(2003)

User Reviews

Review this title
3 Reviews
Sort by:
Filter by Rating:
9/10
Jobs are lost but a family is found
shashikrishna6 May 2006
Finally a movie that talks about the Technology our land seems to be so proud of. The land of Karnataka and especially Bangalore have been put on the International map thanks to this newfound miracle drug our economy has been administered with. I had always found it ironic that despite being home to so many global corporations et al, our film makers had never ventured into one socially relevant feature that showed us the in and outs of the industry. That irony is laid to rest for a little while at least with Prakash Belavadi's feature - Stumble.

Anand Rao(Anant) – a retired bank official and Nandini (Suhasini) are leading a simple yet self-sufficient upper middle class life in the suburbs of Bangalore. Their son Uday lives and works in the United States while daughter Madhu (MD Pallavi) is a software engineer working for a supposedly well-to-do firm. This firm is run by a hen-pecked yet scheming white collar Dinesh Khosla. Things start going haywire when Madhu is fired randomly without proper reasoning. While Madhu seems to surrender to the event without a fight, she also has to put up with the blameful eyes her father has for her. Caught between a swindling finance corporation where he is destined to lose all his savings and his daughter's failing prospects with a career, Anand Rao has nowhere to turn. He pines his hopes on his son Uday who returns one day with a pink slip in his pocket. Of course the family realizes this fact much later thanks to the one thing education has successfully taught all of us – destructive egoism.

Sitting close to this set of events is MLA Divakar (Chandru) and his political ambitions. In collaboration with Khosla and an American he manages to convince hard working and earnest bank employees to join hands into a new merger. Khosla's technology oriented firm that once seemed to have great value in the global economy is now a sitting duck to collapse. The post-IT and dotcom booms are teased out of their hiding with Khosla deciding to convert his otherwise tech-based center into a call center. Armed with outsourced projects, Indians with fake accents and Americans with ideas of their own, Khosla and co. decide to hit it big. While a desperate Madhu is helped out by some of her loyal peers from work, others choose to join the bandwagon without caring where it is headed next.

These two scenarios collide giving us a rare glimpse of the dubious natures with which these organizations work. Everything from overnight Technology training centers to the cliché of the dog-eat-dog genre this field has created is well captured on celluloid. Prakash Belavadi does a good job at showing a very Indian perspective of the economic shadows that have been around for over a decade in Karnataka. A closer look at this seemingly rosy picture is taken through the eyes of the helpless middle class who only wanted a secure lifestyle and a good landscape for their future generations. The abuse young professionals have to go through at the hands of greedy and one-dimensional bosses are well portrayed.

Performances category is dominated by Anant, Suhasini and Chandru without a close second. These seasoned players brilliantly in this English-heavy feature. One of the beautiful touches the director gives is the appropriate injection of Kannada in certain important scenes which sparkles like a hidden water stream in a rocky and dense rainforest. Pallavi, Ashok and the rest of the cast chip in as appropriate in their tailor-made roles. The new faces on screen adapt well to the goings on and deliver a pretty convincing performance.

Technically the movie is crisp and well shot. Editing is well done although camera work could have been more personal at times. A slight lack of this falls short of adding the genuine touch and life to some vital characters. Music is used sparingly considering the focus of the feature. Jobs are lost but a family is found hence increasing the realism in the movie.

Overall, 'Stumble' is another socially-relevant feature made at the right time. The call center business is shown as an infant in the movie but we all know the Herculean young man it is today. 'Stumble' is definitely worth a dekko.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Very good movie from Indian movie makers
hoysala25 September 2005
Very realistic, simple movie reflecting everyday life situation.. yet very engaging .. which is very rare among Indian movies .. mukhyamantri chandru, anantnag has performed very well .. good script. wonderful acting. a surprisingly good Indian English movie. After many moons I got to watch a simplistic movie with a realistic interpretation of the turmoil in middle-class families. It covers the entire vivisection of issues ranging from the dot com bust, to mutual funds racket, red-tape and corruption among politicians and the likes. For being such a low budget film, the script and the dialogues were superb. Except for stalwarts like Suhasini, Anant Nag and Ashok Mandanna, the rest of the cast was like a burst of fresh talent and earnestness. The entire package was delivered well, albeit amateurish. But full credits have to be given for the storyline and excellent execution. A must watch, indeed.
3 out of 3 found this helpful. Was this review helpful? Sign in to vote.
Permalink
Go See It!
bijlee19 June 2003
Madhu, in Bangalore and her brother Uday, in America get laid off simultaneously and ponder their next career move. Their careers collide in a dizzying maelstrom of political corruption, business fraud and failed familial expectations. This film glimpses the complex ramifications of the rise and `stumble' of the IT industry in Bangalore. It reveals the insidious nexus of state politics with global capital and traces the seemingly disparate relationship that the software industry has upon mutual fund schemes. Stumble teases out the inter-dependence of the co-operative bank sector and the liberalized economy. Consequently, the film explores the clandestine ways in which the most vulnerable sections of society - in this case, rural farmers - nourish the richest and most powerful people in the world. A failing software concern reinvents itself as a call center - where again third world labor, in borrowed accents, services the first world consumer. Prakash Belawadi, the director, weaves these details into his narrative through an ironic critique. Belawadi clearly reveals the saturation of transnational capital, commodities, images, ideas, information and people in his (and my) beloved Bangalore. This unique moment in the city's life captures the exuberance of a newly emergent middle class. But while many things have changed, many others stay the same. Madhu does not travel to the U.S. with the same ease as her brother. The color of her skin darkens her marriage prospects. The mere presence of a white man bolsters the confidence and diminishing morale of local bank officials. Stumble finishes the story that Bugaboo (1999) started a few years ago. Set in Silicon Valley, Bugaboo chronicles the boom of the dotcom era, seen through the eyes of a skeptical Indian software engineer. What happens when that software engineer gets laid off and scrambles B2B (back to Bangalore) after his American dream failed to deliver? While Belawadi responds to that question, he also poses several others. The film is eminently watchable, especially for the performances of Ashok Mandanna, Anant Nag and Suhasini. While it falters in technique and script, the spirit of the film does not stumble.
3 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed