About Schmidt (2002) User Reviews

A terrific film, featuring one of Nicholson's best performances

[eagle_owl · 8/10 · 24 October 2005]

Jack Nicholson stars as a Warren Schmidt, a man who suffers several crises at once. First he goes into retirement, then his wife dies, and finally his daughter marries a no-hoper. Forced to abandon his usual comfortable routine, Schmidt goes on a personal journey of discovery and tries to make some sense of his life.

The beauty of About Schmidt is how well developed and interesting the characters are. They feel like real people struggling with real situations, which is a surprisingly difficult trick to pull off. This success can be attributed to the strength of the script and most importantly to the uniformly superb acting.

This film provides a showcase for Nicholson to display his talent, and he doesn't disappoint, delivering a superb and multi-layered turn, which is a world away from the smirking characters he often plays. He allows his face to droop, and adopts a world-weary expression, as Schmidt continually finds himself at the mercy of events.

One of Schmidt's first decisions when he determines to get out of the rut he finds himself in is to sponsor an African child. This doesn't have much to do with the rest of the plot, but provides an outlet for Schmidt's innermost thoughts, and is a brilliant and original way of allowing the audience inside the head of the central character.

About Schmidt succeeds in tackling the subject of old age, a topic not often addressed in mainstream Hollywood fare, and for that it should be applauded. This is a terrific film, which features Nicholson at his best.

simply beautiful

[f-main · 8/10 · 24 November 2004]

I was dubious when my 65 year old father picked this DVD up from the shelf at Blockbuster. "Great choice dad!", secretly wondering why I let him pick 2 films out of the 3 in the special offer they had going. You see, my father has a penchant for Woody Allen and anybody who has a rather dry sense of humour, this includes Nicholson.

We sat down tonight, and the first thing that hit me was the way that the film was shot. It is shot using rather blue and green hues, so the film is rather subdued. Secondly, the music stands out. Instead of using a typical 'boohoo' orchestra, the film uses beautiful wandering piano and marimba sounds.

The characters, I could easily relate to. Helen, the faithful wife who is excited about getting to spend a new chapter of her life with her husband. The husband, who obeys his wife but secretly resents it. A sudden change which causes a rethink in everything he has done up until that point.

At first, this appeared to be a comedy, but it was soon revealed to be a beautifully poignant film. Throughout, it questions mortality, what you can achieve in life, and how to cope with loss, or change. I don't think I have ever cried as much in 2 hours as I did during this film, and yet at the same time laughed so hard that my sides were splitting.

I would thoroughly recommend anybody to watch this film. It will stay with you for a long time.

Classic Cinema Art - A "Must See" Film!

[trgusa · 8/10 · 8 April 2006]

I spent a day watching "About Schmidt", with Jack Nicholson... and then the evening rambling through reviews, since my wife's perception of the ending differed somewhat from mine....

Conflict can often lead to enlightenment and discovery, but not so in the case of Warren Schmidt. In his case it leads to a life of complacency, denial, delusion, and passive-aggressive behaviors... and eventually, to a meaningless life of servitude devoid of passion or purpose.

Since my wife and I are around the same age as the character, and we ponder the same issues of our lives, the film had more significance to us. I found the work to be a cinema-graphic piece of art laced with symbolism and dark humor (at best). I likened it to previous movies like "Death of a Salesman", "The Apartment", "The Swimmer" (Burt Lancaster), or a short filmed called "The Bridge".

As a cautionary tale (or social comment) on the "American Way" of life, the messages it conveys are slightly exaggerated, but nevertheless there to be debated. We are talking about identity, achievement, interpersonal relationships, and the "average IQ".

In the end, I believe this film will become one that is studied in future classrooms, and it was brave of Nicholson to participate in such a character study and a work intended primarily for writers, actors, and directors. If laughter is "the sound we make when we are surprised (or shocked) by the truth", then the amount of humor you find in this film may be directly related to your own level of naivety or denial. After all, laughter can often be just another defense mechanism, right?

Some movies are straightforward, some are magical, some are mystical, and then, some are symbolic. This movie falls into the last category. The use of time, space, cognitive dissonance, and Irony abound in this work and challenge us to look, think, and feel.

Notes: we would have cut or altered the "Percodan scene" at the rehearsal (as overdone), also note- the cattle at the funeral who later appear on the freeway, inside jokes about Des Moines and Denver, Randall's "Certificate of Attendance", the look on Jeannie's face at the end of Warren's speech at the Wedding Reception, the use of "overstatement", details of wall decorations, and Warren's obvious attraction to the trite, idealistic, delusional, and superficial.

If you are a thinking, feeling, serious movie-lover, you should SEE this film once, and then STUDY it the 2nd time!

Alienated from life

[Ford-kp · 5 November 2006]

It is hard to recommend About Schmidt to anyone, without actually knowing that person. Not only does the story seem unconventionally uneventful to most of modern audiences, but it also moves with an unhurried patience that will let many viewers shift in their seats. It really depends on whether one can develop an interest to the film and its subject matter, which shows a retired man suddenly facing the void and meaninglessness of his existence.

About Schmidt moves slowly, but it moves with grace. The film's success is deeply in debt to Jack Nicholson, subordinating his personality to the character of Warren Schmidt. It must have been difficult for somebody like Nicholson to display the role's required lack of passion without letting Schmidt lose his human touch. Yet, his portrayal is excellent in its understatement, and his numerable supporting actors do not disappoint either. Fans of Nicholson will be assured in their belief, that their favourite is not only one of the best, but also one of the most versatile actors still working today.

Apart from the acting, director Alexander Payne's film is also well crafted. The somewhat saddened mood is only enhanced by documentary-like shots, constantly making us aware that what we witness is really an everyday-tragedy. The script shows intelligence, and although it contains many subtleties, most of them will not go unnoticed with attentive viewers. Even though About Schmidt is billed as a comedy, it really is a drama. Many of the humorous situations are more tragic than funny, and truly hilarious moments are rare occurrences.

I've often wondered whether the title of About Schmidt has been chosen with any clear intent. The German surname Schmidt equals Smith in English and is one of the most common. So about Schmidt could actually mean "About Everybody". Everybody can wake up one day and discover that everything he or she has devoted himself to, amounts to nothing. It's a frequent social phenomenon, that people suddenly wise up that their lives are almost over, without ever having fully lived them. Maybe that's how all the sea cruises and world tours of old pensioners can be accounted for. Like Schmidt, they are all making a desperate effort to catch up on a time that's long done and over with.

The film does not exactly give answers and, like in reality, does not end with any true revelations to escape all bleakness. But there is something it often likes to apply, namely the self explanatory power of irony. Like one time during the film, when Warren Schmidt decides to adopt a six-year old African foster child by mail. A cheque of twenty-two dollars, which he dutifully provides on a monthly basis, assures that little Ndugu can go to school, gets sheltered, fed and clothed. Yet, in one of his letters Warren writes to him: "What difference has my life made to anyone? None that I can think of. None...at all!"

Well, think again, Mr. Schmidt.

About life

[Prismark10 · 6/10 · 26 September 2013]

There some familiar ingredients here. Another dark comedy-drama from Alexander Payne with a Nebraska setting.

Jack Nicholson being less Jack and daring to be more of the kind of character he played in The King of Marvin Gardens. Whereas in that film he played a depressed radio host telling stories to the listener, here we have Schmidt telling stories to a sponsored child in an orphanage in Africa.

Schmidt has newly retired from a lifetime of working in the insurance industry. His replacement a young hotshot has no time for him.

Schmidt is secretly irritated by his wife and she by him after we find out when she suddenly dies that she had an affair.

They planned to have a road trip after they retired and he is now on his own, travelling to his daughter's wedding. Her daughter resents him, her husband to be is a jerk, he is excellently portrayed by Dermot Mulroney.

The film is a character study, a man who failed to be interesting, worked to provide for his wife and family and realising that he will soon be forgotten.

Schmidt is empty, sad and even resentful inside when he realises his wife never understood him and he never really understood her.

His daughter cannot see that the husband although very nice is a bit of a jerk with get rich quick schemes.

The film starts slowly, gets absorbing but despite the emotional pay off at the end, I did find it less than enthralling.

I do find Payne's films rather heavy going and although well acted, the pacing makes it off kilter.

Enormous emotional impact.

[MrVibrating · 10/10 · 11 December 2005]

This is the saddest movie I've seen in years, maybe in my entire life. People who say it's comedy are dead wrong. It's a realistic, brutally true example of a failed life, and it's so tragic.

Nicholson plays Warren Schmidt, an insurance salesman, whose life crashes down on him when he retires. Nicholson, someone I've loved ever since I first saw him, gives his best performance since "One flew over the cuckoos nest". He's so subtle, so sad, so hollow. You don't doubt for a second that he is Schmidt. He has let his body age for the role, which makes him even more real.

Alexander Payne's direction is flawless. Everyone, simply everyone, does a great job portraying the various characters, from the hotshot newly educated young man who takes Schmidt's job, to the embarrassing buddy of Schmidt's daughter's fiancé.

This is a must-see movie. Even if you hate Jack in all his other movies, you will love him in this one. Don't expect a "hilarious comedy", though. This is a thoughtful movie and not "Anger Management".

10/10

A fine performance, in a less than usual role

[mjw2305 · 7/10 · 3 February 2006]

Firstly, both Jack Nicholson and Kathy Bates portrait their characters superbly in this touching and sentimental comedy. Warren Schmidt is retired and has reached a point in his life where he is left wondering - What do I do now? What do I want? And what have I achieved? We follow his journey through heartache, indecision, and discovery. While at the same time laughing at the irony, madness, and subtle humour of many real life situations.

Although I prefer my comedy, a little more manic and in your face than this, I can still appreciate the sheer brilliance in the writing and performances, and I still found it to be a very entertaining movie.

7/10

The poetry of deceit and loneliness

[Ana_Banana · 9/10 · 13 August 2005]

This film must be watched very carefully. If you're not paying enough attention to it, you would miss it (some did). It's in the frames, the atmosphere, the tiny details, the situations, the acting, everything. But it's not that obvious, unless you enter that world. Simple story? Sure. Life is simple. So is great art. All in all, "About Schmidt" is a really great film. Bitter humor, all-pervading lie, the infinite sadness of loneliness and failure, sincere egoism, everyday dullness, desperate and quiet hope - this is life, and in a non-blatant, nor melodramatic manner. But you're going to weep (and smile) at the ending (I did!). And one more question: is The Mulholland Man the greatest actor ever or not?

Decent direction by Payne, impressive Nicholson

[calspers · 7/10 · 17 September 2019]

"About Schmidt" (2002) co-written and directed by Alexander Payne is a film about Warren Schmidt, a vice-executive who faces retirement and the identity issues that follow when his wife dies.

Brilliant staging to the premise of the film by director Payne, with smooth character development and interesting choices. Fitting production design and score. Most of all though, I think it is the writing and direction that excels in this film.

The man, the myth, the legend, Nicholson is sensational as usual in mastering the art of simultaneously channeling complex and opposing emotions as grief and humour in an impeccable way.

In spite of all my praise, I think it stalled a bit towards the third act. Still, a recommendable little film.

Death of a Salesman's Wife

[wes-connors · 7/10 · 22 June 2010]

"Warren Schmidt is about to experience a bittersweet slice of life. Newly retired, he and his wife Helen have big plans to see America - but an unexpected twist changes everything. Now, Schmidt is determined to stop his daughter's wedding to an underachieving waterbed salesman. From meeting the groom's eccentric parents to sponsoring a Tanzanian foster child, Schmidt sets off on his mission… and gets lost along the road to self-discovery," according to the DVD sleeve. New Line Cinema is alive and well.

This film, by director Alexander Payne writing with Jim Taylor is a mostly successful comedy-drama, but the satire gets a little lost.

The "Best Actor" Oscar-nominated performance by Jack Nicholson carries the drama, with the hilarious-in-a-hot-tub "Best Supporting Actress" turn by Kathy Bates (as Roberta Hertzel) stealing away with the comedy. This is helped by the smaller part given Ms. Bates being so perfectly written, and Nicholson's obvious "have at it" attitude. As Nicholson's daughter, Hope Davis is puzzling but effective; she must have been a mama's girl. As Bates' son, fiancé Dermot Mulroney is a chip off the old block.

******* About Schmidt (5/22/02) Alexander Payne ~ Jack Nicholson, Kathy Bates, Hope Davis, Dermot Mulroney

Not as good as Sideways but worth watching

[christophe-cloutier-1 · 6/10 · 18 April 2012]

I did not know what to expect. I had previously seen two Alexander Payne's movies: Sideways, which I really enjoyed, and The Descendants, which sucked really bad. Overall, About Schmidt stands between the two, not as enjoyable than Sideways, but far much than The Descendants. Great acting for Jack Nicholson, who plays the role of a recently retired and widower who wants to reconnect with his estranged daughter before she gets married. As in Sideways, a road trip gives the protagonist the occasion to think about his life, past and present. Good supporting cast also. I on a personal note really enjoyed the performance of Hope Davis, who play's Nicholson daughter, and Dermot Mulroney, who plays her husband. Although it is listed on IMDb as a comedy and a drama, do not expect to many laughs. Fairly good movie overall, but a little too long and that's why I give it a 6.

Could you depress me a little more?

[suawiyp · 1/10 · 24 January 2003]

About Schmidt is clearly the most overrated movie of the year, and has the most misleading ad campaign of the year. The ads make it look like a light-hearted romp, when really it is dark and depressing, interspersed with a few mildly humorous (yet oddly sad) moments. In the movie, Schmidt is a man who just retired to realize his whole life has meant nothing. So he makes a few feeble attempts to change that but learns that he can't. He is sad, depressed, and worthless at the start, and sad, depressed, and worthless at the end. And that is the problem with this movie -- it doesn't GO anywhere. It's like watching depressed friends discuss their problems for two straight hours as they forget that you are there. To be fair, the performances are amazing, and the dialogue is very real, but it just sits there, like a slow day of flipping channels. If you want to be depressed by a good movie, see Leaving Las Vegas, or even The Man Who Wasn't There. This one has nothing to say -- just a blank demonstration of how depressed good actors can make you.

Life's quirks

[diane-34 · 1 September 2004]

I love Nicolson and I thought his work in this film was as good as any I have seen him do in any of his previous films. My accolades must begin with the writers for creating such a beautiful novel and script-a perfect canvas for the many fine actors in this film upon which they wove their considerable magic. There were no killings, no car chases, no violence of any kind-I'm surprised that Hollywood distributed it.

Such a slice of life-American life with it's many warts-warts that the Americans probably don't even recognize: Winnebagos like moving palaces, freeway monuments to genocide, business that consumes it's workers only to dump them unceremoniously, too much of everything that amounts to emptiness, etc., etc. The novel by Begley, upon which the film was based, illustrated this consumer emptiness brilliantly by the inclusion of the bookends to the film, the sponsorship of the Tanzanian child by Schmidt. The child's material emptiness was contrasted with Schmidt's emotional emptiness in a way America does not recognize much less watch on the screen.

The last part of the movie dealing with the marriage of Schmidt's daughter to a man who came from a diametrically opposite "new age" family was an unstated acknowledgment by his daughter that she wanted nothing of her father's values-she wanted a complete break and she was going to marry the break.

A fascinating, complex movie and I'm sorry I didn't see it much earlier.

Entertaining but with nothing to say

[flingebunt · 6/10 · 15 May 2005]

Middle class dramas always seem to me to be overrated. Perhaps they are mind blowing to people who are just like the characters portrayed in them.

Warren R. Schmidt has been successful. He was in charge a insurance company, but now he is retiring. Suddenly he finds he is useless and tries his best to find meaning in his now empty life. Then his wife dies he finds a new freedom which he is completely unable to cope with.

The result is a cross country trip to see his daughter marrying a southern redneck.

Alexander Payne is a genius at finding the story in the ordinary. But it is mostly window dressing and the story lacks any real substance, with little new being said before. Mostly it is the stuff of TV sitcoms put on the big screen.

If you are a middle class tosser looking for meaning in your life and having really read anything except the business section of the newspaper in 10 years you might see or learn something new in this movie.

Life Is A Joke

[alexkolokotronis · 9/10 · 28 June 2009]

Of course we would hope that is not the case but watching a movie like this certainly puts the idea of life into question. This is a funny movie but looking back its probably not quite the kind of jokes you appreciate laughing at.

In the lead role as Warren Schmidt is none other then Jack Nicholson, with an already astute résumé, only further strengthens his long career with his subtle and charming performance. The charm never wears off with the audience as Schmidt's morals and interest for the most part stay in place in his heart and mind. Unfortunately in the tale of Schmidt in the film not only does his charm wear off but he is seen as a liability by those who he thought of as his loved ones. His life takes this crash when he retires from his career and an insurance agent. Soon after he realizes he may have wasted his entire life away. The downward spiral of his life and his sense of purpose hangs on the thread of a boy he has never even met.

As subtle as Nicholson's performance is, so is the writing. It is quietly very witty which almost inconspicuously gives off a whole lot of cynicism. Along with Alexander Payne writing the screenplay he directed the film as well. The movie is certainly not all style and why should it be when that could possibly be the only thing that could really hurt this film. The film is about humanity in a raw and complex way, sometimes the best method of showing this is through simplicity to the point where you are almost certain there is something else that lies behind the curtain of it all.

There is no doubt I would recommend this film but don't expect a pure comedy. Instead try and take a fresh and real look at the entire movie and the events that take place. Depending on who you are, you may find certain points of this movie to be either sorrowful and dejected or slightly uplifting and optimistic. Just don't make a heartless joke of it, because none of us want to think of our life as that; a joke.

About Kathy!

[jonr-3 · 6/10 · 15 June 2004]

An OK movie, entertaining in its black-humoresque way--but what made it worth watching, for me, was the astonishing performance by Kathy Bates. I've known people exactly like this character, and I'll bet so has she, and her portrayal was so right-on-the-money it couldn't be better. Wow. The movie only gets a vote of "six" but her contribution deserves "ten."

I never know whether to be annoyed or not that Jack Nicholson always seems basically to play...himself. My feeling is that he never actually inhabits a role. Unquestionably he's a fine actor, but I never expect any surprises from a movie starring Mr. Nicholson, and I haven't been surprised yet. I dunno...

Apart from Ms. Bates's extraordinary performance, what I enjoyed most in this film was the text, and especially the conclusion, of the first letter to Schmidt's foster child. Tasteless and priceless!

Great note on appreciating what you have while still have it

[jbonzon · 8/10 · 28 November 2003]

This is an inspiring story. It teaches me so much about what is important in life. Jack Nicholson, with a great performance as Warren R. Schmidt is an example of an American middle class after retiring. For many years he has worked as an actuary at a big insurance company. After retiring, Jack at home, while watching television, he decides to sponsor a six years old boy (Ndugu) from Tanzania. Sending a check of US$ 22,00 every month, he is also required to write a letter to the boy. In the process of writing these letters, he vents out to the boy about his life frustrations, his lost dreams and the dilemma he is in. He is married for forty-two years with his wife Helen (June Squibb) and he has a daughter living in Denver, Jeannie Schmidt (Hope Davis) who will marry a looser pretty soon. He misses his daughter. A few days after his retirement, his wife dies, and Jack realizes how important the wife was in his life now even though he never appreciated her. The director of the movie, Alexander Payne takes the audiences with Jack on a trip in a trailer to visit specific places in America. He mainly makes Jack visit the places where he has been before physically but at the same time Jack was revisiting his own life inside. In this trip he realizes what really matters in life - friendship, family and sharing- then why it is important to appreciate them whenever you have a chance.

In 'Citizen Kane' (1941), the director Orson Welles portrays the same idea when creating Mr. Kane. The movie is more than the story of a tycoon's rise and fall; it is an account of what is ultimately important in a person's life. Even though Kane attains riches and prestige, he is far from happy. He ends with two failed marriages and few friends. At his dying bed, all he has left is his reminiscences - and something called "Rosebud." In 'About Schmidt' the director Alexander Payne uses voiceover to convey Jack's thoughts and memories throughout the movie. To be specific it is when Jack is writing a letter to the boy he sponsors - (Ndugu), at the same time Payne is informing the audience about Jack's regrets and pain concerning his wife and daughter while the movie is still rolling on. I think this is a great technique.I believe this has been a great adventure and wake up call to many Americans as to what is important in life and why we should cherish every moment of it.

Did we really have to see that!

[texasadman · 6/10 · 21 July 2003]

Kathy Bates naked and Jack's bare butt? I have to hand it to them, that took guts. This movie was too hyped for me. I gave it a 6 because it was a good movie, but I was expecting so much more out of it. It does tell a good story though.

Deeply flawed but at least makes you think

[drhickmann · 6/10 · 13 July 2003]

I didn't particularly enjoy this movie because I wanted it to get up and go but it merely went away. I take it as a depressing, cynical, condescending look at a retired insurance actuary's life in retirement. It was an indictment of midwestern life, its people, and the way they act. This aspect was done much better in "Fargo". In the first place, Schmidt was a simpleton, a dolt who couldn't comb his own hair - not particularly accurate for the actuaries I've known who are generally brilliant people. The gloomy panning of the Omaha skyline is a not too subtle cheap shot at the midwest, as is the entire movie and its characters. The in-law family and the wedding scene were actually quite accurate in depicting the goofiness some people and families display at functions in everyday life. It wasn't particularly interesting to watch such people and I wonder if the makers of this film understand that we see movies to be entertained, not bored by the underbelly of society. This movie wants to say that Schmidt is a hopeless dolt who cannot handle his retirement and his life and whose emotions are so bottled up that it looks like he's ready to explode at any minute. Is this enjoyable, instructive, meaningful, entertaining? I think of it as just another pretentious attempt to create a classic of filmdom while managing to bore the Hell out of the majority of us viewers. Consider the bonus material on the DVD. There are long strings of text as preambles to the outtakes that we have to wade through before viewing them. A simple suggestion to the director - how about you telling us about each outtake with your voice instead of forcing us to read the drivel that precedes them? Yes, we're forced to read that material and we're forced to think about Schmidt's dilemma, not all bad, but it is so utterly depressing in the process that on balance we are not stimulated or entertained and if we don't have either of those we are not pleased with the experience. Giving it a rating of 6 is very generous.

OUR rehearsals for retirement....

[dbdumonteil · 8/10 · 19 April 2006]

Jack Nicholson is part of these unique actors who are not afraid of playing demeaning parts.While most of his peers in their sixties/seventies are still playing heroes ,see what he does.He has almost never played the brilliant-lawyer-with-good-prospects.Two examples :"one flew over the cuckoo's nest" and the overlooked "Ironweed" which almost nobody knows and which paired him with an equally extraordinary Meryl Streep.

"About Schmidt" is a very good film,cause it succeeds in blending comedy and drama.And this drama involves US ,cause like Schmidt we are all potentially retired people .We are afraid of losing our job for good (the scene when Nicholson returns to his office is revealing),we are afraid to live with a partner getting old (who's THAT old woman living in my house?) ,we try to enlighten our children for fear they might go astray (and the daughter's family-in-law has nothing to recommend them)... and most of all,we are afraid of this: when you reach 65,you take stock of your life and you realize it's an unfulfilled one.Then you live in the past conditional.

That's why the little African boy is so important;although we never see him ,he's a character in the story: a confident ,and finally,when Nicholson begins to cry,the one thing he can be proud of.The letters he writes to his foster child provides the movie with an unusually inventive use of the voice over.

There are numerous memorable scenes:my favorite is Nicholson's speech during the wedding meal:his attitude is in direct contrast to the praises he says to everyone ,particularly to his daughter's mother-in-law ( Kathy Bates is sensational).

Recommended.

Not About Schmidt

[Zekesboy · 7/10 · 16 March 2005]

I remember reading, when this film was released, that the writer on whose novel it was based, Louis Begley, thought the screen adaptation was a good job.

Either Mr. Begley had been paid extraordinarily well for the rights to his book, or he was just lying.

It's not that this is a bad film. Not at all! It's quite well-done. But any resemblance between this film and the novel on which it was based is coincidental.

Mr. Begley really ought to be permitted to sell screen rights to his book a second time -- the story he penned has never been made into a movie!

The tone, the social class of the characters depicted, the relationships among the characters -- all are vastly different in book and film.

To me, the best adaptations are those that the viewer finds recognizable -- familiar -- rewarding because of some proximity between one's separate experiences as reader and as film-goer.

But "About Schmidt" was not about Schmidt. It was about some other guy. An interesting guy; funny guy. A guy that poignant things happened to. But not Schmidt.

Boring and bordering on depressing

[bestcriteria · 1/10 · 12 January 2003]

Premise of my critique: My wife and I go to the movies primarily for entertainment and secondarily to learn something. About Schmidt provides neither.

Almost everything that could go wrong for a guy (Schmidt) after he retires is depicted in detail through long (very long) scenes of no action: boring.

We all know that Jack and Kathy are going to give good performances- that is a given. But what a waste of talent to dwell on these aspects of life. I hope that none of this happens to me when I retire.

Yes, yes. Jack Nicholson gives a superb performance, but this alone does not a good movie make, and neither does a nude Kathy Bates. (Oh yes, you read correctly.)

The is no real humor - the audience has to supply the laughter, and you can feel the strain everyone goes through trying to find something (anything) at which to laugh. For example, they show some guy (just an unknown neighbor) taking out or throwing a bag of garbage, and some people laugh. Why, what is funny?

Nicholson 'adopts' a poor kid in a foreign country, and this becomes an important part of the movie. Both my wife and I thought (hoped) that eventually this would provide some real humor, but it does not. Instead, they portray this as real; that is, that Mr. Schmidt's contribution makes it possible to actually 'adopt' a child. And there is even a letter from some 'sister' (nun) writing about the 'adopted child'. BUNK! I can tell you that from personal experience. Most of those child-adoption programs are scams!

There may have been two or three funny scenes throughout the movie, but overall, it was one of the most boring movies we have seen.

Forrest Gump Meets the Conversation

[intuitive7 · 9 January 2003]

About Schmidt is Forrest Gump through the lens of Sartre or Camus. Warren Schmidt has a handicap, but it's the same handicap most of the people standing on line at seven p.m. at your local Wendy's have. The real star (or anti-star) of About Schmidt is the mediocre architectural landscape of America. Every room or box Warren Schmidt enters in this movie is as devoid of caring and vitality as he is: the retirement banquet room, Warren's house, the tire store, the hired wedding reception room. Schmidt's director and production designer take care to place us in the same life-draining, cheap structures we inhabit and deal with everyday. No prettifying. This is the drab landscape of Fargo revisited, but without the irony. The steady doses of violence in Fargo allowed you an escape route. But there's nothing ironical about a wasted life and a 66 year old widower spinning his wheels in the same rut, now partnerless and foundering. The combination of Jack, this story and these settings is effective and compelling. The result would be, I think, inevitable. The tone and attitude is not consistently managed, even by Nicholsen, whose worn-out, mannered schtick pops up occasionally. Yet the final effect is impossible to fend off: mundane American hell with droll comedic diversion. We experience a downfall as poignant as the smell of bacon cooking in Denny's at eight a.m.

Like Forrest Gump, the film depends on extensive voice over narration, V.O'd by Nicholsen as letters to Schmidt's newly adopted six year old Tanzanian foster child. Through these ridiculous sharings of sextagenarian angst with an African boy, we register Schmidt's internal grievances - thoughts we would never know about otherwise without his commentary. The slow dragging score drains vitality from each transition, as if cinematic momentum would be antithetical to the point of the tale. Back and forth we rock from a single minor chord to a second one, getting nowhere. The mood, the landscape, the buildings, the people say it all: Schmidt's on the road, but he might as well be sitting home in his lay-z-boy. The cushy bucket seat of a 35 foot Winnebago makes a good substitute.

Casting Jack Nicholson may have been the only way this story could have come to the screen. I've racked my brain to think of one other actor who could have pulled Schmidt off. Tony Hopkins? Not with the same comedic finesse. Gene Hackman reprising his role in Coppola's The Conversation or doing his Tennenbaum hamming? Don't think so. Only Jack has the mix. He does some hilarious bits in this, but overall the mood is somber, glum, inert. Can this be how that other famous Warren from Nebransas - Mr. Buffet - lives?

I was confused, amused, depressed and wierdly disoriented by About Schmidt as I left the theater. I commented that it wasn't a film I'd go see again. Thinking about it a day later, I'd hold to that IF it meant returning to the theater and paying. BUT - were I to run across About Schmidt on cable, I doubt I could tear myself away from it any more than I could from a crack up at the Indy 500. And I think that chance encounter might happen more than once, maybe for years. After all, this is the America I know and mark time in myself. A recommended film going experience.

About Schmidt

[lucianomarzo92 · 7/10 · 5 February 2010]

Just saw About Schmidt. It was a good movie. One of Jack Nicholson's best performances. In this quirky movie Jack plays a recently retired man named Warren Schmidt. Schmidt does not not get along with his wife and also has conflicts with his daughter over her fiancé, whom Schmidt disproves of. Schmidt tries to persuade his daughter to rethink her life, but it is no use, she has already made up her mind to marry the guy. Schmidt soon feels estranged from his family because he finds it hard to communicate to them. He begins to feel dejected. He decides to go on a road trip to revisit the places he used to know. During the road trip, he reminisces about his past, and comes to terms with himself. That is About Schmidt in a nutshell. About Schmidt gets a little sad in sections, but its not a total downer, it is very funny in spots. It is also a touching movie. I would definitely recommend it.

Americana in a Can

[phatdan · 10/10 · 8 May 2006]

Schmidt is a typical, white, middled-aged American, and, though somewhat happily married and recently retired from a successful career, has yet to experience a truly fulfilling life. He is in fact, "a sad, sad man," to quote a line from the film.

And this is the film's premise: The American dream, when realized, can have little to do with happiness. Schmidt has yet to achieve contentment, even after years of hard work and dedication. Eventually he will stumble upon it through his tears, but not before he takes us for a hysterical ride in his RV(a clichéd symbol of middle-class success), westward to Denver and his future in-laws; with short stops at cynicism, loneliness, and desperation, and finally home again to Omaha, meaning, and newly realized contentment.

The acting, writing, and music in this film, are each by themselves, worth possessing.