The 55th Grammy Awards have arrived, and music's biggest night promises a ton of trophies, and hopefully some great live performances by today's hottest acts. Who has the best record of 2012? How about the year's best new artist? Stick with Zap2it throughout the night, as we continue updating the list of this year's winners!
All of the award categories are below, with the winners in bold.
Record of the Year"Lonely Boy" by The Black Keys"Stronger (What Doesn't Kill You)" by Kelly Clarkson"We Are Young" by Fun., featuring Janelle Monáe"Somebody That I Used To Know" by Gotye, featuring Kimbra"Thinkin Bout You" by Frank Ocean"We Are Never Ever Getting Back Together" by Taylor Swift
Album of the Year"El Camino" by The Black Keys"Some Nights" by Fun."Babel" by Mumford & Sons"Channel Orange" by Frank Ocean"Blunderbuss" by Jack White
Song of the Year...
All of the award categories are below, with the winners in bold.
Record of the Year"Lonely Boy" by The Black Keys"Stronger (What Doesn't Kill You)" by Kelly Clarkson"We Are Young" by Fun., featuring Janelle Monáe"Somebody That I Used To Know" by Gotye, featuring Kimbra"Thinkin Bout You" by Frank Ocean"We Are Never Ever Getting Back Together" by Taylor Swift
Album of the Year"El Camino" by The Black Keys"Some Nights" by Fun."Babel" by Mumford & Sons"Channel Orange" by Frank Ocean"Blunderbuss" by Jack White
Song of the Year...
- 2/11/2013
- by editorial@zap2it.com
- Zap2It - From Inside the Box
Was Monty Norman, who wrote the James Bond theme, a secret fan of the Finnish composer Jean Sibelius?
A continuation of an occasional series featuring my serendipitous discovery of musical connections, cross-fertilisations and unusual thematic ancestries that centuries of musical history have managed to suppress – until now. This week: Jean Sibelius and James Bond. Idling through part of the "J" box of Bis Record's brilliant complete Sibelius edition (each box gives you one initial of Sibelius's whole name) that – apart from including the best, most faithful and most terrifying Luonnotar on disc – also contains Sibelius's 1904 piece Cassazione, a little-known orchestral work written around the time of the first version of the Violin Concerto. It starts with a typical Sibelian shimmer of strings playing tremolo. And the music they perform is the riff from the James Bond theme.
Now unless you've got Spotify (in which case, see Gothenburg Symphony Orchestra – Cassazione,...
A continuation of an occasional series featuring my serendipitous discovery of musical connections, cross-fertilisations and unusual thematic ancestries that centuries of musical history have managed to suppress – until now. This week: Jean Sibelius and James Bond. Idling through part of the "J" box of Bis Record's brilliant complete Sibelius edition (each box gives you one initial of Sibelius's whole name) that – apart from including the best, most faithful and most terrifying Luonnotar on disc – also contains Sibelius's 1904 piece Cassazione, a little-known orchestral work written around the time of the first version of the Violin Concerto. It starts with a typical Sibelian shimmer of strings playing tremolo. And the music they perform is the riff from the James Bond theme.
Now unless you've got Spotify (in which case, see Gothenburg Symphony Orchestra – Cassazione,...
- 9/15/2010
- by Tom Service
- The Guardian - Film News
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