Nicolas Pariser, Alice Winocour, Melvil Poupaud, Mathieu Lamboley, uniFrance President Jean-Paul Salomé Photo: Anne-Katrin Titze
Melvil Poupaud walked the Rendez-Vous with French Cinema red carpet with The Great Game (Le Grand Jeu) director Nicolas Pariser, Disorder's Alice Winocour, Julie Delpy's Lolo composer Mathieu Lamboley, Bang Gang's Eva Husson, A Decent Man's Emmanuel Finkiel, John Waters, Cindy Sherman, James Ivory, Angélique Kidjo, Aurélia Thiérrée with Guillaume Nicloux and his Valley Of Love star Isabelle Huppert.
Joseph Paskin (André Dussollier) Pierre Blum (Melvil Poupaud)
Oscar Isaac in Jc Chandor's A Most Violent Year, Alain Delon in Valerio Zurlini's Indian Summer (Le Professeur), Benoît Jacquot's Closet Children (Les Enfants Du Placard), Marguerite Duras, Eric Rohmer, Xavier Dolan, Justine Triet, Fan Bingbing, and his Great Game co-stars Clémence Poésy and André Dussollier - these and more entered into a kind of Lacanian conversation with Melvil Poupaud at the Parker Meridien in New York.
Melvil Poupaud walked the Rendez-Vous with French Cinema red carpet with The Great Game (Le Grand Jeu) director Nicolas Pariser, Disorder's Alice Winocour, Julie Delpy's Lolo composer Mathieu Lamboley, Bang Gang's Eva Husson, A Decent Man's Emmanuel Finkiel, John Waters, Cindy Sherman, James Ivory, Angélique Kidjo, Aurélia Thiérrée with Guillaume Nicloux and his Valley Of Love star Isabelle Huppert.
Joseph Paskin (André Dussollier) Pierre Blum (Melvil Poupaud)
Oscar Isaac in Jc Chandor's A Most Violent Year, Alain Delon in Valerio Zurlini's Indian Summer (Le Professeur), Benoît Jacquot's Closet Children (Les Enfants Du Placard), Marguerite Duras, Eric Rohmer, Xavier Dolan, Justine Triet, Fan Bingbing, and his Great Game co-stars Clémence Poésy and André Dussollier - these and more entered into a kind of Lacanian conversation with Melvil Poupaud at the Parker Meridien in New York.
- 7/15/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The court intrigue that animates Benoit Jacquot‘s Farewell, My Queen – set during the final days of Marie Antoinette’s reign – could be the stuff of so many costume dramas. To his great credit, however, the 65-year-old Parisian director, best known on this side of the pond for his 1995 hotel chamber drama A Single Girl, offers an elliptical, accumulative account of the events, keeping them tightly focused on the experience of the Queen’s private reader Sidonie (Léa Seydoux) as the storm clouds of revolution gather from outside the corridors of Versailles and the regime’s demise very quickly becomes inevitable, even as the insufferable queen (Diana Kruger) manages to lack any understanding of why her subjects are bent on her untimely exit.
As revolution marches toward them, Sidonie’s infatuation with the Queen is marked by jealousy at her attachment to the cosmopolitan duchess Gabrielle de Polignac (Virginie Ledoyen,...
As revolution marches toward them, Sidonie’s infatuation with the Queen is marked by jealousy at her attachment to the cosmopolitan duchess Gabrielle de Polignac (Virginie Ledoyen,...
- 7/11/2012
- by Brandon Harris
- Filmmaker Magazine - Blog
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