The plot is predictable, the characters are cliches, and all the actors look and sound like refugees from a movie Martin Scorsese would have made vastly better three decades ago.
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New York PostJonathan Foreman
New York PostJonathan Foreman
Isn't really a movie: It's a grab bag of mobster clichés lifted without finesse from "A Bronx Tale," "GoodFellas" and at least a score of lesser Mafia flicks.
Doesn't really know how to end. But if its melodramatic final moments are ludicrous, they don't seriously dilute the acidity of the sour little swatch of urban sociology that has come before.