    • Récitant
    • (Synchronisation)
    • …
    Jean-Marc Cozic
    • Le frère Segeri
    Marie Paquim
    Marie Paquim
    • Angelique
    • Regie
      • Jean-Daniel Verhaeghe
    • Drehbuch
      • Claude Allègre
      • Jean-Claude Carrière
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Mehr wie diese

    Die Kontroverse von Valladolid
    7,7
    Die Kontroverse von Valladolid
    Le père Goriot
    6,7
    Le père Goriot
    Happy End
    6,6
    Happy End
    Das kostbarste aller Güter
    7,1
    Das kostbarste aller Güter
    Galileo
    6,5
    Galileo
    Die schönsten Jahre eines Lebens
    6,7
    Die schönsten Jahre eines Lebens
    Der große Irrtum
    7,9
    Der große Irrtum
    Z: Anatomie eines politischen Mordes
    8,1
    Z: Anatomie eines politischen Mordes
    Drei Farben - Rot
    8,1
    Drei Farben - Rot
    Vorhang auf für Cyrano
    7,3
    Vorhang auf für Cyrano
    Liebe
    7,9
    Liebe

    Handlung

    Ändern

    Benutzerrezensionen1

    Ausgewählte Rezension
    7/10

    Un amour accablant (portrait of a stifling epoch).

    Galilée succeeds at giving us a glimpse of the best the Inquisition could offer: a high minded trial of a genius by a bunch of fanatics. The chief inquisitor "Daniel Prévost" (CI from now on) is very good at his now unlikeable role. When he contains the uproar of le dominicain "Pascal Elso" near the end is a good example. I find a nice touch that he did Le concierge at the masterful comedy "Tenue correcte exigée" (1997). The best scene is probably when one of the writers by hand at the trial experiments the "heavier objects fall as fast as lighter ones". Then, when G's view is proved but he's seen by the Inquisitors, he dutifully resumes his work, unassuming (and he risked quite a lot by doing so!). Proving that "there was rebellion at the farm" :). When the American astronauts repeat the same experiment but on the moon (thus proving its universal validity) we feel some sort of Justice...

    The actor that plays G. is very good in that it'd be very easy to fall for the contemporary view, and depict him with all the "victories", witty and modern, while the judges would be stupid, fat and yes, balding :). In fact, besides the latter point, although it's obvious by the usage of music at "critical" points, the gros plans, the ending "editorial", the lack of sympathy and heavy "dead" makeup of all the inquisitors, etc that the director had a "taken position", it's not unbearable nor totally didactic in the opposite sense.

    G is alive. Sometimes, the inquisitors have good replies. G is sometimes very naive, can be vain, and is a tad sentimental at times. But his rhetoric is very good, like when he proves them with an experiment that "heavier things", the Jesuit cries: "it's devilish", then G. addresses the head and tells him to prove it himself, and then do it as often as they like. The Jesuit's -a fearful "F. van den Driessche" objection of T. Brache showed at least he was "a la page" with science. Unlike the dominicain, who doesn't have any nuances, not even using his theology much, somewhat repeating all the time the "appeal to authority" fallacy. CI is right at telling him to stop quoting his friendship with the pope. But G's appeal to the common experience of lost friends by the plague to the CI is effective, it's probably the only moment you see him feel anything close to empathy.

    If there's something to be learnt from this stories, some "clear lesson" for our everyday lives, is how hard it is to really prove anything to an adverse audience.

    If in Science, with such a genius in front of them, these Inquisitors, surely the biggest heads the church could produce at the time, were blinded by emotion, who many times do we, in our cozy modern technological times, just don't listen to the arguments and yes to our own prejudices? Maybe we're having a Galileus in front of us, and we just wouldn't notice. How do you think the future will judge most if not all of our current beliefs?

    The locale is great, stunning at times. Like the palace's square, at night, when they leave. And the ending at the tribunal, with the verdict! How did they get such locations for a play that was definitely not "very catholic" is a mystery to me, but it feels reassuring to see a real palace after all this FX in about every expensive movie. Here even the gallows seem real. Speaking of which, I'd have liked the subject of torture to be treated a bit more. Like his disciple, whom somehow we know he was in danger, but whose destiny is barely mentioned.

    PS: Women are almost absent from this movie, but I suppose it's not illogical given the little role they were given at that not that distant time.
    • stuka24
    • 13. Feb. 2009
    • Permalink

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    Details

    Ändern
    • Erscheinungsdatum
      • 7. Januar 2006 (Frankreich)
    • Herkunftsland
      • Frankreich
    • Sprache
      • Französisch
    • Drehorte
      • Château d'Ecouen, Ecouen, Val-d'Oise, Frankreich
    • Produktionsfirma
      • Septembre Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.66 : 1

    Ähnliche Nachrichten

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • IMDb-Antworten: Helfen Sie, Lücken in unseren Daten zu füllen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App.
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken.
    Hol dir die IMDb-App.
    Für Android und iOS
    Hol dir die IMDb-App.
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Presseraum
    • Werbung
    • Aufträge
    • Nutzungsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, an Amazon company

    © 1990-2025 by IMDb.com, Inc.