Maula Jat (1979) User Reviews

A Pakistani Punjabi Classic

[shehzadashiq · 9/10 · 6 June 2004]

One of the films which defined Pakistani cinema for years to come. It started the trend of Sultan Rahi and Mustafa Qureshi being the dominating actors of the Pakistan film industry.

Everyone knows the lines from this film by heart such as "Nava aaya ey Sohniya? (Are you new here my friend?)"

But its influence alone cannot be judged on the film industry. To this day you can see people trying to behave like Maula Jat or Noori Nat. Or as I once heard someone shouting at a wedding

"Jey Mauley noo Maula Na Maarey Tey Maula Marda Neiy" (A lord cannot be killed unless another lord kills him).

Enjoy it if you can. I wish it will get a DVD release with subtitles someday so other people can enjoy it too.

best Punjabi film ever made

[mabdalk · 8/10 · 23 December 2013]

(sorry for bad English) one of the most popular films in the history of Pakistani cinema , simply best , best portrayed of rural Punjabi culture of 70's, "Sultan Rahi" best fit in lead roll of "Maula" "Nasir Adib" on his best for great in-depth Dialogues , best villain , "Mustafa Qureshi" as "Noori Natt" , much better then 'Sholay's" "Gabbar" , even whole movie is more realistic then "Sholay", so if u like "Sholay" u will definitely going to like "Maula Jat" . highly recommended for anyone who can understand Punjabi in depth. don't judge this movie by complains about violence , this was a 70's Commercial film ,not a documentary ,not art movie, actually this film is a sequel to the movie "Wehshi Jatt". and "Wehshi Jatt" was inspired by an Urdu play "Gandasa" written by "Ahmed Nadeem Qasmi".

Classic movie on local Badmash

[zubairmughal · 8/10 · 27 February 2014]

A Notorious person Noori - Mushtafa Quershi play his ever popular role and classic acting and Dialogue. In Pakistan movie history such as film has never cast again. Once in a blue moon. Many cinema in Lahore, Rawalpindi Multan Sialkot and around the country full house nearly one year. Every show even 4 time a day, was full. Many people saw this film more than 4 times. As Indian film Sholay in India break every record and in Pakistan Mula Jatt did the same.Once in a blue moon. Many cinema in Lahore, Rawalpindi Multan Sialkot and around the country full house nearly one year. A Notorious person Noori - Mushtafa Quershi play his ever popular role and classic acting and Dialogue. In Pakistan movie history such as film has never cast again. Once in a blue moon.

a sequel to a four part series

[shamasnazir78 · 10/10 · 30 September 2009]

No one has even mentioned that this movie is a sequel in a four part series the first movie was Veshi Jutt were we see the Gandasa in the hands of Maulas dad and how Malik Haku kills Maulas father ,we also see Maulas best friend Roshan whos, grave is shown in Maula Jutt when Maula digs the blade out speaking to a dead Roshan ,After Maula Jutt the third movie was released in which Maula travels to London England were his fight resumes with Noorie Naths brother Najja Nath .His Gandasa is placed in Madam Tussauds ,this film was titled Maula Jutt in London ,aka Jutt in London .The last part was titled Roshan Jutt in Pakistan but was released in uk as Jatti, by this time roshan Maulas, son has grown up Mukho has passed away Bhunu and Dani are still around so is Dharo ,Mudahs passed away leaving a son who has gone on his uncle Noorie Nath.This stars Saima as Roshans, love interest and also sees, the emergance of an old enemy the Maliks ,Alayas kashmiri returns as Malak Haku along with his grandson who was shown in Maula Jutt when Noorie goes to visit Malik Haku after being released from jail ,yes Malik Mitha even more terrifying than his grandad a 6ft mountian of a man loud barakhs, and even more frightening stares of his green eyes . If one must watch Maula Jutt then it should be viewed in the following order has the story has continuety Veshi Jutt then Maula Jutt then Jat in London and the final chapter Jatti

Awesome!!

[ghias-azam2 · 10/10 · 3 September 2013]

I saw this movie when it came out 30 odd years ago, I was only a child and remember being blown away by it. It was all the rage and even now when I watch it it remains fresh. One of those movies you can watch repeatedly and never get bored.

The Late great Sultan Rahi was at his absolute peak when this movie was released, Mustafa Qureshi's Noori Nath was arguably an even better character much like Gabbar Singh blew everybody else away in Sholay.

Without question the best movie to ever come out of Pakistan. Great songs coupled with astounding dialogue that elevates this movie to a pedestal few, if any can touch, just as Sholay does in India. Most fans can quote the entire movie from memory.

If there is only one Pakistani movie you will ever watch in your life, make it this one.

That's not the point ...

[dambusterproductions · 28 July 2008]

The writer of the review of this iconic flick forgets the impact that this huge picture has had on generations of Punjabi film fans. Ask any Pakistani and he'll tell you about Maula Jatt. The review misses the irony and the point of the picture. You have to accept its poor production values, it's ham acting, and its violence. Think of Grindhouse and exploitation B movies of the 70'sand you'll get the idea. You have to also remember that relative audience of these films are minute and its amazing they even get made. That aside, this in fact is the third in a series of films and also the most popular. Prior to this was Bashira and Wehshi Jat. The film is fundamentally a clash between two "tribes" or castes who are proud of their heritage and their honour. This idea of honour is a running theme. The Punjab of this film is about doing the right thing even if you have to sacrifice your life. It's interesting how the "gandasa" is depicted. The idea that the gandasa is an extension of Jat's personality and that when forced to the limits, he digs out his gandasa and blood is spilt! Err lots of it. The gandasa represents the fury of the Jat. The menacing performance of Mustapha Qureishi as Noori Nath has to go down as one of the greatest performances of Pakistani cinema. The film is over thirty years old and the classic dialogues are still uttered on the streets of Lahore and elsewhere - "Nava aaye sohinya!" - just cant beat it.

Cult Classic Pakistani Film

[shamrez-ahmed · 10/10 · 22 December 2018]

No one knows why some films become cult classics but obviously there is something that an ordinary person cannot understand but it rings a chord with everyone. There are many films in the hollywood, bollywood and other film industries. For example, Indian film Sholay, no one expected it to be such a big hit but it became of the cult classics. Maula Jatt like many other Pakistani films of that era looks technically weak but it still became a MEGA hit and slowly achieved a CULT CLASSIC status. People to this day watch this movie, repeat its dialogues and copy its characters. It was about honor, friendship and rivalry at the same time. It was a unique story with exceptional dialogues and breathtaking sequences. This was the start of movies showing gore in Pakistani cinema. Acting was amazing, characters were strong. If you haven't seen this movie, you must watch it once. You will enjoy it if you are a Pakistani. Basically it's a Punjabi movie so if you don't understand Punjabi, it may not make much sense to you. I would say it's a must watch for every Pakistani at least, for the younger generation that may not have seen it yet. For all Fawad Khan lovers, it will be a treat to watch. You can then compare this movie with the upcoming movie by the same name (okay, somewhat similar name) that has likes of Fawad Khan, Hamza Abbasi, Mahira Khan and Humaima Malik.

It's not best; it's the best!

[khawajashams · 10/10 · 14 April 2020]

I'm an international film viewer and I highly consider acting, logic, dialog delivery, story, screenplay, direction, soundtrack, means whatever is there. This film has it all! No matter east or west, this one is the best of it's kind. If it was ever translated in English then definitely Hollywood will make another movie like this. But if they'll do it I hope they'll definitely should give an attribute to this movie.

Action packed entertainment

[mahekscollection · 10/10 · 16 October 2022]

Full on classic dialogues, loved the fact there were no songs. All characters played the roles well. Definitely a good watch. The action scenes were fantastic. The cinematography excellent. It was a mix of an epic like gladiator and a western. The punjabi is hard core. So you have to really listen carefully if your not a punjabi speaker. Noori Nath was the best character for me all of his dialogues were super entertaining. Lots of blood shed and throat cutting. Definitely go watch the movie as credit should be given where it is deserved. Well done Bilal Lashari, SuperJob. I might go watch it again!!

violence violence violence(awful)be aware of it

[mianaliilyas786 · 1/10 · 23 March 2006]

There is no word so violent, no phrase so full of anguish to describe this horrible and brutal movie of Pakistani cinema. the movie which was ought to set new standards for the edifice of our cinema, completely murders it. The movie is about fictional characters living in some rural area of Punjab with murder and violence on their mind. The movie has nothing to offer and is complete waste of time as it depiction is truly base on violence. The movie interprets the wrong side of our culture and is a great blob on our industry which can't be watch out. I was amazed to know that this movie set a new records for box office,till Churiyan broke the record .

Humanity needs Justice, not Revenge.

[suryanmukul · 9/10 · 18 August 2020]

Maula Jatt - 1979

Revenge to Humanity, Maula Jatt get it all covered in this all in one classical entertainer with lots of Drama, music, a pinch of comedy and mind-blowing performances by both on-screen and off-screen teams.

Maula Jatt (Sultan Rahi) and Noori Natt (Mustafa Qureshi) are into a revenge story started by Daaro Nattni (chakori) as his brother being disparaged by Jatts against his ultimate status in whole Punjab for misbehaving with a woman. At any point, it doesn't seem to be an ordinary story of revenge, but we see power and status going from one character to another from starting and it does not seem to be very elongated, as in the mid-story only, we get to see the strong fight between Maula Jatt and Noori Natt which doesn't come to any result because of the intervention of police which doubles the excitement and makes the viewer think how it's going to happen further, which is brilliantly oriented and written by director Yunus Malik and writer Nasir Adib. And here comes the powerful song very beautifully portraying the situation "eh te vella aap dassega, kon marda maidan", which says, time will tell, who will win. Although all the songs are very pleasing and moving, composed by Inayat Hussain. And other than the satisfying story, what made it more dramatic is camera work and editing with those fast zoom in and zoom outs to show the real intense impact of the scene, those POV shots in the fight scenes and the fast camera shifts from character to character within a scene while they are delivering the dialogues, Oh yes! The dialogues, Oh my God! What a brilliant work with dialogues and Kudos to the actors delivering these powerful debating dialogues against each other with a wonderful body language. To some, it may look like overacting, but as all the characters having the same pace and energy, so it got covered.

Revenge story turns into Humanity as the movie ends with the strong message in the dialogue "Insaniyat Inteqam nahi, insaaf chahndi hai" which says Humanity needs Justice, not Revenge.

Very unrealistc but a good deal of entertainment

[bedirector · 3/10 · 22 July 2003]

Maula Jat (Sultan Rahi) with very huge moustache and an axe like blade (called Gandasa) is a good guy but seems very bad. People are afraid of him but like him and seek his help against their enemies.

A group of his enemies attacks his village when he is in jail. Noori Nath (Mustafa Qureshi) is Maula's enemy and has never seen him. He was once helped by Maul (as Maula too has not seen Noori). Noori asks Maula if he could take him to Maula Jat.

Maul Jat doesn't tell him that he is the one. Maula is very famous for his bravery and fearlessness; even police is afraid of him that's why Noori wants to meet him.

The most unrealistic thing in this movie is the shriek of Maula's Bharjai (a word used for brother's wife for respect). She comes in the street and screams to Maula for help. Wherever Maula is, he listens the cry and arrives on time.

Fight scenes have been badly filmed. Film is too loud. In the end, Maula Jat kills a whole group of 20 to 30 armed men and with his blade (gandasa) but he gets only some minor injuries.

The writer has tried to portrait the blade (gandasa) of Maula Jat as a legendary thing as it was buried and Maula Jat digs it up for emergency use after many years.

Story can be described as total fantasy and fiction. The writer has tried to terribly exaggerate the old violent culture of Punjab province of Pakistan. This culture was a minority in cultures but this movie with too much violence, became a pioneer of violent Punjabi movies. This movies is still considered best in violence based Punjabi movies in Pakistan. Both, Sultan Rahi and Mustafa Qureshi, became very popular and got recognition with this movie.

A Timeless Cult Classic: The Power of Gandasa and Punjab's Warrior Ethos

[AHooda-B-Hills · 10/10 · 8 September 2023]

1979's "Maula Jat" stands as a testament to the visceral power of cinema that can transcend decades and still resonate with audiences. It's not merely a film; it's an institution, an extraordinary cult classic that has shaped the trajectory of Punjabi cinema.

Central to this film's narrative and its cultural significance is the iconic use of the 'gandasa', a symbol reminiscent of the farsa/axe wielded by Parshu Ram in ancient legends. Much like the legendary weapon signifies raw power, justice, and a divine wrath in mythology, the gandasa in "Maula Jat" represents honor, strength, and the unyielding spirit of the Jat warrior class.

Director Yunus Malik masterfully crafts a narrative where the gandasa isn't just a weapon; it's an emblem of pride, a testament to one's lineage, and at times, a heavy burden of legacy. The nuanced use of this symbol amplifies the film's cultural depth, making it not just a tale of vengeance but a layered exploration of duty, honor, and tradition.

The cinematography, though limited by the era's technology, is innovative and captivating, drawing viewers into the rustic landscapes of Punjab and the intense, soul-stirring gaze of its characters. Every frame drips with authenticity, making the viewer feel as if they're walking alongside Maula Jat on his tumultuous journey.

It's rare to find movies that, despite their age, continue to capture the imagination of generation after generation. "Maula Jat" does just that, with its potent blend of drama, action, and cultural motifs. It's more than a film; it's a legacy, a cornerstone of Punjabi cinema that introduced the world to the fierce spirit of the Jat and the symbolic power of the gandasa.

In essence, 1979's "Maula Jat" is not just a cinematic experience but a journey into the very soul of Punjab. An unparalleled cult classic that will forever remain etched in the annals of film history.

loud over-acting at its best/worst

[aneeljan · 1/10 · 18 February 2007]

The story revolves around your local village axe-wielding psychopath who's got a heart of gold.He fights the baddies using just his axe,whereas they have guns ,rifles, etc.He takes on 20-30 baddies at a time and still whups their ass.There is lots and lots of bright red comedy blood in this film . Im shocked how this piece of drivel was ever conceived.The acting is hammy,the dialogue is....well there is no dialogue just lots of shouting.The sound of gunshots in this film seemed to have been amplified for some obscure reason.The heroine seemed a tad overweight yet danced with the zeal of a nimble muscovite ballerina.I would write further details but because of my perforated eardrums I didn't understand the rest of the film.

Forgotten punjabi stick martial art fighting style, which is now only its birth form of dance.

[PakistanFilmUpdates · 4/10 · 9 December 2018]

This film might had its flaws although this was Pakistan's genre that shown a forgotten melee fighting of martial art. Made by the punjab. Over the years the lollywood punjab film industry, slowly stopped added beautiful fight techniques in its form of dance and started rushing it with pointless swings and screaming bloody men; this is when lollywood only wanted make quick money and move on to the next rush film project. With Lollywood's downfall of over film taxes they had problems, this was maybe the reason why melee dance fight forms were unable to add time. Hopefully with bannd on film tax and the reboot they can at least at forms melee dance moves within the new form of east Asian martial arts over shining South asian martial arts.