Lana's Rain (2002) User Reviews

Another View of the Immigrant Problem

[gradyharp · 7/10 · 23 August 2005]

America has long been the land of dreams, of freedom for the oppressed, and for the promise of a better life for immigrants. Recent events including the rise and effects of terrorism and the inundation of illegal immigrants from south of the borders have alerted this country to perceived dangers in the 'open arms' posture America has maintained since its beginning. LANA'S RAIN is a stunning film that shifts the focus of immigration to the viewpoint of those immigrating and the result is a story that is at once terrifying and heartrending. Writer/director Michael S. Ojeda asks us to look at the plight of those seeking American asylum, and though the result is a film that is a bit heavy handed, there is an important message here.

The story begins in 1995 in Bosnia during the Balkan wars and we are introduced to the main character Lana (Oxana Orlenko) struggling to survive in the war-torn streets. She seeks and finds her long lost brother Darco (Nickolai Stoilov) who happily receives her and promises to take her to America using some 'recently acquired money'. After stowing away on a cargo ship they arrive in Chicago and are immediately smitten with the beauty of their new land. While Lana dreams in a city park with their luggage containing the money and all their possessions, Darco seeks a place to live. While Lana is sleeping and dreaming of her new life, the luggage 'disappears' and when Darco returns they must now seek shelter and food as beggars. Darco talks Lana into an act of prostitution out of desperation: Lana consents only to fall into the hands of a sadistic client.

Gradually the two find a room, Darco is promised a job in a fish market, but the job is not available for a month. Once again Darco asks Lana to be a prostitute, this time under his 'supervision and protection' as Lana speaks no English at all. Lana woefully consents out of her love for her brother and the two make enough money for room and food. But when Darco begins spending money beyond their means and his past life of crime in Bosnia surfaces in various ways, Lana feels demoralized and defeated and finds her only consolation in a fragile friendship with a Chinese sculptor Julian (Luoyong Wang), despite the language barrier. Ultimately Darco's past life and evil spirit take the forefront and Lana feels compelled to assist those Bosnian forces in Chicago who seek Darco for past crimes in his homeland. How Lana survives this life and finds her own life forms the end of the story.

Though the film is unrelentingly grim in color, story, excessive bloody faces, and undercurrents, director Ojeda does make his point that all too often immigrants are driven into a life of crime out of desperation to stay alive in the land of plenty. The actors are convincing in their roles and while Lana's plight grows a bit repetitive and tiresome at times, Orlenko keeps us caring about her Lana. Likewise Nickolai Stoilov creates a two-sided character so successfully that we can believe Lana's love then hate for him. This is a dark film but one with an important message. Just be prepared for a violent movie. Grady Harp

a touching, powerful film with stellar acting

[purplemoviefreak · 28 February 2004]

This is a film about a brother and sister who escape war-inflicted bosnia to arrive in chicago. soon their enthusiasm evaporates however, when their money is stolen. this is a beautifully directed film, and i was lucky to attend the premier in chicago and speak with the actor who plays darko. i think both leads are fine actors, and the film works very well. its very realistic, very gritty, and very intense. I think about half of the dialogue is spoken in croatian, and that adds to the realism of the film. many moments are very heartbreaking, like when lana tries to learn english by reading a dr. seuss book. I also loved the way the director portrayed chicago. he is obviously very familiar with the city and it shows. overall, i highly recommend it.

well meaning film done in by too much melodrama

[Buddy-51 · 4/10 · 20 February 2005]

Lana and Darko are a brother and sister who escape war torn Bosnia by hiding in a metal storage container on a cargo ship headed for the United States. Lana is a sweet, innocent young woman who has witnessed a great deal of personal tragedy in her life, while Darko is a well known mobster who is basically running for his life from forces who are out to get him. After an arduous trip across the Atlantic, the two settle down in Chicago to start a new life in America. When they fall on hard times, Darko decides to pimp his sister out for money while his dark past begins slowly but surely to catch up with him.

Although it aspires to be a gritty film about real people struggling to survive in a harsh environment, "Lana's Rain" comes across as an overwrought melodrama, poorly acted and even more poorly directed. The story is so filled with theatrical flourishes that little of what we see actually rings true. Just a minor case in point: towards the beginning of the film, as the unloaded crate in which they are hiding is speeding its way from the east coast to Chicago, Lana and Darko look through a hole in the side, and lo and behold what do they happen to see passing by but the capitol building in Washington D.C.! I'm surprised director Michael S. Ojeda was able to resist throwing in shots of the Statue of Liberty, Mount Rushmore and the Grand Canyon as well. Unfortunately, this relatively insignificant gaffe becomes symptomatic of the film as a whole which is all too often willing to sacrifice plausibility for the sake of dramatic effect.

"Lana's Rain" is a serious missed opportunity, for what could have been a meaningful and sensitive film on an important subject turns into a series of hokey dime-store novel vignettes instead.

Great Independent Film Making

[pooletom · 9/10 · 19 April 2004]

So much was said without using words.I saw this film with my girlfriend and sister and we all loved it.The lead actress and actor were superb. The editing was outstanding.I didn't mind the subtitles at all. There were a couple of things I didn't understand.The story was heartwarming and heartbreaking.Yes, the American Dream as seen from the other side. I thought the film was about to end twice and it kept on going only to get better.Some blood and guts,but not too much.It was tastefully done. It is a dark movie with a wonderful ending where she...oops!Well I highly recommend it especially if you want to see something different. And it really was shot in Chicago,not Toronto.Thanks for making a wonderful American film in America.

Simply put: This movie is garbage.

[gordon-143 · 1/10 · 27 June 2006]

Filmed largely on location in Chicago and helmed by Columbia College graduates Michael Ojeda and Joel Goodman, Lana's Rain is supposedly about two refugees from the Bosnia war moving to Chicago and trying to make their way in this strange new world. Instead, it is simply every late-night cable movie you have seen in your whole life chucked into a blender, drank, and explosively shat down your throat. Its sole novelty is the replacement of faux-hick accents (the norm when Hollywood films shitstorms like this) with broken English with eastern European accents and Croatian (with English subtitles).

Oksana Orlenko, in the title role, does a decent job in either language, but burdened by a simply awful script and generally not-very-good co-stars, I'm not certain how much I'm just trying to find one redeeming facet of this production in order to justify the disappearance of $6 from my wallet and 107 minutes from my life. If there is one, it certainly is not the direction, the cinematography, the script, the editing, or the lame, heavy-handed (but digitally mastered!) score. God knows it's definitely not the script.… Lana's Rain runs through so many laugh-out-loud bad movie clichés that it's hard to believe it was ever made. Speech about how America is where dreams come true? Check. Inept, slow-motion "action" scenes? Check. Shoehorned-in romantic subplot that serves no purpose other than providing the obligatory sex scene? Check. Flashback images at the end to remind you of everything that you already saw in the previous hour and a half? Check. Completely unnecessary "happily ever after" final scene? Check.

No bearing on reality whatsoever? Check.

Small budget, great results.

[xavrush89 · 9/10 · 22 January 2005]

This film is better and grittier than many dramas with ten times the budget, and there are plenty of suspenseful moments to keep even the most indie-phobic skeptic intrigued. Oksana Orlenko (who won an award in Milan for her performance) and Nickolai Stoilov are seamless as the charismatic leads, while Michael S. Ojeda's direction makes the best use of their talents and the skills of his cinematographer (Gennadi Balitski), as well as his own script.

I disagree with the one reviewer (out of ten so far) who didn't like the "execution" of this film. I think it is a perfect mix of action scenes that grab you, and intense character-driven dramatic moments that allow for time to take in all that has happened. Ojeda really captures the sense of peril one feels without a dime and no place to go. That gash in Lana's forehead on the film's poster gives an idea of how deep the film is, and the roller-coaster ride awaiting anyone who watches it. I wish I had seen it in the theater. Grade: A

Independent cinema at its best!

[henryjulius · 4 January 2004]

Lana's Rain is a really great example of what's right in today's independent cinema. This is an original film that examines the political strife in post-Cold War Eastern Europe the difficulties faced by immigrants in modern America. But it doesn't stop there: Lana's Rain also looks at the Eastern European criminal underworld, and its affects on refugees in America. It also takes an unflinching look at the horrors of prostitution, through the eyes of original characters in this fascinating genre piece.

The story is told through a familiar genre: the action/crime picture, but this isn't some Tarantino knock-off or film noir wannabe. Michael Ojeda's debut takes a real daring step by having Eastern European actors speaking in Croatian for much of the film! In an age where too much dialog is dumbed-down by Hollywood and when foreign films are poorly dubbed by producers, it's refreshing to see an American director using language the way it was meant to be. Ojeda keeps the action flowing neatly, while getting us into the lives of these characters. We end up caring a lot about these people.

As for the cast of unknowns: they are uniformly excellent. I heard that `Lana' Oksana Orlenko, won the best actress award at the Milan Film Festival. No surprises there! She's immensely talented, radiating pathos and a raw sensuality from the screen. When more people see this film, I'll bet movie goers will fall absolutely in love with her!

Bottom line: don't le me describe this film for you.SEE IT!

A great testament to independent filmmaking.

[visionpix-1 · 8/10 · 1 March 2004]

This is what independent film is all about. Goodman has created intriguing characters and a compelling story that show a mix of cultures that are alien to most Americans.

Lana's Rain emphasizes the gritty side of life that you don't get to see in Hollywood movies. Lana and her brother Darko move to America looking for a better life, quickly realizing the hardships of a strange land with no money, no friends, and only each other to count on. Not even knowing the language, Lana is forced to sell her body to survive while Darko looks for work.

Through a series of unexpected twists we learn that all is not as it seems, and Lana must take matters into her own hands to stay alive. Incredible performances by both Oxana Orlenko (Lana) and Nickolai Stoilov (Darko) keep you on the edge of your seat throughout the film.

Movies like this prove the kind of heart that a filmmaker can put in to a story, especially outside of the Hollywood system. And though it lacks any big stars, it didn't need them. The gritty feel and superb performances definitely give Lana's Rain commercial appeal. Highly recommended.

A dark film that not even light can escape it.

[ButtonPictures · 8/10 · 17 April 2004]

This film has everything you could ask for in an indie and more! Although this picture is bookended by a commercialized style, in no way does it undermine the heart of the story. The character of Lana, portrayed by newcomer Oksana Orlenko, goes through an amazing arc of ordeals. Her brother, portrayed by Nickolai Stoilov, does not have as wide an arc, but does provide the emotional conflicts and resistance with our female protagonist. The production value is high for the low cost. I heard that the film was made for under $300,000 which proves that producer Joel Goodman and director Michael Ojeda makes every shot for dollar count. I look forward in seeing the stars rise to a brighter spotlight soon. The film is dark and puts the beautiful locales of Chicago in a new light. Or, in this case, a new shadow.

Great Movie - great soundtrack

[itpphoto · 7 October 2003]

This was an intriguing suspenseful movie with a great soundtrack. Excellent photography. One of my favorite shots is just after the main characters have traveled to America in a ramshackle shipping container and open the doors to.... well I won't spoil it for you. Some words that might be used to describe this film might me; gritty, shocking, captivating, metamorphic, gripping, and resilient. It combines elements from many film categories like, action, suspenseful and historical dramas, a real thriller with a dark transformation plot.

This is the tragic story of Lana who was betrayed by her own brother. But just when things seem bleakest for Lana, her hope for a new life.... well I won't spoil it for you.

Take the time to find it and see it.

Unique Film, Great Story Line, Well put together

[admin-288 · 8/10 · 1 March 2004]

Lana's Rain is a great film. There are many plots running through the film. However, they are all kept in check by a wonderfully written script. The ending twist that the character Lana plays on Darko and the other characters is written beautifully.

Credit should be given to Joel Goodman and Michael Ojeda for bringing this to Chicago to be filmed. It is the perfect backdrop for this movie.

Nickolai Stoilov (Darko) and OKSANA ORLENKO (Lana) are going to be big stars.

What can you say bad about a film that received 3 stars from Roger Ebert??

Interesting movie - good story

[rsattar_1999 · 10/10 · 22 January 2004]

Great movie I find the movie very compelling. It looks like European movie. Lot of action and unexpected twists. I enjoyed realistically portrayed characters. They look like some people I know. It is a Non-Hollywood rendition of problems that really happen in today's world. I'm getting over-saturated with unrealistic story plots and fantasy characters. Reality is more interesting than that garbage. And this movie hits it pretty darn close. It is on a rare occasion that you can enjoy the grittiness of back streets and alleys, with the twisted reality that looms over the inhabitants. You can't help but to feel a sympathy with Darko (designated bad guy), and like Lana who, left with nothing, finally manages to break free. And you are on the edge of the seat the whole time. That's what I call a great movie!Summary: Go Lana go! This girl is tough, you know! To break free in spite of all the obstacles she was facing - not speaking any language, not knowing where to turn, with nobody to relay on, whoa! This movie is really something. The funny thing is that all the girls in the audience were crying, that's how strong of the impression the movie made. You enter at the opening credits, and your attention is suddenly released at the end. And you are magnetically connected the whole time. It is a BIG movie, in spite of its small budget. It is here to stay!

Great idea, terrible execution

[arnis12 · 28 August 2003]

There was an interesting idea for a film and a great film could have come out of it. It involves a young woman who has fled the violence in Bosnia with her gangster brother to find paradise in Chicago. Once here, they are both disappointed and soon the thuggish brother convinces his sister to prostitute for him to earn a living. There was potential for great tragedy here, and after I saw the film, there were news reports of such slave-prostitution rings involving Eastern European girls run by the mob, being uncovered here and and in New York, so it was a timely subject. However, the director doesn't trust that he has a great story. He resorts to typical shootouts and violence which would be more at home in an Andrew Davis Chicago action picture. Also the film is stylized to a riddiculous MTV/Miami Vice degree, and the horrible soap opera music at every minute of the running time doesn't help. The director seems torn between making a serious 70's style drama like Taxi Driver, and typical action-exploitation pictures. Few directors can pull this off successfully (Walter Hill comes to mind) There's also a romance between Lana and a Chinese American that goes nowhere and could have easily been left on the cutting room floor. It's a shame because the leads hold up their ends and are terrific, particularly the actor who played the brother. He has a bright future in acting.

Well-paced, modern, situated friendly film with good techniques.

[the2000jon · 21 March 2004]

This movie was not bad .. It fulfilled the requirements for a film marking a foreign lady - main charachter (Lana) incompetent in her efforts to change in America at first. Her sustained psychological traumas and tribulations are just the icing on the cake before she passes the test to mark the grade of survival to the fittest in America - Chicago, Illinois to be specific.. Good Feature. I'd give this a 7.5 on a scale. Video rental is reccomended, and dont rush out unless you're a chicago native and want to glance at interstates , congestions and license plates unique to modern Chicago

Jonathan