Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.Superman reaparece después de una larga ausencia, pero es desafiado por un viejo enemigo que utiliza la tecnología kriptoniana para dominar el mundo.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 12 premios ganados y 47 nominaciones en total
- Jor-El
- (material de archivo)
- Ben Hubbard
- (escenas eliminadas)
Resumen
Opiniones destacadas
So, here we have Superman in the first new film in almost 20 years. He has his issues, but unlike all the other Super heroes around, he seems to be very solemn about it all. After all, he is Superman, not Clark Kent; Clark Kent is his mask. Obviously a huge nitpick people will have is that Clark comes back the very, very same day as Superman and not one single idiot in the city of Metropolis seems to notice, right? Well, yes, that bugged me too, at first. But then, the more you think about it, that's just how Clark Kent is designed: completely forgettable (except by Jimmy), always in the background, and always overshadowed by the bigger story, which is Superman. David Carradine has a very great speech about Superman at the end of Kill Bill Volume 2 that justifies everything quite nicely to me, so I suggest seeing that if you haven't already. What this movie does a great job of doing is just showing this classic, iconic super hero doing what he does best: saving the day. There's something so refreshing about finally getting that clear view of Superman for the first time after he saves a planeload of passengers from certain doom, and saying with a smile: "Don't let this turn you off to flying, folks. Statistically it's still the safest mode of transportation."
But that brings us to the actual plot. It goes for simple, safe, repetitive tedious, even? And, honestly, it's the kind of plot that just doesn't justify the runtime. Lex Luthor comes up with a ridiculous plan that even in the world of comic books is pretty hard to swallow. He compares himself to Prometheus, how he is so generous with the "mortals" by sharing his wonderful discovery, though planning on killing billions in the process. Lex obviously forgot the last half of that story, where Prometheus is punished and confined to terrible pain for all of eternity. But maybe that's the point. I mean, we all know from the very beginning Lex won't win, he's doomed to lose, that's just how it's meant to be: Superman wins and Lex loses. Written in the scriptures: is, was, ever shall be, in comic strips, TV shows, feature films, living in an ageless universe, for all eternity.
Bryan Singer is obviously aware of this. Singer also directed X-Men 1&2, and I think his biggest problem as a director is that he lacks a sense of completion in his works. X-Men is not the kind of movie that you watch, and then once it's over, you want to watch it over again. It's the kind of movie that you watch, and then once it's over, you want to see the next one. The X-Men films were each done with the presumption that there would be a next instalment, and that's fine I guess if you like always being on the edge of your seat waiting for the next one, but when his Superman movie does the same thing and drags past the 2-and-a-half hour mark, there's a problem. If nothing else, the movie establishes that Superman is indeed back, and we should expect to see more of him in the future.
Superman Returns is definitely a grand film. It's big, it's loud, it's expensive. I usually don't think to myself, 'hey that looks expensive,' when watching a movie, but I did in this case. It doesn't try for anything new or bold, it doesn't want to, and it's nice to see a super hero movie where the hero is the generic do-gooder, and helps mankind because he really wants to. That's why I think Superman garners more universal appeal than any others. But, honestly, the angsty heroes can be much more interesting. Certainly so with last year's Batman Begins, which I thought was a great, perfect movie, while I though Superman Returns was really good, but probably could have been better.
My rating: 7.5/10
Good - using the Williams score, original titles style and Brando voice-over for the start sequence: all good calls;
Bad - Kate Bosworth: bad casting. No charisma. Never for a second convinced me that she was a spunky reporter;
Good - Brandon Routh: I thought nobody could fill Christopher Reeve's shoes, but this lad does well;
Bad - costume. They got it right in the 70s movies. The effect of darkening the colours, reducing the shield size and dropping the waistline of the trunks is well-known to clothes designers - it makes the wearer look tall and thin. Reeve looked broad and imposing.
Good - saving the shuttle/plane, and dealing with the Metropolis "quake";
Bad - not enough of that stuff;
Good - Spacey's Luthor. Clearly grown from the same seeds as Hackman's, but much more definitely a villain. I believed that this Luthor was fundamentally evil;
Bad - Kitty Kowalski. What an underwhelming character. Miss Tesmacher-lite;
Good - Richard White - a potentially interesting new character, to sit in a potentially very interesting group dynamic;
Bad - Tristan Lake Lebeau. Superman's son is autistic? Sorry, kid - you were rubbish.
Good - tweaking the franchise back into life again;
Bad - forgetting that Superman isn't Batman. Superman is supposed to be light. Superman is supposed to be FUN! Don't take it so seriously, next time!
'Superman Returns' is set five years after Christopher Reeve's 'Superman II' (thankfully ignoring the events in the lacklustre 'Superman III and IV'). Superman, after five years of searching for the remains of his homeplanet Krypton, has returned to Earth to resume his life as Clark Kent only to find things moved on without him. Lois Lane is now mother to five-year-old son Jason and engaged to Perry White's nephew Richard. She is also thoroughly disenchanted with Superman although it soon becomes clear there is much unresolved feelings between the two. But between juggling his conflicting emotions for Lois and his duties to protecting the population, Superman has to face his arch-enemy Lex Luthor, who has stolen the crystals from the Fortress of Solitude and is intent on using them to rule the world.
It was never going to be easy Brandon Routh to step into Christopher Reeve's shoes but he takes it in his stride, managing to capture the bumbling but kindly nature of Clark and the strong, reserved demeanour of a Superman who strives to find a balance between his alien heritage and the life he has made for himself on Earth. He both makes the role his own yet does well in succeeding where Reeve left off. Kate Bosworth was also another surprise. I was very disappointed in her casting initially but seeing her perform in the film left me realising that she was perfect for the job as she portrays the cocky and determined yet vulnerable Lois to a tee. Kevin Spacey was great as the obsessive, slightly unhinged Luthor who possesses a real hatred for our hero while Parker Posey gave us a nicely-portrayed 'shades of grey' character in Kitty, a villain with a heart. Even the little moppet who played Jason gave a decent performance without being wooden or grating.
What I loved most about the film is that it delivered an interesting storyline that didn't reject the first two 'Superman' films, which are classics in the heart of any Superman fan and had already done a good job in covering the origins story. But at the same time, it didn't shirk in giving us deeper insights into the character of Superman, the solitary hero and the man who just wants to fit in. What was a pleasant surprise was that the film also refused to dumb down to small children in the audience, which is a growing problem with many Hollywood films that over-dose on infantile humour to appeal to kids resulting in boredom for anyone over fourteen. There was humour, some on a level to make children laugh, but overall there was a nice mix of action, romance and darkness aimed more at an older audience. They even avoid the clichéd pitfall of portraying Lois' love interest to be a sanctimonious twit and instead he came across as a genuinely nice guy who shows that it's understandable why she has problems choosing between him and Superman
In fact, my only real problem was that there wasn't enough interaction between Lois and Clark, which would have been nice as Clark's jealousy towards his alter-ego and the attention Lois lavishes on him is a large part of the story yet in the film, you felt as if Clark and Superman really were two different people with Clark just being some rather random guy. However, it can be over-looked by the fact that Clark was so happy to just have Lois' attention that he didn't care whether it was projected onto himself in his real personality or on Superman.
For anyone who has yet to see the film, I do recommend it and don't allow yourself to be put off by nitpickers complaining about the actors' being too young (better they be a shade on the younger side than going the 'Smallville' route where you have adults in their late twenties and thirties prancing around pretending to be teens and just looking ridiculous for it) or that the film is too long (even the eight-year-olds in the audience sat quietly, glued to the screen, for the entire film) or that it's bland (no more so than 'Spiderman'). I, for one, thoroughly enjoyed it and am looking forward to a sequel. After a rather dull summer at the cinema, this film renewed my faith in the summer blockbuster!
The film's story erases the third and fourth film from continuity, being set five years after Superman II. As most of the cast from the original two films are either old or passed away, most of the roles have been recast. Clark Kent/Superman is now played by Brandon Routh, who replaces the late Christopher Reeves (whom passed away before this film) and Kevin Spacey takes over the role of Lex Luthor from Gene Hackman. Kate Bosworth replaces Margot Kidder as Lois Lane. The film also utilizes archived footage of Marlon Brando as Kal-El (as the actor died two years before the film's release).
The film I actually enjoyed. Special effects have evolved in the 19 years between this and Superman IV, leading to the movie having some believable scenes (like Superman saving a Boeing 777 that had a space shuttle piggybacking, and a scene where a bullet is crushed making impact with one of his eyes, demonstrating his invulnerability). The script also has some nods to stuff said and done in the first two films (as a homage), and while the film is more serious, it does have its fair share of ridiculous scenes (Lex Luthor is as wacky as ever, especially with the scene where he says wrong, which became a meme, and another has Jason, Lois' son, playing the piano with one of Lex's henchmen). Despite it doing well with critics and making almost $400 million, it did not do good enough for Warner Bros., who cancelled a sequel in favor of a reboot, resulting in Man of Steel. This is an underrated superhero film that is a good homage.
I feel that it is a highly underrated film and gets an unnecessary bad rap. Brandon Routh's portrayal of Clark Kent/Superman, I feel, is second only to Christopher Reeves, whom he does a great job of capturing.
The action scenes are top-notch and fun to watch. It even has one of the most brutal fight scenes in any Superman movie which could be a bit hard to watch. Yes, even more than the Zack Snyder movies.
This movie is far from perfect, but it is a lot better than what it's given credit for. I do recommend checking it out.
Argumento
¿Sabías que…?
- TriviaIt is revealed in the video game that Krypton's discovery was a hoax devised by Lex Luthor to draw Superman away from Earth so Lex could be released from prison (for example, when Superman was called to testify, he was a no-show).
- Errores(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citas
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Créditos curiososThe opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman: el film (1978) opening credits sequence.
- Versiones alternativasIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConexionesEdited from Superman: el film (1978)
- Bandas sonorasQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Superman Returns
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 270,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 200,081,192
- Fin de semana de estreno en EE. UU. y Canadá
- USD 52,535,096
- 2 jul 2006
- Total a nivel mundial
- USD 391,081,192
- Tiempo de ejecución2 horas 34 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1