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Cast verified as complete
Matthew Modine | ... |
Bobby Myers
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Saul Rubinek | ... |
Paul Linder
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Alan Bates | ... |
Michael Baytes
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Joe Cobden | ... |
Howard Atkins
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Deborah Kara Unger | ... |
Sandy Ryan
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Alan Thicke | ... |
Peter Casey
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John Neville | ... |
Henry Neville
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Lindy Booth | ... |
Molly
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Fab Filippo | ... |
Frankie Candido
(as Fabrizio Filippo)
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Clare Coulter | ... |
Lindsay Marshall
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Sandi Stahlbrand | ... |
Leslie Carrington
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John Bayliss | ... |
Customs Inspector
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Jennifer Tilly | ... |
Gillian Stevens
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Audrey Lupke | ... |
Joanne Jennings
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Kim Coates | ... |
Scott DiMarco
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Peter Oldring | ... |
Seth Johnson
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Jeremy Wright | ... |
Kenny
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David Gale | ... |
Additional Dialogue Recordings (voice)
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Stephen Sparks | ... |
Additional Dialogue Recordings (voice)
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John Watson | ... |
Additional Dialogue Recordings (voice)
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Jerry Bilak | ... |
Foreign Voices (voice)
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Massimo Gargari | ... |
Foreign Voices (voice)
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Vincent Tay | ... |
Foreign Voices (voice)
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Xue Pingchen | ... |
Foreign Voices (voice)
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Christine Bilak | ... |
Foreign Voices (voice)
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Rossana Tassone | ... |
Foreign Voices (voice)
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Carol Shean | ... |
Foreign Voices (voice)
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Rest of cast listed alphabetically: | |||
Matt Birman | ... |
Prop Guy (uncredited)
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Sandy Kellerman | ... |
Camera Assistant (uncredited)
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Michael Stevens | ... |
Bogota Sound Man (uncredited)
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Nancy E.L. Ward | ... |
Continuity Script Girl (uncredited)
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Directed by
Peter O'Brian |
Written by
Barry Healey | ... | (writer) & |
John Hunter | ... | (writer) & |
Tony Johnston | ... | (writer) |
Produced by
Penelope Antoniou | ... | co-producer |
John Gillespie | ... | producer |
Tony Johnston | ... | co-producer |
Jeffery Kirsh | ... | associate producer |
Aniz Manji | ... | executive producer |
Peter O'Brian | ... | executive producer |
Mark Thomas | ... | executive producer |
Paul Weber | ... | associate producer / co-producer |
Michael Zannella | ... | co-producer (as Michael Sannella) |
Music by
Terence Gowan | ... | (as Terence M. Gowan) |
Blair Packham |
Cinematography by
Barry Stone |
Editing by
Lisa Grootenboer |
Editorial Department
Roberta Bratti | ... | post-production editor: DeLuxe Toronto |
Rob Dick | ... | post-production editor: DeLuxe Toronto |
Todd Farrell | ... | first assistant editor |
Karla Firby | ... | post-production editor: DeLuxe Toronto |
Georgina Firth | ... | negative cutter: Barb Swift Neg-Cutting |
Stan Ford | ... | post-production editor: DeLuxe Toronto |
Alfredo Frasson | ... | color timer |
Darren Jennekens | ... | picture editor |
Ivan Kovac | ... | negative cutter: Barb Swift Neg-Cutting |
Steve Mayhew | ... | video mastering: Eyes Post |
Crissy Middleton | ... | negative cutter: Barb Swift Neg-Cutting |
Ron Middleton | ... | negative cutter: Barb Swift Neg-Cutting |
Joanne Rourke | ... | video mastering: HD |
Lorraine Samuel | ... | post-production editor: DeLuxe Toronto |
Lionel Strutt | ... | post-production coordinator: UK |
Casting By
Paul Weber |
Production Design by
Rob Gray |
Art Direction by
Iain Reynolds |
Set Decoration by
David Joseph | ||
Christina Kuhnigk |
Costume Design by
Kimberley Ann Rush |
Makeup Department
Sid Armour | ... | makeup artist |
Helen Brum | ... | assistant hair stylist |
Peggy Kyriakidou | ... | hair stylist |
Josie Licata | ... | assistant makeup artist |
Robbi O'Quinn | ... | key makeup artist |
Production Management
Brad Wm. Clark | ... | production manager (as Brad Clark) |
John Gillespie | ... | post-production supervisor |
Lionel Strutt | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
Michael J. Bowman | ... | first assistant director (as Michael Bowman) |
Neille Brockie | ... | third assistant director |
Kareen Yalandy Glynn | ... | trainee assistant director (as Kareen Glynn) |
Aline Robichaud | ... | second assistant director |
Mark Thomas | ... | second unit director |
Art Department
John Bankson | ... | construction coordinator |
Simon Corton | ... | property master |
Rojuano Espiritu | ... | lead dresser |
David Joseph | ... | lead man |
Steve Meil | ... | head scenic painter (as Stephen Meil) |
Graydon Nichols | ... | head carpenter |
William Poulter | ... | set dresser |
Jeff Silver | ... | set dresser |
Matthew G. Wright | ... | set buyer (as Matthew Wright) |
Sound Department
Bill Allen | ... | sound consultant: Dolby |
Kevin Banks | ... | sound effects editor |
Christian Carruthers | ... | re-recording mixer |
Nelson Ferreira | ... | sound supervisor / supervising sound editor |
Attilia M. Fierro | ... | sound coordinator: Dolby |
Jamie Gould | ... | re-recording assistant |
David K. Grant | ... | sound recordist |
Gina Gyles | ... | foley assistant |
Craig Henighan | ... | sound effects editor |
Zach Hunter | ... | sound trainee |
Trevor Leis | ... | trainee assistant editor |
Matthew McKenzie | ... | adr recordist: Toronto |
Colin McLellan | ... | adr recordist: Toronto |
Heather Osborn | ... | trainee assistant editor |
Daniel Pellerin | ... | re-recording mixer |
Peter Persaud | ... | foley recordist |
John Sievert | ... | foley artist |
Andrew Tay | ... | re-recording mixer |
John Wojewoda | ... | boom operator |
Steve Baine | ... | foley artist (uncredited) |
Special Effects by
Reg Ashby | ... | special effects supervisor |
Brock Jolliffe | ... | special effects supervisor |
Visual Effects by
Mike Smith | ... | titles & opticals: Film Opticals of Canada |
Stunts
Matt Birman | ... | stunt coordinator |
Dwayne McLean | ... | stunt performer |
John Stoneham Jr. | ... | stunt coordinator / stunt performer |
Bryan J. Thomas | ... | stunts (as Bryan Thomas) |
Ron Webber | ... | stunt performer |
Camera and Electrical Department
Don Anderson | ... | electrician |
Jennifer Beasley | ... | camera loader |
Mark Berlet | ... | chief lighting technician / director of photography: second unit / gaffer |
Matty Cooper | ... | electrician |
Dave June | ... | camera assistant: second unit (as David June) |
Rick Leger | ... | generator operator |
Russ Martin | ... | still photographer |
Juan Montalvo | ... | second assistant camera |
Loreen Ruddock | ... | best boy electric |
Yuri Sandler | ... | grip |
Terry Smallwood | ... | video playback technician |
Craig Stewart | ... | dolly grip |
Barry Stone | ... | camera operator |
James Tamblyn | ... | video playback technician |
Rae Thurston | ... | grip and lighting equipment: PS Production Services (as Ray Thurston) |
Christopher J. Toudy | ... | key grip (as Christopher Toudy) |
Joe Turner | ... | best boy grip |
Robert Varga | ... | grip and lighting equipment: PS Production Services |
Brian White | ... | first assistant camera |
Serhat H. Yalcinkaya | ... | camera trainee |
Dave Sansford | ... | generator operator (uncredited) |
Casting Department
John Buchan | ... | casting |
Bradley A. Flett | ... | extras casting (as Brad Flett) |
Ivy Isenberg | ... | casting associate |
Jenny Lewis | ... | casting |
Costume and Wardrobe Department
Rachel Archer | ... | assistant costume designer |
Erika Larner | ... | wardrobe set supervisor |
Jody Orsini | ... | wardrobe mistress |
Location Management
Darren J. Biro | ... | assistant location manager (as DJ Biro) |
Brad Wm. Clark | ... | location manager: second unit (as Brad Clark) |
Robert Manson | ... | location manager (as Rob Manson) |
Kyra Rattray | ... | location assistant (as Kyra Dawn Rattray) |
Music Department
Kevin Banks | ... | music editor |
Ron Proulx | ... | music supervisor |
Chris Robinson | ... | co-music supervisor (uncredited) |
Script and Continuity Department
Matti Huhta | ... | script supervisor |
Transportation Department
Martin Boon | ... | driver |
Paul Davies | ... | driver |
David McLaren | ... | transportation captain |
Jerry Skavinsky | ... | transportation coordinator |
Craig Taylor | ... | driver |
Greg Wall | ... | driver |
Additional Crew
Penelope Antoniou | ... | production accountant |
Amy Barrie | ... | assistant production coordinator |
Chris Cirilo | ... | assistant: Deborah Kara Unger |
Cyril Drabinsky | ... | executive consultant |
Michael F. Gunter | ... | executive consultant |
Mike Gunter | ... | executive consultant (as Michael F. Gunter) |
Jeffrey Hands | ... | creative advisor |
Moria Holmes | ... | completion bond company representative: Film Finances Canada |
Dennis Jacobson | ... | first assistant payroll accountant |
Michael Kessler | ... | assistant to director |
Natasha Koifman | ... | publicist |
Bryan LaCour | ... | production finance associate: Comerica Bank of California |
Mary Legakis | ... | film finances representative: Independent Film Financing Inc. |
Quentin Matheson | ... | web site designer: The Well Dressed Robot |
Chris McKean | ... | crafts service |
June Nayler | ... | insurance provider: Jones Brown & Associates |
Delia Pereira | ... | banking services: Scotiabank |
Laura Polley | ... | film finances representative: Independent Film Financing Inc. |
Morgan H. Rector | ... | production finance associate: Comerica Bank of California (as Morgan Rector) |
Brydon Roe | ... | production consultant |
Ken Rosenthal | ... | legal services: Gardiner-Roberts |
Greg Shoom-Kirsh | ... | production assistant |
Vanessa Steinmetz | ... | film finances representative: Independent Film Financing Inc. |
Jim Sternberg | ... | completion bond company representative: Film Finances Canada |
Jody Tansley | ... | on-set nurse (as Jodi Tansley) |
Charles Taylor | ... | armorer (as Charlie Taylor) |
Mark Thomas | ... | production consultant |
Kirk Thompson | ... | insurance provider: Jones Brown & Associates |
Paula Thorpe | ... | executive consultant |
Steven Zander | ... | production coordinator |
James Azzopardi | ... | Utility Stand In (uncredited) |
Jennifer Thomas | ... | key assistant accountant (uncredited) |
Mark Thomas | ... | development producer (uncredited) |
Thanks
Chalmers Adams | ... | thanks |
Brian Asbury | ... | the producers wish to thank |
Linda Beath | ... | thanks |
Greg Beer | ... | thanks |
Carolyn Bennett | ... | thanks |
Phillip Borsos | ... | thanks |
John Bradshaw | ... | the producers wish to thank |
Brendan Calder | ... | thanks |
Diane Cappelletto | ... | the producers wish to thank |
Wayne Clarkson | ... | thanks |
Derby Crewe | ... | the producers wish to thank |
Michael Gebauer | ... | the producers wish to thank |
Janet Hadjidimitriou | ... | thanks |
Michael Harilaid | ... | the producers wish to thank |
Debra Henderson | ... | thanks |
Bill House | ... | thanks |
Jeff Jackson | ... | special thanks: Heenan Blaikie |
Norman Jewison | ... | thanks |
Jacqueline Mackey | ... | thanks |
Gabriella Martinelli | ... | thanks |
Neil Morrissey | ... | the producers wish to thank |
John O'Brian | ... | thanks |
Chan Park | ... | thanks |
Delia Pereira | ... | special thanks: Scotiabank |
Laura Polley | ... | the producers wish to thank |
Jason Roe | ... | the producers wish to thank |
Jeff Sackman | ... | the producers wish to thank |
Jim Sternberg | ... | the producers wish to thank |
Mark Terry | ... | thanks |
Kirk Thompson | ... | the producers wish to thank |
Rae Thurston | ... | the producers wish to thank |
Marvin Waxman | ... | the producers wish to thank (as Dr. Waxman) |
Production Companies
Distributors
- First Look Home Entertainment (2003) (United States) (DVD)
- Kaleidoscope (2023) (United Kingdom)
- Shout! Factory (2022) (United States)
- Teleview International (2003) (Lebanon) (tv) (Middle East)
- Trimuse Entertainment Inc. (2017) (World-wide)
Special Effects
Other Companies
- Absolute Locations (special thanks)
- Amherst Greenhouses (special thanks)
- Arpix Media (special thanks)
- Barb Swift Neg Cutting (negative cutting)
- Basket Tailor (special thanks)
- Bullseye (picture editing)
- C.L.A.S.S. Productions (special thanks)
- CBC Archives (special thanks)
- CFTPA (special thanks)
- Canada Square (special thanks)
- Capitol Centre, North Bay, Ont. (thanks) (Opening shot)
- City of Toronto (special thanks)
- Comerica Bank of California (production financing)
- David J. Woods Productions (special thanks)
- Deluxe Post-Production (post-production facilities)
- Deluxe Toronto (adr facilities)
- Deluxe Toronto (post-production facilities)
- Dwight Crane Rentals (special thanks)
- Emancass Computer Systems (special thanks)
- Entertainment Partners Canada (payroll services)
- Eyes Post (video mastering)
- Fawcett Motor Carriage (special thanks)
- Film Finances Canada (completion bond provided by)
- Film Opticals of Canada (titles and opticals)
- Foley One (post-production sound services)
- Gardiner Roberts (legal services)
- Gowlings (special thanks)
- Hand Prop (props supplied by)
- Heenan Blaikie (special thanks)
- Hot 'N' Ready Craft Services (craft services)
- Independent Film Financing Inc. (film financing)
- Intersound (adr facilities)
- Johnson Furniture Rental (special thanks)
- Jones Brown Insurance (production insurance provided by)
- Mayflower Studios (adr recording studio)
- Mini-Tankers (special thanks)
- Movie Armaments Group (firearms supplied by)
- Nabet 700 (acknowledgement)
- Oshawa Municipal Airport (special thanks)
- PS Production Services (grip and lighting equipment)
- Panavision (camera equipment provided by)
- Payless Travel (special thanks)
- Scotiabank (banking services)
- Scotiabank (special thanks)
- Showtime Craft (craft services)
- Somerville Car & Truck Rentals (special thanks)
- Sound Dogs Toronto (sound editing services)
- Soundtrack New York (adr facilities)
- Starlight Catering Ltd. (catering service)
- Sutton Rentals (special thanks)
- THINKFilm (special thanks)
- The Four Seasons Hotel (special thanks)
- The Rights Company (special thanks)
- The Toronto Film and Television Office (special thanks)
- The Travel Network (special thanks)
- Thunder Thighs Costumes Ltd. (special thanks)
- Toronto Police (special thanks)
- University of Toronto (special thanks)
- Winchester Films (special thanks)
- Xerox (special thanks)
Storyline
Plot Summary |
Former lawyer Bobby Myers recounts his first foray in the Canadian movie business circa 1979, when the then burgeoning Canadian movie industry was going through some growing pains. He wanted his first project as producer to be told by Canadians about issues close to the Canadian heart. As such, he acquired the rights to Lantern Moon, a beloved Canadian novel written by Lindsay May Marshall. He quickly realized that producing a movie in Canada, especially in acquiring financing, required much compromise, most specifically casting a big name Hollywood star in the leading role. The star he signs, Michael Baytes, comes with much baggage. Those compromises lead to many problems between the Canadian vision and the want by some to make the movie more "American", especially by ultra-patriotic and paranoid Baytes. Through it all, filmmaker Sandy Ryan films it all, good and bad, for a "making of" documentary. But Sandy has her own agenda as she concurrently films her own lower budget movie called "Human Voices". Written by Huggo |
Plot Keywords | |
Taglines | The camera never lies ... only the people behind it. See more » |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
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Box Office
Budget | $7,000,000 (estimated) |
Did You Know?
Trivia | Despite the fact that the screenplay was one of the most famous to circulate amongst insiders of the real Hollywood North, the movie still took an incredibly long time to get filmed. The screenplay was originally written in the mid 1980s. There was a serious attempt to film it in 1987, but the plans were ultimately scrubbed. See more » |
Movie Connections | References Wuthering Heights (1939). See more » |
Soundtracks | Lovin' You Ain't Easy See more » |
Quotes |
Lindsay Marshall:
If God were Canadian, he would come down and destroy you and this production in a fiery apocalyptic rebuke! See more » |