A film of Margaret Cho's one-woman stand-up show, in which she presents her take on modern sexual topics and minority issues.A film of Margaret Cho's one-woman stand-up show, in which she presents her take on modern sexual topics and minority issues.A film of Margaret Cho's one-woman stand-up show, in which she presents her take on modern sexual topics and minority issues.
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I didn't see her first movie, and I'd always thought Margaret Cho was funny when I saw her on network TV, but nothing prepared me for this. A lot of my laughter came from pure shock value. She'd start on a topic and I'd think, "she's not really going to go THERE, is she?" -- and she goes RIGHT there.
Raunchy is definitely the word that fits, but I think what I felt was the glee that accompanies hearing taboos busted right and left. On top of that, when she chooses to get into more impassioned and serious territory, she is mesmerizing. (But don't worry -- she doesn't stay serious for long!)
Her comedy writing is solid, her delivery and timing are razor sharp, and the structure of the routine is impeccable.
I think I'll probably see this movie again in the theater while I can.
Raunchy is definitely the word that fits, but I think what I felt was the glee that accompanies hearing taboos busted right and left. On top of that, when she chooses to get into more impassioned and serious territory, she is mesmerizing. (But don't worry -- she doesn't stay serious for long!)
Her comedy writing is solid, her delivery and timing are razor sharp, and the structure of the routine is impeccable.
I think I'll probably see this movie again in the theater while I can.
Okay, it was somewhat less funny than I'm the One that I Want, but that's like being stupider than Einstein. I laughed so hard I felt like I was going to herniate; and her final speech was one of the most inspiring things I've heard. Everything I want in Cho. I can't wait to see her next one.
I saw this when it premiered a couple weeks ago on Showtime, and I loved it. I have satellite so it was shown twice. I watched the east coast premiere, taped the west coast showing, and watched the tape again the next day. The male period and her S&M bar experience were the best. I don't think I ever truly stopped laughing.
This is an edited version of what I wrote about NOTORIOUS C.H.O. when it was in theatrical release:
Last night I had a choice between this comedy and the new AUSTIN POWERS, and since I didn't feel like fighting for my seat, I decided on the unrated concert film. Good call, since I laughed my ass off at a late screening of Margaret Cho's latest politically-incorrect raunch-fest.
Hear the Cho-ster riff on Scottish gay bars, personal ads, leather slings, masters and slaves, her patriotic efforts at Ground Zero (where she lost her gag reflex), and an array of kinks inappropriate to summarize here.
And I don't know what was going on with her bosom, but it was popping out all over - I couldn't look at anything else.
Ninety percent of the show was sex, sex, sex. She talked a lot about Hollywood, her childhood and Asian culture in her previous concert film I'M THE ONE THAT I WANT, so this time she concentrated on more salacious material (like, say, how her ideal same-gender lover would help her find her G-spot and would look like John Goodman).
When asked if this was similar to THE ORIGINAL KINGS OF COMEDY, I said that I'd compare it to Eddie Murphy's RAW. If you're not into its humor, it'd be so unbelievably vulgar and offensive. But if you have a affinity for jokes about oral sex, then step on up.
So, watch the video with Mom and Pop. When I saw this in the theatre, there was an animated short preceding it that urges Blacks and Asians to become friendly through their shared hatred of white people. Trust me, it's funny. (Is this on the DVD?)
8/10
Last night I had a choice between this comedy and the new AUSTIN POWERS, and since I didn't feel like fighting for my seat, I decided on the unrated concert film. Good call, since I laughed my ass off at a late screening of Margaret Cho's latest politically-incorrect raunch-fest.
Hear the Cho-ster riff on Scottish gay bars, personal ads, leather slings, masters and slaves, her patriotic efforts at Ground Zero (where she lost her gag reflex), and an array of kinks inappropriate to summarize here.
And I don't know what was going on with her bosom, but it was popping out all over - I couldn't look at anything else.
Ninety percent of the show was sex, sex, sex. She talked a lot about Hollywood, her childhood and Asian culture in her previous concert film I'M THE ONE THAT I WANT, so this time she concentrated on more salacious material (like, say, how her ideal same-gender lover would help her find her G-spot and would look like John Goodman).
When asked if this was similar to THE ORIGINAL KINGS OF COMEDY, I said that I'd compare it to Eddie Murphy's RAW. If you're not into its humor, it'd be so unbelievably vulgar and offensive. But if you have a affinity for jokes about oral sex, then step on up.
So, watch the video with Mom and Pop. When I saw this in the theatre, there was an animated short preceding it that urges Blacks and Asians to become friendly through their shared hatred of white people. Trust me, it's funny. (Is this on the DVD?)
8/10
I was lucky enough to see this performance at the Paramount Theater in Seattle while it was being filmed, and when I came out my stomach muscles were sore from laughing. Not something for small children to see - many of the jokes are very explicit - but the whole show is a riot. Definitely recommended for Cho fans.
Storyline
Did you know
- ConnectionsFollowed by Margaret Cho: CHO Revolution (2004)
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Louise M. Davies Symphony Hall, San Francisco, California, USA(interview with parents)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,033,395
- Opening weekend US & Canada
- $13,188
- Jun 30, 2002
- Gross worldwide
- $1,033,395
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