The Evil Queen returns to possess an American girl who she orders to go out and claim victims to sate her blood lust.The Evil Queen returns to possess an American girl who she orders to go out and claim victims to sate her blood lust.The Evil Queen returns to possess an American girl who she orders to go out and claim victims to sate her blood lust.
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Did you know
- TriviaAmy Weber's feature film debut and first of many career nude scenes.
- GoofsThe car the jewel thieves' drive changes colors from white to pink.
- ConnectionsFeatured in Mondo Macabro: Fantasy Films from Indonesia (2002)
Featured review
I love these Indonesian beauts. During a time when film-making was somewhat at it's peak. These Indo's found it in their little itty bitty hearts to make films for the masses. What they had to do to sell their product was to give the North American viewing audience all the trash and sleaze they could. A perfect example would be this movie in my hands.
A fatal car accident happens when some jewel thieves run into the law. Their car flips and smashes down hard. Body parts literally fly all over and here, a little decapitated finger crawls on the ground at mach 1 speed and finds the burial ground of which a Dangerous seductress was once dug in. Close by, blond bombshell Suzy (Tonya Offer) flies in from L.A. to South Asia for a little vacation but little does she know that a present her sister received at her birthday contains demonic passages and resurrection spells. She frivolously opens the book and begins a few chants. Little does her sister know what is going on since she is at a photo shoot for bikini clad hotties. As soon as she is finished up with her voodoo talk, the dangerous one rises and finds Suzy as her body to desecrate and fornicate for blood. Suzy walks the streets for blood from oblivious men around the city clubs. I would be putty in her hands also if she picked me up but the men, being idiots that we are fall into her trap and get their life's blood sucked out in the bucketfuls. The sister returns and soon she is brought into this tangled web Suzy wove. A climax of epic proportions ensues and what happens? I guess you'll have to find out yourself. This movie is for the serious good times of sexy babes, gore and cheese CGI effects. I would totally recommend these types of films for those who need a illogical boot to the head. Made in 92 (seems like they were a little behind in times for 92), this exploitation fest leans sorely towards those who need to get away from those serious scare fests and get back into what makes cinema fun in the first place. Prime example folks.
A fatal car accident happens when some jewel thieves run into the law. Their car flips and smashes down hard. Body parts literally fly all over and here, a little decapitated finger crawls on the ground at mach 1 speed and finds the burial ground of which a Dangerous seductress was once dug in. Close by, blond bombshell Suzy (Tonya Offer) flies in from L.A. to South Asia for a little vacation but little does she know that a present her sister received at her birthday contains demonic passages and resurrection spells. She frivolously opens the book and begins a few chants. Little does her sister know what is going on since she is at a photo shoot for bikini clad hotties. As soon as she is finished up with her voodoo talk, the dangerous one rises and finds Suzy as her body to desecrate and fornicate for blood. Suzy walks the streets for blood from oblivious men around the city clubs. I would be putty in her hands also if she picked me up but the men, being idiots that we are fall into her trap and get their life's blood sucked out in the bucketfuls. The sister returns and soon she is brought into this tangled web Suzy wove. A climax of epic proportions ensues and what happens? I guess you'll have to find out yourself. This movie is for the serious good times of sexy babes, gore and cheese CGI effects. I would totally recommend these types of films for those who need a illogical boot to the head. Made in 92 (seems like they were a little behind in times for 92), this exploitation fest leans sorely towards those who need to get away from those serious scare fests and get back into what makes cinema fun in the first place. Prime example folks.
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- Oct 5, 2006
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