Directed by
| Richard Day | ||
Writing Credits (WGA)
| Richard Day | ... | (written by) |
Cast (in credits order)
Produced by
| Richard Ahren | ... | producer |
| Jack Plotnick | ... | executive producer |
| Michael Warwick | ... | producer |
Music by
| Stephen Edwards | ||
Cinematography by
| Nicholas Hutak | ||
Editing by
| Chris Conlee | ||
Casting By
| Collin Daniel | ||
Production Design by
| Shannon Schwiebert | ||
Art Direction by
| Brandi Hugo | ||
| Gabrielle Nieto | ||
Costume Design by
| Ramona Ponce | ||
| Madison E. Spencer | ||
Makeup Department
| Adam Christopher | ... | key makeup artist |
| Kari Nicole | ... | assistant makeup artist |
| Ken Niederbaumer | ... | special makeup effects artist |
| Sergio Picasso | ... | special makeup effects artist |
| Sir Tony | ... | key hair stylist |
Second Unit Director or Assistant Director
| Jennifer Lai | ... | first assistant director |
| Matthew Osburn | ... | second assistant director |
Art Department
| Cliff Curry | ... | graphic artist |
| David Kolodny-Nagy | ... | assistant art director |
| Stephanie Robinson | ... | property master |
Sound Department
| Robert Backus | ... | boom operator |
| Sean England | ... | machine room operator |
| Andrea Gard | ... | sound editing (as Andrea Stelter Gard) |
| Vincent Guisetti | ... | foley artist |
| Jamie Hammons | ... | foley artist |
| Lora Hirschberg | ... | re-recording mixer |
| Eric Johnson | ... | adr recordist / background sound editor |
| Pamela Kahn | ... | foley artist (as Pamela Nedd Kahn) |
| Mark Lanza | ... | re-recording mixer / sound effects editor (as Mark A. Lanza) / supervising sound editor |
| Stewart Nelsen | ... | dialogue editor (as Stuart Nelson) |
| Peter O'Brien | ... | sound effects editor |
| Juan Peralta | ... | mix technician |
| George Peterson Jr. | ... | recordist |
| Brandon Proctor | ... | mix technician |
| Mark Purcell | ... | machine room operator / recordist |
| Kyle Rochlin | ... | foley artist / foley mixer |
| Ronald G. Roumas | ... | recordist (as Ron Roumas) |
| Mac Smith | ... | sound editing assistant |
| Dan Zimbaldi | ... | sound recordist |
Special Effects by
| Jeff Colbert | ... | prosthetics (as Jeffrey Colbert) |
Visual Effects by
| Thomas R. Dickens | ... | visual effects |
| Christopher Dusendschon | ... | digital imaging: iO FILM |
| Rennie Johnson | ... | visual effects |
| Harry Walton | ... | visual effects supervisor |
Camera and Electrical Department
| Bob Good | ... | grip |
| Jody Hutchins | ... | grip |
| David L. Marks | ... | camera assistant (as David Marks) |
| Buck Rogers | ... | key grip |
| John Rutter | ... | best boy |
| Spudtoro | ... | still photographer |
| Ted T.E. Tunney | ... | gaffer (as Edward Tunney) |
Costume and Wardrobe Department
| Stacy Stagnaro | ... | wardrobe supervisor |
Editorial Department
| Guillermo Beltrán | ... | on-line editor |
| Beau J. Genot | ... | post-production consultant |
| Rachel Hensley | ... | assistant editor |
| Mato | ... | color timer |
| Amber McKenzie | ... | assistant editor |
| Zac Stanford | ... | colorist |
Script and Continuity Department
| Tracy Scott | ... | script supervisor |
Additional Crew
| Chris Bunker | ... | production assistant |
| Jen Burkley | ... | production assistant (as Jennifer Burkley) |
| Katie Burns | ... | titles |
| Andrew Colon | ... | production consultant |
| Judy Dixon | ... | press publicist |
| Sharre Jacoby | ... | producer: main and end titles |
| Anthony Ross | ... | adr loop group |
Thanks
| Glenn Kiser | ... | special thanks |
| Josh Lowden | ... | special thanks |
