A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the es... Read allA British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
- Awards
- 1 win & 2 nominations
- Director
- Writers
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Storyline
Did you know
- TriviaAccording to director/producer Sir Ridley Scott, every scene of the film (except the London scenes) was shot within eight minutes of his home in Provence, where he has been living for 15 years.
- GoofsWhen Max is playing tennis at La Siroque, the sound that the tennis racquets make does not correspond with the type of old racquets they have. The sound is from a modern tennis racquet.
- Quotes
Uncle Henry Skinner: You'll come to see that a man learns nothing from winning. The act of losing, however, can elicit great wisdom. Not least of which is, uh... how much more enjoyable it is to win. It's inevitable to lose now and again. The trick is not to make a habit of it.
- ConnectionsFeatured in Friday Night with Jonathan Ross: Episode #11.6 (2006)
Atypically cast in a lighter vein here, the naturally pugnacious Russell Crowe seems to be channeling one of the Grants (Cary or Hugh, take your pick) in portraying a Machiavellian-level London investment banker named Max Skinner, who unexpectedly inherits a dilapidated château and vineyard in Provence from his uncle Henry, a figure he loved as a child but has since become estranged due to Max's selfish, greed-obsessed existence. Written by Marc Klein, the bulk of the movie is about what Max does with the estate as he argues with the longtime vintner and becomes entwined with two women - pretty Christie, who claims to be Henry's illegitimate daughter from a tryst with an American, and the too-perfectly-named Fanny Chanel, a beautiful local restaurateur who tries mightily to resist Max's romantic overtures after a most bumpy start. As Max weighs his options, his unforgiving career and jet-setting lifestyle back in London appear to be in jeopardy.
More like a Cagney than a Grant, Crowe has the type of aggressive screen persona that takes on all comers, so he seems more in his element being a jerk. However, he acquits himself more than you would expect as the story begins to humanize his character, and he is more deft as a comic actor than even Scott presumes. For example, there are extended sequences in an empty swimming pool and during a tennis match when Scott seems to mistake action for slapstick. Max may be Crowe's most likable role since the loving gay son he played in the 1994 Australian indie, "The Sum of Us". In flashbacks, Freddie Highmore, Johnny Depp's protégé in "Finding Neverland" and "Charlie and the Chocolate Factory", affectingly plays Max as a child, even though the lack of physical resemblance is a bit jarring. Better is Albert Finney as rhapsodizing Uncle Henry since his casting hearkens back to the actor's youth in south-of-France-set movies like "Two for the Road" and "The Picasso Summer" in the late sixties.
Australian actress Abbie Cornish convincingly portrays a guileless American with more than a passing interest in wine, while Marion Cotillard is a stunning, feisty presence as Fanny (although the obvious age disparity between her and Crowe makes some of the back story a bit of a head scratch). Entertaining though more standard rom-com contributions are made by Tom Hollander as Max's realtor best friend Charlie (in an update of the usual Gig Young third-wheel role), Didier Bourdon and Isabelle Candelier as caretaker Duflot and his playful wife, and Archie Panjabi as Max's jaded but devoted assistant Gemma. The wine-growing region of Provence hardly needs more exposure in movies, but Philippe Le Sourd's cinematography brings it glowingly to life. A most idiosyncratic soundtrack accompanies the film with genre-irrelevant chestnuts like Patti Page's "Old Cape Cod", Harry Nilsson's "Gotta Get Up" and a French cover of "Yellow Polka-Dot Bikini" by Richard Anthony. This is the kind of movie where you can see the ending a mile away, but I have to say for the most part, I enjoyed the ride.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Mùa Tình Yêu
- Filming locations
- Chateau la Canorgue, Bonnieux, Vaucluse, France(Chateau La Siroque)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $7,459,300
- Opening weekend US & Canada
- $3,721,526
- Nov 12, 2006
- Gross worldwide
- $42,269,923
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1