Directed by
Eli Roth |
Writing Credits
Eli Roth | ... | (written by) & |
Randy Pearlstein | ... | (written by) |
Eli Roth | ... | (story by) |
Cast (in credits order) complete, awaiting verification
Produced by
Evan Astrowsky | ... | producer |
Sam Froelich | ... | producer |
Jeffrey D. Hoffman | ... | co-executive producer |
Susan Jackson | ... | executive producer |
Eli Roth | ... | producer |
Lauren Vilchik | ... | producer (as Lauren Moews) |
Music by
Angelo Badalamenti | ||
Nathan Barr |
Cinematography by
Scott Kevan |
Editing by
Ryan Folsey |
Casting By
Joe Adams | ||
Mitzi Corrigan | ||
Ayo Davis | ||
Paige Johnston | ... | (as Paige Johnson) |
Production Design by
Franco-Giacomo Carbone |
Set Decoration by
Will Hicks |
Costume Design by
Paloma Soledad |
Makeup Department
Howard Berger | ... | special effects makeup supervisor |
Jessica Elder | ... | makeup artist |
Robert Kurtzman | ... | special makeup effects supervisor |
Joan Shay | ... | hair department head |
Production Management
Claudia Carey | ... | unit production manager |
Second Unit Director or Assistant Director
Max Berryhill | ... | first assistant director: second unit (as M.C. 'Max' Berryhill) / second assistant director (as M.C. 'Max' Berryhill) |
Susan DeWeese | ... | first assistant director |
Susan McGuire | ... | first assistant director |
Art Department
Tommy Estridge | ... | assistant property master |
William S. Lake | ... | carpenter (as Bill Lake) |
Richard A. Mazzochi | ... | property master |
Charles B. Walker | ... | assistant set dresser |
Sound Department
Pembrooke Andrews | ... | sound editor |
Bruce Barris | ... | re-recording mixer |
Brian Best | ... | supervising sound editor |
Jeffree Bloomer | ... | sound mixer |
Lance Brown | ... | re-recording mixer |
Timothy A. Carpenter | ... | foley mixer / re-recording mixer |
William Cawley | ... | sound effects editor |
Brion Condon | ... | boom operator: Los Angeles |
David P. Earle | ... | sound effects editor |
Frederick Howard | ... | foley supervisor |
Steve Mann | ... | sound effects editor |
Marc Meyer | ... | sound effects editor |
Shelley Roden | ... | foley artist (as Shelley Smith) |
Scott Solan | ... | boom operator |
Joseph Tsai | ... | sound effects editor |
Steve Weiss | ... | sound mixer: Los Angeles |
Aaron Wilcox | ... | facilities management / re-recording projectionist |
J. Aloysius Flanagan III | ... | assistant sound re-recording mixer (uncredited) |
Special Effects by
Chiz Hasegawa | ... | coordinator: KNB EFX Group |
Garrett Immel | ... | key special makeup effects artist and set supervisor |
Greg Nicotero | ... | special makeup effects supervisor (as Gregory Nicotero) |
Scott Patton | ... | sculptor |
Alan Tuskes | ... | special makeup effects crew |
Visual Effects by
Steven Emmert | ... | optical compositor: THDX |
Scott Grossman | ... | poster design / title design |
Erick Schiele | ... | poster design / title design |
Jan S. Owen | ... | visual effects producer: Pacific Title (uncredited) |
Stunts
John Copeman | ... | stunt coordinator |
Preston Corbell | ... | stunt double: The Bunny Man |
Dino Muccio | ... | stunts |
Tommy J. Huff | ... | truck stunts (uncredited) |
Camera and Electrical Department
Robin Acutt | ... | gaffer |
Casey Alicino | ... | key grip |
Raymond Benthall | ... | set electrician |
Nathan Crum | ... | camera loader |
Julie Donovan | ... | first assistant camera: "a" camera |
Bryan G. Haigh | ... | second assistant camera: "a" camera |
C. David Jones | ... | grip |
Jon Ladd | ... | electrician |
Eric Leach | ... | director of photography: second unit |
Michael Lowrance | ... | electrician |
Dominik Mainl | ... | first assistant camera |
Jeff Miller | ... | best boy grip |
Gannon Murphy | ... | gaffer |
Benjamin Root | ... | jib operator |
Derek E. Tindall | ... | best boy electric |
David Troutman | ... | electrician |
Casting Department
Jordan Beswick | ... | additional casting |
Mitzi Corrigan | ... | casting: North Carolina |
Costume and Wardrobe Department
Juli Trotter | ... | wardrobe assistant |
Editorial Department
Jennie Blackwood | ... | post-production coordinator |
Erica Mireles Folsey | ... | assistant editor (as Erica Acevedo) |
Harry Muller | ... | color timer |
Kelly Reese | ... | telecine colorist: high definition |
Chris Regan | ... | color timer |
Music Department
Michael Farrow | ... | music scoring mixer |
Joel C. High | ... | music executive |
Christine H. Luethje | ... | music editor |
Brian Richards | ... | music editor |
Mark Skillingberg | ... | assistant music editor |
Script and Continuity Department
Barry L. Caldwell | ... | script supervisor |
Transportation Department
Paul Feddersen | ... | transportation coordinator: Los Angeles |
D.J. Hall | ... | transportation co-captain |
Hugo R. Ocana | ... | driver (as Hugo Ocana) |
Colleen Rea | ... | driver: Los Angeles |
Lew Strong | ... | driver |
William G. Stone | ... | truck driver (uncredited) |
Additional Crew
Jackie Bazan | ... | publicist |
Jennie Blackwood | ... | assistant accountant |
Peter Block | ... | acquisitions executive |
Sam Childs | ... | production accountant |
Crystal Connell | ... | craft service |
James Michael Cummings | ... | creative consultant (as Jimmy Cummings) |
Andrew Daniel | ... | production assistant |
Chantelle Grady | ... | production secretary |
Michael Hayworth | ... | production assistant |
David Roberson | ... | publicity consultant |
Pascual Romero | ... | promotional consultant |
Gabriel Roth | ... | documentarian |
Barbara Rushworth | ... | assistant to producer |
Lindsay Vivian | ... | production assistant |
Mark Garbett | ... | production assistant (uncredited) |
Thanks
Angelo Badalamenti | ... | very special thanks |
Peter Belsito | ... | special thanks: consultant |
George Folsey Jr. | ... | very special thanks |
Mike Hassan | ... | special thanks / very special thanks (as Michael Hassan) |
Rich Hassan | ... | special thanks / very special thanks |
Sydney Levine | ... | consultant |
David Lynch | ... | very special thanks |
Jenny McShane | ... | thanks |
Michael Rosenbaum | ... | special thanks |
Andy Sawyer | ... | very special thanks |
Darren Thomas | ... | special thanks |