The die-hard phantom of Manuel Oliveira has tormented the Portuguese movie scene long enough, now it is time for Luis Ismael to step in with his vivid jerk characters and badly spoken one-liners. Goodbye romanticism inspired by the past and vanishing traditions, welcome farce-like portrait of society of northern Portugal in ever-continuing crisis, both moral and economical. The plot of this sequel of "Balas & Bolinhos" is not the most imaginative one: four old friends, real idle class heroes, get together for a treasure-hunt. That hardly bothers the spectator as the swing of this basic popular comedy and clear abuse of the most poetic of all the languages conduct the story to the end where the things are not quite as expected. The characters could be described caricature-like with a lack of the depth of personality, unless this bunch of bad apples didn't draw a perfect picture of Portuguese mentalities of modern, uncertain times. Of course, this film works better if the spectator has had some acquaintances with these obscure circles of small time criminals, undereducated jerks, 'cromos' as the locals would call them. Well, to those interested, just take a train from the railway station S.Bento of Porto to Valongo, ask where to buy drugs and you will surely get some first-hand experience. This sure ain't the kind of stuff that the scholars would like Portuguese cinema to be remembered of, anyhow this movie manages to be more unique, not to mention far more entertaining, than dozens of Lisbon-centered artsy-fartsy productions that actually had a decent budget. Along with the original "Balas & Bolinhos", this movie constitutes the groundbreaking film of Portuguese indie, that many residents of the suburbs of Porto refer as "the first and only good Portuguese film ever made".
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