Directed by
| Phil Smoot | ||
Writing Credits (in alphabetical order)
| Phil Smoot | ||
Cast (in credits order) complete, awaiting verification
Produced by
| Lash La Rue | ... | executive producer (as Lash LaRue) |
| Phil Smoot | ... | producer |
| George B. Walker | ... | producer |
| John G. Wolfe III | ... | associate producer |
Music by
| Christopher Deane | ||
| Matt Kendrick | ||
Cinematography by
| Paul Hughen | ||
Editing by
| Sherwood Jones | ||
Art Direction by
| Dean Jones | ||
Makeup Department
| Tony Elwood | ... | makeup supervisor |
| Dean Jones | ... | special makeup effects artist |
| Mark Kimray | ... | assistant makeup artist |
Sound Department
| Brad Hinkle | ... | sound effects recordist |
| Sherwood Jones | ... | sound editor |
| Jim Langwell | ... | sound mixer |
| Richard Stephens | ... | sound recordist |
| Jerry Whittington | ... | sound effects editor |
Special Effects by
| Tony Elwood | ... | prosthetic effects |
| Dean Jones | ... | prosthetic effects |
Stunts
| Jerry Montgomery | ... | stunts |
Camera and Electrical Department
| Don Cely | ... | gaffer (as Don B. Cely) |
| Mighty Joe Coltrane | ... | dolly grip (as Joe Coltrane) |
| Rocky Greer | ... | grip |
| Robbie Roberts | ... | assistant camera |
| Stuart Watson | ... | grip |
Costume and Wardrobe Department
| Marcy Bethel | ... | costumes |
| Jane Wiley | ... | costumes |
Editorial Department
| Jim Finn | ... | negative cutter |
| Lawrence Mischel | ... | negative cutter |
Location Management
| Mary M. Dalton | ... | location coordinator (as Mary Dalton) |
| Mary Stafford | ... | location coordinator |
Additional Crew
| Mary M. Dalton | ... | production coordinator (as Mary Dalton) |
| Tony Elwood | ... | prosthetic effects |
| Dean Jones | ... | prosthetic effects |
| Jerry Whittington | ... | post-production equipment |
