A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House.A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House.A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opéra House.
- Nominated for 3 Oscars
- 7 wins & 42 nominations total
Kevin McNally
- Buquet
- (as Kevin R. McNally)
Featured reviews
I was able to view this at a special screening and was very impressed. It is a visually stunning movie - the costuming and sets are as extravagant and lavish as the music. Gerard Butler gives a particularly anguishing and sympathetic performance as The Phantom. Emmy Rossum is beautiful portraying Christine and her transformation from a young innocent to a woman who is aware of herself, her sexuality, and the world of love. Patrick Wilson is a particularly dashing, heroic and protective Raoul and Minnie Driver provides hilarious comic relief as Carlotta. I particularly enjoyed the film's ability to delve deeper into the lives of characters. It provided depth and context and layers to all of the characters that the stage production cannot do. The entire cast was magnificent and I will be hearing the "music of the night" in my head for the next several days. I would definitely recommend it and can't wait to see it again.
I have just come from seeing phantom and was completely swept away. The stage show is my all time favorite Broadway show and I was a bit nervous as to how Phantom and the music of the night would hold up on the big screen but I needn't have worried because it was very definitely worth the price of the ticket-and then some.
The movie, for the most part, retains much of the stage show, I'd say about 85 percent true to the show, though there were slight differences. The magic present in the show live, is still, for the most part, here on film. In fact, I was wondering if I would cry during the movie and of coarse I did. Phantom of the Opera's's loveliness is still so luminous and the movie just fills your senses. I don't think there was a sound in the theater during the whole movie.
The film's look-among the most riveting I've ever seen-colorful, rich and oozing vibrancy, the look and feel are just magnificent. I sure hope this movie wins some awards for it's costumes and Cinematography. At times, there was almost a bit TO much going on which, as my friends and I discussed takes the focus away from the music a bit and maybe(though I'm torn on this) they should have toned it down just a tiny tiny bit. Still, the look was so spectacular I'm not even sure I'd definitely have done that myself. But still, 10 of 10 for atmosphere.
The casting-pretty good for the most part. I simply cannot believe Emmy Rossum is only 18 years old, she is magnificent and I am in awe of her. She was a beautiful, lovely Christine and I think we'll be seeing a lot of her in the future.
Gerard Butler has been getting some flack. I actually liked him in the role of the phantom although I began to feel more strongly about his rightness as the movie went on, not right at the beginning. That is not because he wasn't good in the role, just different then the stage version. To me, his singing got more and more soulful as the movie went on and his acting was an A plus, he wasn't just there to sing and look pretty, he acted the heck out of the role and succeeded in elevating the phantom from just a presence to a tortured individual. People have been saying he's to good looking, well that's certainly not his fault!(though they really could have gotten a more realistic looking mask for him to wear.) And besides, his looks are transcended by the end, they lose their focus until we are barely aware of them. He did a really good job. Patrick Wilson surprised me the most, I think in a way, I enjoyed his voice the most. He was simply Superb, and he too, embodied Raoul. He is a talented actor with a moving, gently powerful voice and he was great. Minnie Driver, Miranda Richarardson-all great. Good casting choices.
All in all a great night at the movies-I am giving this a 9 and I think if I had to say why it's not a perfect 10, it's just that this story was meant to, first be, a theatrical production, and as good as the movie was, and as many tears as I cried, it did not haunt me in the same way as the stage show. That does not take away from the movie's power or magnificence, I'm not even sure it could have been any better at all as a movie. It's just that seeing it live sends chills down my spine and haunts in a way that only a stage musical can do. I can actually understand how some people are not impressed by Phantom because, the bottom line is, this is as much about the music as the story and if one isn't a fan of this type of music, one probably won't simply find a lot here. But for those who have seen the beauty of Phantom on stage, they'll (probebly) love it and better yet, for those lucky enough to come into this film, and love it, WITHOUT having ever seen the play-see the play-because if you think the movie version is the stuff that magnificence is made of, think about all that live on stage right in front of you. This movie is good and I admiringly give it a 9 of 10.
The movie, for the most part, retains much of the stage show, I'd say about 85 percent true to the show, though there were slight differences. The magic present in the show live, is still, for the most part, here on film. In fact, I was wondering if I would cry during the movie and of coarse I did. Phantom of the Opera's's loveliness is still so luminous and the movie just fills your senses. I don't think there was a sound in the theater during the whole movie.
The film's look-among the most riveting I've ever seen-colorful, rich and oozing vibrancy, the look and feel are just magnificent. I sure hope this movie wins some awards for it's costumes and Cinematography. At times, there was almost a bit TO much going on which, as my friends and I discussed takes the focus away from the music a bit and maybe(though I'm torn on this) they should have toned it down just a tiny tiny bit. Still, the look was so spectacular I'm not even sure I'd definitely have done that myself. But still, 10 of 10 for atmosphere.
The casting-pretty good for the most part. I simply cannot believe Emmy Rossum is only 18 years old, she is magnificent and I am in awe of her. She was a beautiful, lovely Christine and I think we'll be seeing a lot of her in the future.
Gerard Butler has been getting some flack. I actually liked him in the role of the phantom although I began to feel more strongly about his rightness as the movie went on, not right at the beginning. That is not because he wasn't good in the role, just different then the stage version. To me, his singing got more and more soulful as the movie went on and his acting was an A plus, he wasn't just there to sing and look pretty, he acted the heck out of the role and succeeded in elevating the phantom from just a presence to a tortured individual. People have been saying he's to good looking, well that's certainly not his fault!(though they really could have gotten a more realistic looking mask for him to wear.) And besides, his looks are transcended by the end, they lose their focus until we are barely aware of them. He did a really good job. Patrick Wilson surprised me the most, I think in a way, I enjoyed his voice the most. He was simply Superb, and he too, embodied Raoul. He is a talented actor with a moving, gently powerful voice and he was great. Minnie Driver, Miranda Richarardson-all great. Good casting choices.
All in all a great night at the movies-I am giving this a 9 and I think if I had to say why it's not a perfect 10, it's just that this story was meant to, first be, a theatrical production, and as good as the movie was, and as many tears as I cried, it did not haunt me in the same way as the stage show. That does not take away from the movie's power or magnificence, I'm not even sure it could have been any better at all as a movie. It's just that seeing it live sends chills down my spine and haunts in a way that only a stage musical can do. I can actually understand how some people are not impressed by Phantom because, the bottom line is, this is as much about the music as the story and if one isn't a fan of this type of music, one probably won't simply find a lot here. But for those who have seen the beauty of Phantom on stage, they'll (probebly) love it and better yet, for those lucky enough to come into this film, and love it, WITHOUT having ever seen the play-see the play-because if you think the movie version is the stuff that magnificence is made of, think about all that live on stage right in front of you. This movie is good and I admiringly give it a 9 of 10.
I have seen it on stage a couple times. I know that critics don't like Andrew Lloyd Weber. There is this automatic response to anything he does. I know that there are some better musicals. I know there is better music. But I feel that you can fool some of the people, but not for as long as people say he has. He has presented wonderful stories, created very memorable music. The first time I heard the music from "The Phantom of the Opera" was when the Cadets of Bergen Country, a nationally known drum corps, used it for their field show. I thought, "What is that music?" Since then, I've been in love with this show. Granted, both stage shows work better than this movie (although the opening credits deserve their own place--they are awesome), it still captures much of the romance of the play. Some of the scenes away from the opera house and away from the sewers take a bit of the original punch out of the movie. The singers are not as strong. This always amazes me. I would think that singing would take precedence over acting. There must be some wonderful people out there. But they are not terrible. And the music wins out in the end.
I originally only went to see this movie, because I had seen "Phantom" on stage, and wanted to see how much they had ruined the whole thing. The experience proved me wrong, I am pleased to say. Sure there are a number of changes to the story, with the Chandelier spectacular being moved from the end of Act 1. to virtually the end of the film, but they do not, in any way, impair the total enjoyment of a very, very good film adaptation. All of the main characters are extremely well portrayed, particularly Christine and Raoul, while the music which has always been stunning is backed by great orchestral talents. Along with the music, the photography is quite awe-inspiring, and the moods are captured brilliantly. It is very clear to the movie-goer that Andrew Llloyd Webber was vitally involved in this excellent and enjoyable film - he has kept his dream alive.
Andrew Lloyd Webber's stage hit is given justice in this sumptuous film version, that benefits from stunning sets and extravagant costumes, making the attention to detail evident here. Joel Schummacher's direction is very good in this film, it is hard to believe that this is the same director who directed the disastrous Batman and Robin. The music is just wonderful, with dark and poignant melodies and motifs that fit the very dark story, not to mention sad. People have complained that the film has too much music, almost all of it is sung, but it is a musical, set in an opera house bear in mind. The performances are excellent, Gerard Butler quite terrifying as Phantom, and Emmy Rosum as beautiful as ever as Christine. I liked the performances of Patrick Wilson, Miranda Richardson and Minnie Driver(as Carlotta). The film does have some truly sad moments, like Christine at the grave yard and of course the heart-rending ending, though I didn't understand it when I first saw it. My only complaints are that the film is a little too long, and also in Angel of Music particularly, there were times when the lips of the actors weren't in time with the singing. Apart from these flaws, a truly beautiful film, one that is dark and sad, and one that is once seen never-forgotten. 8/10 Bethany Cox.
Did you know
- TriviaThe Phantom speaks only fourteen of his lines and sings the rest.
- GoofsWhen Raoul is on his way down the stairs to the Phantom's lair, he falls through a hole, down into a pit of water. Iron bars then lower from above, but since Raoul fell straight down into the water, it would be impossible for the bars to be there.
- Quotes
[as he leads Christine down the tunnels of the opera]
The Phantom: [sings] Sing once again with me our strange duet. / My power over you grows stronger yet. / And though you turn from me to glance behind, / The Phantom of the Opera is there, inside your mind.
- ConnectionsFeatured in HBO First Look: The Phantom of the Opera (2004)
- SoundtracksAuction at the Opera Populaire, 1919 (Prologue)
Written by Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe
Performed by Patrick Wilson
Produced by Andrew Lloyd Webber, Nigel Wright, Joel Schumacher, Simon Lee, and Guy de Villiers
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- El fantasma de la ópera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $51,293,931
- Opening weekend US & Canada
- $4,001,890
- Dec 26, 2004
- Gross worldwide
- $154,674,241
- Runtime2 hours 23 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content

Top Gap
By what name was The Phantom of the Opera (2004) officially released in India in Hindi?
Answer