Directed by
| Arvin Brown | ||
Writing Credits (in alphabetical order)
| D.L. Coburn | ... | (play) |
Cast (in credits order)
| Dick Van Dyke | ... | Weller Martin | |
| Mary Tyler Moore | ... | Fonsia Dorsey | |
| Annie Abbott | ... | Nurse | |
 |
Sheila Rogers | ... | Mrs. Mayes |
|
|
Alessandro Mastrobuono | ... | Moving Man |
Produced by
| Ted Hartley | ... | executive producer |
| Ellen M. Krass | ... | executive producer (as Ellen Krass) / producer (as Ellen Krass) |
| Monica Levinson | ... | producer |
| Mary Tyler Moore | ... | co-executive producer |
| Dick Van Dyke | ... | co-executive producer |
Music by
| Mike Post | ||
Cinematography by
| John Simmons | ||
Editing by
| Tara Timpone | ||
Production Design by
| John Iacovelli | ||
Art Direction by
| Christopher Brown | ||
| Joe Celli | ||
Costume Design by
| Christopher Lawrence | ||
Makeup Department
| Barbara Farman | ... | hair stylist: Mary Tyler Moore / makeup artist: Mary Tyler Moore |
| Stacy Halax | ... | make-up department head / makeup artist: Dick Van Dyke |
| Victoria Wood | ... | wig stylist |
Production Management
| Bettina Bennewitz | ... | production supervisor |
| Marilyn Larson | ... | production supervisor |
| Monica Levinson | ... | unit production manager |
| Alan Z. McCurdy | ... | post-production supervisor (as Alan McCurdy) |
Second Unit Director or Assistant Director
| Carey Dietrich | ... | first assistant director |
| Basil Grillo | ... | second assistant director |
Art Department
| Dale Head | ... | property master |
| Susan Matheny | ... | assistant property master |
| Richard J. Ramirez Jr. | ... | set designer |
| Scott Sullens | ... | art department production assistant |
Sound Department
| Tom Ancell | ... | production sound mixer |
| William Levins | ... | re-recording mixer / supervising sound editor |
| Ralph Lopez | ... | boom operator |
| Bill Randall | ... | boom operator |
| David Stafford | ... | boom operator |
Camera and Electrical Department
| Richard Avalon | ... | first assistant camera |
| Jim Bandy | ... | lighting director |
| Otis Burkes | ... | best boy grip (as Otis Burke) |
| Todd A. Dos Reis | ... | camera operator: "b" camera |
| John Fabry | ... | lamp operator |
| Bruce Alan Greene | ... | steadicam operator |
| Dannon Johnson | ... | company grip |
| Michelle McKinley | ... | first assistant camera |
| Luis Sandoval | ... | best boy grip |
| Edwin Schiernecker | ... | gaffer |
| Gomidas Semerjian | ... | best boy electric |
| Roland Simmons | ... | best boy electric |
| David Terry | ... | dolly grip |
| Derek Wells | ... | key grip |
Costume and Wardrobe Department
| Kathy Hendricks | ... | costume supervisor |
| Ángela Núñez | ... | assistant costumer |
Editorial Department
| Scott Klein | ... | colorist |
Script and Continuity Department
| Heather Cappiello | ... | script supervisor |
Additional Crew
| Gordon Bell | ... | technical director |
| Nathalie Bertat | ... | production coordinator |
| David A. Hoffman | ... | set production assistant |
| Laurel Lambert | ... | publicist |
| Tim Ott | ... | production coordinator |
| Paul Overacker | ... | technical director |
| Karen Roberts | ... | production accountant |
| Larri Thomas | ... | stand-in: Mary Tyler Moore |
