How do you grab somebody's attention... start off with some guy screaming at the top of his lungs before completely losing their head... splat!!! It worked for Psycho Diver: Soul Siren, so I hope it worked for me.
Yuki, a young pop-star is haunted by memories of her past, and is discovering she possesses psycho-kinetic powers she cannot control. Appearing on the scene, Bosujima, a class one psycho diver, which through advance technology and psychic abilities, dives into the minds of trouble souls for a clean-out. He takes Yuki's job on the side, a dangerous one because of her powers. Entering her soul he learns there are others who'll stop at nothing to control her fate.
Playing out like a moody, slightly techno sci-fi thriller garnished in strong noir atmospherics of dark shades and dingy silhouettes. It's one of those fuzzy, elaborate plots, where things are not quite what they seem, leading to murder and a deadly power struggle between two very dominant figures fighting for control of the girl. Caught in the middle is the sleuth-like Bosujima, who's chauvinistic to the core. A smooth talker when he wants to be, but more often fairly salty and getting into pyshical altercations. His career looks like it's weighing on his mind, but this latest one might just change his mindset for the better? The visuals can have a disturbing kick, as the intensity and emotions of certain scenes derives from its direction, even the score's mind field of soulful blues to industrial drones than anything to do with the plotting. The way it was edited, and how the dressed up images flashed across the screen (like the music video clip sequence) - I could see a De Palma influence in few scenes. While the concept of the psycho diver does play second fiddle to reality-based investigative groundwork and the behind-the-scenes manipulation of this job. I would've loved to see a surreal approach, especially the dreamscape trips. I was more interested in that element of the story then where it actually headed.
Yuki, a young pop-star is haunted by memories of her past, and is discovering she possesses psycho-kinetic powers she cannot control. Appearing on the scene, Bosujima, a class one psycho diver, which through advance technology and psychic abilities, dives into the minds of trouble souls for a clean-out. He takes Yuki's job on the side, a dangerous one because of her powers. Entering her soul he learns there are others who'll stop at nothing to control her fate.
Playing out like a moody, slightly techno sci-fi thriller garnished in strong noir atmospherics of dark shades and dingy silhouettes. It's one of those fuzzy, elaborate plots, where things are not quite what they seem, leading to murder and a deadly power struggle between two very dominant figures fighting for control of the girl. Caught in the middle is the sleuth-like Bosujima, who's chauvinistic to the core. A smooth talker when he wants to be, but more often fairly salty and getting into pyshical altercations. His career looks like it's weighing on his mind, but this latest one might just change his mindset for the better? The visuals can have a disturbing kick, as the intensity and emotions of certain scenes derives from its direction, even the score's mind field of soulful blues to industrial drones than anything to do with the plotting. The way it was edited, and how the dressed up images flashed across the screen (like the music video clip sequence) - I could see a De Palma influence in few scenes. While the concept of the psycho diver does play second fiddle to reality-based investigative groundwork and the behind-the-scenes manipulation of this job. I would've loved to see a surreal approach, especially the dreamscape trips. I was more interested in that element of the story then where it actually headed.
