Directed by
| Graham Moore | ||
Writing Credits (in alphabetical order)
| Graham Moore | ||
| Shaun Prendergast | ||
| Stuart Urban | ||
Cast (in credits order)
Produced by
| Martin Carr | ... | producer |
| Simon Mills | ... | producer |
Music by
| Rob Lane | ... | (as Robert Lane) |
Cinematography by
| Alan Wright | ||
Editing by
| Jon Costelloe | ||
Production Design by
| Terry Ackland-Snow | ||
Art Direction by
| Malcolm Stone | ||
Set Decoration by
| Harold Fryer | ||
Costume Design by
| Roy Hill | ||
Makeup Department
| Tricia Berry | ... | assistant makeup artist |
| Kathy Kneller | ... | assistant makeup artist (as Katherine Kneller) |
| Sue O'Neill | ... | makeup designer |
Second Unit Director or Assistant Director
| Kate Beeston | ... | second assistant director |
| Roy P. Stevens | ... | first assistant director |
| Jane Watson | ... | third assistant director (as Jane Harris) |
Art Department
| John Allenby | ... | property master |
| Will Ayres | ... | props (as Will Ayers) / stand-by props |
| Alan Booth | ... | head construction |
| Barry Gates | ... | props |
| Laurie Kerr | ... | carpenter / supervising carpenter |
| Charlie McGinlay | ... | painter |
| Roy O'Connor | ... | props |
| Daren Reynolds | ... | props (as Darren Reynolds) |
| Bryn Siddall | ... | production buyer / property buyer |
| Alan Tagg | ... | painter |
| Graham Wyn Jones | ... | storyboard artist |
Sound Department
| Lee Crichlow | ... | sound effects editor |
| Patrick Quirke | ... | sound mixer |
| Aad Wirtz | ... | re-recording mixer |
Special Effects by
| Barry Angus | ... | special effects technician |
| John Baker | ... | armourer |
| Peter Brown | ... | special effects technician |
| John Denard | ... | armourer |
| Paul Dimmer | ... | special effects technician |
| Alexander Gunn | ... | senior special effects technician |
| Brenda Hutchinson | ... | special effects coordinator |
| Peter Hutchinson | ... | special effects coordinator |
| Terry Schubert | ... | senior special effects technician |
| Dominic Tuohy | ... | senior special effects technician |
Visual Effects by
| Peter Bach | ... | visual effects producer |
| Noel Donnellon | ... | visual effects supervisor |
| James Lamb | ... | visual effects supervisor |
Stunts
| Roy Alon | ... | stunt driver |
| David Anders | ... | stunts |
| Gerry Crampton | ... | stunt coordinator |
| Brian Nickels | ... | stunts |
Camera and Electrical Department
| Matthew Crowder | ... | electrician (as Matt Crowder) |
| Paul Donachie | ... | first assistant camera |
| Ron Fleet | ... | grip |
| George Grieve | ... | second assistant camera |
| Keith Mead | ... | key grip |
| Steve Murray | ... | camera operator |
| David Norris | ... | camera operator: Wescam camera |
| Jay Jay Odedra | ... | second assistant camera |
| Rusty Pouch | ... | key rigger |
| Jimmy Russell | ... | gaffer |
| Tom Shirley | ... | best boy |
Casting Department
| Ed Arenas | ... | casting: Miami |
| Suzanne Crowley | ... | casting: UK |
Costume and Wardrobe Department
| Andrew Cox | ... | wardrobe supervisor |
| Rachel Selby | ... | wardrobe supervisor |
Editorial Department
| Andrea Carnevali | ... | assistant editor |
Script and Continuity Department
| Judy Gayton | ... | script supervisor |
Additional Crew
| Jon Baker | ... | armorer supervisor |
| Sally Brocklehurst | ... | production assistant |
| Ian Buchan | ... | production coordinator: Bahamas |
| Caroline Sanders | ... | production accountant |
| Dean Sipling | ... | production accountant |
| Samantha Vince | ... | production coordinator |
