A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him.
- Awards
- 2 wins & 3 nominations
Joseph Badalucco Jr.
- Construction Foreman
- (as Joseph Badalucco)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaHugh Grant said that Sandra Bullock was his favourite person to work with throughout his career.
- GoofsWhen Lucy and George are arguing at the children's benefit, it is alternately raining/not raining between shots. Similarly, George's tux jacket is wet/dry.
- Quotes
George Wade: Before you came into my life I could make all kinds of decisions, now I can't, I'm addicted, I have to know what you think!
[holds up cufflinks]
George Wade: What do you think?
Lucy Kelson: George, I think you are the most selfish human being on the planet.
George Wade: Well that's just silly. Have you met everybody on the planet?
Lucy Kelson: Goodbye George.
[she leaves]
- Crazy creditsThe beginning of the credits shows pictures of Sandra Bullock and Hugh Grant as children growing up.
- SoundtracksBaby (You've Got What It Takes)
(TWO WEEKS NOTICE Remix)
Written by Clyde Otis and Murray Stein
Performed by Dinah Washington and Brook Benton
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
Harmonica accompaniment by Marc Lawrence (as Blind Lemon Lipschitz)
Featured review
Two Weeks Notice (2002)
Hugh Grant is funny. Sandra Bullock is funny. "Two Weeks Notice" takes full advantage of both, and for a warm, if someone canned, romantic comedy, it's enjoyable.
The premise is two-fold. First is the idea that Bullock makes herself indispensable as an assistant to an unbelievably demanding boss (an precursor of the more recent "The Devil Wears Prada" though in this case Grant is also a bit incompetent). Then she has to give notice she is quitting. This makes Grant desperate, which is always fun to watch.
The other premise is the feel-good part where a community center with history needs to be saved, somehow (an echo, perhaps, of "You've Got Mail"). Bullock is a do-gooder and a smart one, and she finds working with Grant has threatened her idealism. In fact, this is the deeper part of the movie, if still treated with typical easy going slightness. I mean, this is no serious commentary for sure, any more than "My Man Godfrey" will really change our views about unemployment in the depression. But it helps to have a cause to root for.
Most of all I came to love Bullock for her natural on-screen personality. She's so likable in her own offbeat way you come to support her view of the world automatically. And in this case that's a good thing, even if you also understand how Grant's character is both a jerk and a lovable misguided rich man. Grant of course is his own kind of natural, and the two are rather good on screen. They might not have chemistry, the way you'd want the screen to steam up, but they have energy or synergy together, more like the other Grant (Cary) and some of his counterparts did in the old days.
I'm tilting this review toward a feeling that this is a screwball comedy as in the the late 30s and early 40s, and in a way it is, though not nutty enough perhaps to really qualify. It does have the standard romantic comedy problem of two leads who would be great together if only a million things weren't standing in the way.
This movie gets weak reviews overall, but I liked it, and don't hesitate to recommend it as a thin but enjoyable comedy.
Hugh Grant is funny. Sandra Bullock is funny. "Two Weeks Notice" takes full advantage of both, and for a warm, if someone canned, romantic comedy, it's enjoyable.
The premise is two-fold. First is the idea that Bullock makes herself indispensable as an assistant to an unbelievably demanding boss (an precursor of the more recent "The Devil Wears Prada" though in this case Grant is also a bit incompetent). Then she has to give notice she is quitting. This makes Grant desperate, which is always fun to watch.
The other premise is the feel-good part where a community center with history needs to be saved, somehow (an echo, perhaps, of "You've Got Mail"). Bullock is a do-gooder and a smart one, and she finds working with Grant has threatened her idealism. In fact, this is the deeper part of the movie, if still treated with typical easy going slightness. I mean, this is no serious commentary for sure, any more than "My Man Godfrey" will really change our views about unemployment in the depression. But it helps to have a cause to root for.
Most of all I came to love Bullock for her natural on-screen personality. She's so likable in her own offbeat way you come to support her view of the world automatically. And in this case that's a good thing, even if you also understand how Grant's character is both a jerk and a lovable misguided rich man. Grant of course is his own kind of natural, and the two are rather good on screen. They might not have chemistry, the way you'd want the screen to steam up, but they have energy or synergy together, more like the other Grant (Cary) and some of his counterparts did in the old days.
I'm tilting this review toward a feeling that this is a screwball comedy as in the the late 30s and early 40s, and in a way it is, though not nutty enough perhaps to really qualify. It does have the standard romantic comedy problem of two leads who would be great together if only a million things weren't standing in the way.
This movie gets weak reviews overall, but I liked it, and don't hesitate to recommend it as a thin but enjoyable comedy.
- secondtake
- Jan 12, 2013
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Amor con preaviso
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $93,354,851
- Opening weekend US & Canada
- $14,328,494
- Dec 22, 2002
- Gross worldwide
- $199,043,471
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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