Pierre is at best competent as the star, director and writer of this good-natured compendium of ghetto movie clichés, which doesn't have an awful lot to offer in the way of laughs, pacing or originality.
Its misogyny, homophobia and overall grossness undermine the tired gags, and its relentless portrayal of African-American women as money-grubbing hootchie mamas (the sole exception is, of course, Dre's mom) would be wholly unacceptable if a white filmmaker had been at the helm.