Adicionar um enredo no seu idiomaJanet Flanders is swept off her feet when dashing businessman Brett Becker's sports-car nearly runs her over. In no time the dream prince becomes her adored lover, without promising her anyt... Ler tudoJanet Flanders is swept off her feet when dashing businessman Brett Becker's sports-car nearly runs her over. In no time the dream prince becomes her adored lover, without promising her anything. After Janet's adulterous former lover, Jerry Singleton, discloses that he only asked... Ler tudoJanet Flanders is swept off her feet when dashing businessman Brett Becker's sports-car nearly runs her over. In no time the dream prince becomes her adored lover, without promising her anything. After Janet's adulterous former lover, Jerry Singleton, discloses that he only asked Brett to get her off his back, Jerry perishes in a fire. Janet follows Brett to Chicago. ... Ler tudo
- Direção
- Roteiristas
- Artistas
- Mrs. Flanders
- (as Cheryl Macinnis)
Avaliações em destaque
Brett (Vincent Spano) is engaged to a beautiful woman who just happens to have a sizable trust fund. Even though he has it all, he risks losing everything by starting up a steamy side affair with Janet (Jordan Ladd). Janet, a doe-eyed blonde from Cedar Falls, falls hard for Brett, and she does not take it particularly well when he comes clean about his engagement. Shortly after the wedding, Mrs. Brett turns up dead in the master bedroom of the large, luxurious home she shared with her new husband. When the police question Brett, he promptly points the finger at Janet. Following her arrest, Janet seems to get loonier by the minute - not that she was the picture of stability before. Her defense attorney (Holland Taylor) is convinced that Janet is innocent and is hell bent on proving it.
Did she do it or didn't she? How will it end? You can find out the answers to these questions the next time "The Deadly Look of Love" airs on your local station. And be sure not to miss the moral of this beautiful story: men are pigs, and women are crazy.
Both Perry and Ben almost always ended the proceedings by wringing a confession of the real killer. Actually Perry nearly always did this, but often Matlock would simply present overwhelming evidence of the true culprit, pronounce it "reasonable doubt," and then leave it to the cops and prosecutors to proceed against the guilty party - sometimes on-camera, sometimes presumed at the end of the show.
But that said, Holland Taylor's histrionics and the amount of leeway afforded her, in the courtroom portion of this story, made the actions of Matlock/Mason more-closely resemble the slow, often boring detail such as seen on Court TV and in real-life courtrooms.
Every character in this presentation was either insipid, unsympathetic, obnoxious, boring, improbable - or some combination of two or more of these.
The ending was the most banal, absurd, even silly conclusion possible - but again, fascinating because of this. Ladd and Spano are attractive individuals, and t.v. movies would appear their best forte - probably best in 2nd-lead (probably better if "3rd-") roles, even in this venue. Taylor could be cast as the aunt or mother of one of them. Give this one 1 star for the story/performances, and 3 additional for the fascination factor.
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Detalhes
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- La cara mortal de l'amor
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração2 horas
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