Histórias da Pesada

I think it's hilariously ironic that the writers of the "Disco Inferno" episode of STRANGE FREQUENCY made hell into a disco. I find that would be my luck... I die and go to hell and it's just YMCA playing again and again on an endless loop. I was definitely into the second episode, "My Generation". How true it is.... how growing up and listening to my father's music I would chide it because it was not good like the stuff I was listening to (and that stuff, growing up was all hair bands...). It takes the argument of whose generation of music is better to a whole new scary level... I should have paid more attention to the third episode, as I clean up peoples' messes for a living. However, it lost me on its moral revenge message. The final episode disturbed me. I find it very unnerving a father would actually trick his daughter like this one did at the end. I understand his motives, but still find that he was a little slightly off his rocker.

A very original movie (in a derivative kind of way!!!) First saw it on cable and it was a nice surprise as I was not expecting anything of it. Particularly liked the hitchhiker story .

The tagline here reads "Imagine "The Twilight Zone" on Rock 'n' Roll." I wouldn't go that far, but it was amusing for what it was. I guess this was a show that aired on VH-1, and it's about what you'd expect of a scripted series on a cable music channel. One fun episode features two metalheads who end up in "disco hell." Another stars Eric Roberts and Chris Masterson as dueling music-lovin' serial killers from two different generations who go at each other (very similar to the "Pick Me Up" MOH episode, really.) My favorite one is about an obnoxious rock star who trashes his hotel suite every night to tick off the sweet elderly room service lady, who has some tricks up her own sleeve. The last episode is the only one with a serious tone, starring Judd Nelson as a record exec who gets a "calling" whenever he hears talent that will hit it big. Unfortunately for his up and coming acts, they all kick the bucket in some godawful way as soon as their records start to sell. Overall, it isn't anything groundbreaking or frightening, but it's an amusing show that most rock fans can probably appreciate.

Well there are 4 stories that are charged with great plots and great acting! It's a great movie in a whole! My favorite one was the one with Judd Nelson. He plays a record executive that just knows the future of his clients. There is one catch, he knows too much! It's a wicked ending not to miss! Now the Eric Roberts plot was with a hitchhicker that kills people. A wicked test of what people that are demented of what they are capable of doing! The whole cast is talented and sometimes funny! It reminds me of Tales from the Crypt with a rok edge! Watch all 4 it's a treat! Out of 4 stars I give it 3 1/2 stars! Watch it it's on VH1"Movies that Rock"! Worth it!

I was pleasantly surprised by this little anthology film. It's not half-bad. A little bit Twilight Zone, a little bit Urban Legends, a little bit...well, VH1. It takes a lot of legends and conventions about rock starts, the music business, and the effect of music on our lives and does some pretty cool things with it. But as is the case with most anthology films, not all are created equal. There's one story that's very good, a couple of cute ones, and one bad one. But even the bad one isn't THAT bad. The first story, "Disco Inferno" is that one. It's not so much bad as it is very predictable. A couple of stoners who don't have much going for them except that they're rabid rock fans get into an accident driving home from a concert, and find themselves at a mysterious club where disco lives all night long. I'm probably spoiling the ending, but it's pretty obvious that they've died and gone to hell...and for them, hell is disco. I can relate. The best thing about this tale is that it features Danny Masterson putting a spin on his "That 70's Show" character. The second tale, "My Generation" is weird and darkly funny. It's about two music-loving, philosophically-minded serial killers who meet up and square off in the Pacific Northwest. If you can get over Eric Roberts as the psychotic Deadhead, you're in for a rather humorous satirical statement on music of this generation and the one before, how they compare and, perhaps, how the statement of the music of the 60's was lost on both generations involved. The third, "Room Service," is pretty straightforward. The story of the constantly-escalating battle of wills between an excess-loving, hotel-room trashing rock star (Geez, they still do that?), and the ultra-efficient housekeeping matron who manages to clean up all his messes with superhuman skill. It's fun to watch because it's so contrived, so based on legend that the tale seems familiar (and check it out, the guy from Duran Duran! An actual excess-loving rock star playing himself!). Not great, but fun. The final tale, "More than a Feeling" is the darkest and the best. It's the story of a recording company exec with a conscience (and no, that's not the fantasy part), who has a talent for picking the next rising star. Unfortunately, every one of his charges rises fast and crashes and burns even faster. This leaves him with guilt beyond all measure, and leaves him ultra-protective of his latest - and last surviving - artist, a young and talented female vocalist played with big-eyed innocence by Marla Sokoloff. I was a little thrown by this one, it being so dark and having Judd Nelson playing a character that wasn't a total sleaze, but in the end I was impressed - especially by the ultra-chilling final scene. Not a mast