After his son is captured in the Great Barrier Reef and taken to Sydney, a timid clownfish sets out on a journey to bring him home.After his son is captured in the Great Barrier Reef and taken to Sydney, a timid clownfish sets out on a journey to bring him home.After his son is captured in the Great Barrier Reef and taken to Sydney, a timid clownfish sets out on a journey to bring him home.
- Won 1 Oscar
- 49 wins & 63 nominations total
Albert Brooks
- Marlin
- (voice)
Ellen DeGeneres
- Dory
- (voice)
Alexander Gould
- Nemo
- (voice)
Willem Dafoe
- Gill
- (voice)
Brad Garrett
- Bloat
- (voice)
Allison Janney
- Peach
- (voice)
Austin Pendleton
- Gurgle
- (voice)
Stephen Root
- Bubbles
- (voice)
Vicki Lewis
- Deb
- (voice)
- …
Geoffrey Rush
- Nigel
- (voice)
Andrew Stanton
- Crush
- (voice)
Elizabeth Perkins
- Coral
- (voice)
Nicholas Bird
- Squirt
- (voice)
Bob Peterson
- Mr. Ray
- (voice)
Barry Humphries
- Bruce
- (voice)
Bruce Spence
- Chum
- (voice)
Summary
Reviewers say 'Finding Nemo' is acclaimed for its breathtaking animation and vibrant underwater world. The story of a father's journey to find his son resonates deeply, emphasizing themes of family, friendship, and perseverance. Humor, especially through characters like Dory, adds a delightful layer. The film's emotional depth and memorable music enhance its appeal. While some find it formulaic, 'Finding Nemo' remains a beloved classic with universal charm.
Featured reviews
Those guys and girls at Disney/Pixar have done it again, they've created the perfect underwater world, full of fascinating Disney characters.
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
Okay, Disney and Pixar did a fabulous job. The images were so great, the storyline was typical but fun, the characters were well-defined, and the sound was emotive and effective. And, who could not love a flick that makes references to The Shining, Psycho, and other quality films?
I seriously got attached to the little Clown fish, Nemo. The movie just sucked me in. Anyway, watch it. It's worth your time, especially if you enjoy Pixar animation. The first 10 minutes is a visual overload in a good way. Very good way.
By the way, the voice of Jesus (Willem Dafoe) embodied by a Tiger fish? Awesome.
I seriously got attached to the little Clown fish, Nemo. The movie just sucked me in. Anyway, watch it. It's worth your time, especially if you enjoy Pixar animation. The first 10 minutes is a visual overload in a good way. Very good way.
By the way, the voice of Jesus (Willem Dafoe) embodied by a Tiger fish? Awesome.
I have enjoyed most of the computer-animated films made so far, ranging from Pixar films like "Toy Story" and "The Incredibles" to DreamWorks films like "Shrek." But "Finding Nemo" is the one that remains unparalleled, not because of its comedy or creativity, both of which are equaled in the "Toy Story" movies and in "Monsters Inc.," but because it truly, more than any of the previous computer-animated features, reinvents the genre of the children's animated film.
Humor in traditional animation is usually based on broad slapstick and physical exaggeration. There are occasional nods to this brand of humor in "Finding Nemo," as when a flock of seagulls ram into a boat and we see their beaks crowing on the other side of the sail. But such sequences only call attention to how far this movie generally departs from old cartoon conventions. Instead, the movie invests its world of sentient animals with a surprisingly scientific texture. All of the animals are based on real species. The fish tank is constructed out of real devices. There is a strong sense of locale, as Marlin (Albert Brooks) travels across the Pacific to Australia, where even the animals speak with an Australian accent. In a scene that I'm sure Gary Larson of "Far Side" fame loved, a pelican discusses with a group of fish the intricate details of dentistry. The fact that the animals talk and understand what's going on is treated as though it were a natural feature of the world. The realism is so striking that by the end of the film, you'll almost believe it possible for fish to plot an escape from a tank.
Far from making the film pedantic, this approach results in an intelligent but still entertaining picture. Most of the humor is based on parodies of human behavior: repentant sharks start a club that's like Alcoholics Anonymous, a school of fish act like obnoxious DJs while forming themselves into spectacular patterns, and a four-year-old girl behaves like most kids that age, oblivious and destructive. The manner in which Marlin finds his way to his son is so inventive that we can forgive the film for the number of coincidences involved.
The story employs the same basic formula used in "Toy Story," in which two characters, one uptight and the other clueless, are thrown together as they're forced to journey through a world populated by creatures that are a lot more knowing than the humans realize. This movie, however, creates a unique character in Dory (Ellen DeGeneres), a fish with short-term memory loss. To give a cartoon character a real human disorder is risky, to say the least, and I'm glad the filmmakers didn't lose the nerve to include this ingenious device, which not only generates some of the film's biggest laughs, but reinforces the character interaction that is so central to the story. This is in fact the only Pixar film to feature true character development. In the course of his voyage, Marlin learns to be more adventurous, getting parenting tips from a surfer-dude turtle voiced by the film's director Andrew Stanton, while his son Nemo learns to be self-reliant.
Of course, none of the sharks, jellyfish, whales, gulls, pelicans, lobsters, and humans that Marlin encounters along the way really mean any harm. They're just doing what they do. As Nigel the Pelican tells Nemo at one point, "Fish gotta swim, birds gotta eat." That's perhaps the film's most interesting insight, that there are no true villains, just creatures that act according to their nature, and a few that transcend it.
Humor in traditional animation is usually based on broad slapstick and physical exaggeration. There are occasional nods to this brand of humor in "Finding Nemo," as when a flock of seagulls ram into a boat and we see their beaks crowing on the other side of the sail. But such sequences only call attention to how far this movie generally departs from old cartoon conventions. Instead, the movie invests its world of sentient animals with a surprisingly scientific texture. All of the animals are based on real species. The fish tank is constructed out of real devices. There is a strong sense of locale, as Marlin (Albert Brooks) travels across the Pacific to Australia, where even the animals speak with an Australian accent. In a scene that I'm sure Gary Larson of "Far Side" fame loved, a pelican discusses with a group of fish the intricate details of dentistry. The fact that the animals talk and understand what's going on is treated as though it were a natural feature of the world. The realism is so striking that by the end of the film, you'll almost believe it possible for fish to plot an escape from a tank.
Far from making the film pedantic, this approach results in an intelligent but still entertaining picture. Most of the humor is based on parodies of human behavior: repentant sharks start a club that's like Alcoholics Anonymous, a school of fish act like obnoxious DJs while forming themselves into spectacular patterns, and a four-year-old girl behaves like most kids that age, oblivious and destructive. The manner in which Marlin finds his way to his son is so inventive that we can forgive the film for the number of coincidences involved.
The story employs the same basic formula used in "Toy Story," in which two characters, one uptight and the other clueless, are thrown together as they're forced to journey through a world populated by creatures that are a lot more knowing than the humans realize. This movie, however, creates a unique character in Dory (Ellen DeGeneres), a fish with short-term memory loss. To give a cartoon character a real human disorder is risky, to say the least, and I'm glad the filmmakers didn't lose the nerve to include this ingenious device, which not only generates some of the film's biggest laughs, but reinforces the character interaction that is so central to the story. This is in fact the only Pixar film to feature true character development. In the course of his voyage, Marlin learns to be more adventurous, getting parenting tips from a surfer-dude turtle voiced by the film's director Andrew Stanton, while his son Nemo learns to be self-reliant.
Of course, none of the sharks, jellyfish, whales, gulls, pelicans, lobsters, and humans that Marlin encounters along the way really mean any harm. They're just doing what they do. As Nigel the Pelican tells Nemo at one point, "Fish gotta swim, birds gotta eat." That's perhaps the film's most interesting insight, that there are no true villains, just creatures that act according to their nature, and a few that transcend it.
Yes you read that correctly.
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Remember back when you were little.you know, back when tall to you was about as high as a mailbox? In those days, Disney animated films (e.g. `Lion King' and `Beauty and the Beast') were some of the coolest things out there and were movies to watch over and over (much to your parents' chagrin). Now, animated movies aren't exactly the `coolest' things to see, but an exception can be made for the uber-hip Pixar movies, the most recent of which being `Finding Nemo'.
After losing all but one of his brood, Marlin (Albert Brooks) an over-protective clown fish that strangely lacks a sense of humor, has resolved to protect his one (slightly disabled) `child' remaining, Nemo (Alexander Gould). But disaster strikes as Nemo is taken by a Sydney dentist and plopped into a fish tank where he is comforted by a host of other captive fish (William Dafoe, Vicki Lewis, Allison Janney, et al). But back in the big ocean Down Under, Marlin has resolved to search out his one remaining progeny.
Along the way on his quest, Marlin acquires a tag-along `friend', Dory (Ellen DeGeneres)-a fish with, well, the memory capacity of a fish. The two must surmount hurdles like a group of sharks (Eric Bana, Barry Humphries and Bruce Spence) that have (mostly) sworn off eating other fish, a nasty swarm of jellyfish, a bird-brained flock of seagulls, and others.
This is the bridge! Well, in a way. Back when I was younger, one of my favorite films was `The Incredible Mr. Limpet', which, for the uninitiated, combined live-action with under-the-sea fish animation. What Pixar has done here was bring back that film to my mind and start me thinking, because they have created a wondrous undersea environment (with `normal-looking' fish instead of 1960s animated fish).
My favorite feature in this movie chock-full of sweet treats must be the sharks. I have always been partial to the shark family, but what has been done in creating three humorous sharks (what a movie concept), just sent paroxysms of laughter through me. Another thing that (mostly) works is Ellen DeGeneres' fish (character?) that provides a fairly constant source of laughter with her antics (although a couple gags do wear on the viewer with time). On the whole though, there is not a single bit of shoddy voice-acting or animation in it.
Compared to `Monsters Inc.', `Finding Nemo' is something of a revival for Pixar. I like how they have stepped up their efforts to make an altogether pleasing film without any big flaws. The thing that I did not like with `Monsters' was the inclusion of a single key (but EXTREMELY annoying) character. Director Andrew Stanton has done an excellent job at making the film work and be (basically) non-annoying to most of the general public (and this critic).
I suppose life has come full circle-now that I am (relatively) old as a high school graduate, animation is cool again, thanks to high-powered computers, at any rate. `Finding Nemo' is one heckuva movie and a good one to take anyone you know to, trust me on this-nine out of ten.
After losing all but one of his brood, Marlin (Albert Brooks) an over-protective clown fish that strangely lacks a sense of humor, has resolved to protect his one (slightly disabled) `child' remaining, Nemo (Alexander Gould). But disaster strikes as Nemo is taken by a Sydney dentist and plopped into a fish tank where he is comforted by a host of other captive fish (William Dafoe, Vicki Lewis, Allison Janney, et al). But back in the big ocean Down Under, Marlin has resolved to search out his one remaining progeny.
Along the way on his quest, Marlin acquires a tag-along `friend', Dory (Ellen DeGeneres)-a fish with, well, the memory capacity of a fish. The two must surmount hurdles like a group of sharks (Eric Bana, Barry Humphries and Bruce Spence) that have (mostly) sworn off eating other fish, a nasty swarm of jellyfish, a bird-brained flock of seagulls, and others.
This is the bridge! Well, in a way. Back when I was younger, one of my favorite films was `The Incredible Mr. Limpet', which, for the uninitiated, combined live-action with under-the-sea fish animation. What Pixar has done here was bring back that film to my mind and start me thinking, because they have created a wondrous undersea environment (with `normal-looking' fish instead of 1960s animated fish).
My favorite feature in this movie chock-full of sweet treats must be the sharks. I have always been partial to the shark family, but what has been done in creating three humorous sharks (what a movie concept), just sent paroxysms of laughter through me. Another thing that (mostly) works is Ellen DeGeneres' fish (character?) that provides a fairly constant source of laughter with her antics (although a couple gags do wear on the viewer with time). On the whole though, there is not a single bit of shoddy voice-acting or animation in it.
Compared to `Monsters Inc.', `Finding Nemo' is something of a revival for Pixar. I like how they have stepped up their efforts to make an altogether pleasing film without any big flaws. The thing that I did not like with `Monsters' was the inclusion of a single key (but EXTREMELY annoying) character. Director Andrew Stanton has done an excellent job at making the film work and be (basically) non-annoying to most of the general public (and this critic).
I suppose life has come full circle-now that I am (relatively) old as a high school graduate, animation is cool again, thanks to high-powered computers, at any rate. `Finding Nemo' is one heckuva movie and a good one to take anyone you know to, trust me on this-nine out of ten.
Did you know
- TriviaAndrew Stanton pitched his idea and story to Pixar Animation Studios head John Lasseter in an hour-long session, using elaborate visual aids and character voices. At the end of it, an exhausted Stanton asked Lasseter what he thought, to which Lasseter replied, "You had me at 'fish.'"
- GoofsMarlin and Dory are advised to swim to the back of the whale's throat and to be blown out of the whale's blowhole. This is not physically possible as whales' mouths and digestive systems are not connected to their respiratory system and blowhole.
- Crazy creditsVicki Lewis is credited as "Deb (and Flo)" which refers to the gag in the film where Deb thinks the reflection in the glass is her twin sister.
- Alternate versionsIn the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of Up (2009). These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version).
- ConnectionsEdited into The Paul Behragam Talk Show: "Balto 3" R&T Part 6 (2015)
- SoundtracksThe Girl from Ipanema
Written by Antonio Carlos Jobim, Vinicius de Moraes, and Norman Gimbel
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Buscando a Nemo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $94,000,000 (estimated)
- Gross US & Canada
- $380,843,261
- Opening weekend US & Canada
- $70,251,710
- Jun 1, 2003
- Gross worldwide
- $941,637,960
- Runtime1 hour 40 minutes
- Color
- Sound mix
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