IMDb RATING
7.0/10
1.2K
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In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.In 1976, John Lennon and Paul McCartney have a chat about their lives and discuss whether The Beatles will ever reunite.
Ian Eugene Ryan
- Dreadlocked Man
- (as Ian Ryan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen John Lennon offers Paul McCartney the chocolate, he says "Take this, brother. May it serve you well." This is a direct quote of a line Lennon spoke in the background to the song "Revolution 9" and in the scene, it is meant to be a joke between the two.
- GoofsThe lip-syncing is off while John and Paul are singing "Tumbling Tumbleweeds".
- Quotes
Paul McCartney: So we're alone?
John Lennon: Yeah, you, me, and everything between us.
- ConnectionsFeatures Saturday Night Live (1975)
Featured review
I wouldn't have expected most musicians or Beatles fans to like this film, what with our expectations and a feeling like we own our image of them in some personal sense, but I'm glad that many here did, because I think it is an excellent character study, regardless of whether it happened or not. And I think that especially for the general public, who may not have known much about John and Paul, at least outside of the Beatles, it gave an interesting portrayal of them as the remarkable people they were (and are, in Paul's case), both in good and bad ways, and accurately expressed some of the dynamic that they had between them, both in terms of friendship and conflict. Not that any of it was specifically accurate or would have happened that way, necessarily, but I think the dynamic itself was accurate, at least in terms of the mythology and perception we've gleaned from what we know about them and how they felt about eachother.
The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...
EE
The only things I didn't like were parts of the rooftop scene, which kind of made Paul into a pseudo-saviour for John, although in terms of trying to instill some dramatics into the show, that was probably a valid device (John clearly had more demons and things unresolved in his life than Paul), and the scene of them in the park, which just seemed pointless. However, as they were walking into the park, there was a great line, where some guy asks John for change to help 'save the seals', and John says "I don't think they'd listen". I don't know if Lennon ever said that, but you've gotta admit, that's a great Lennon-esque line, and indicative of the sharp writing in this film...
EE
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