The Legend of a Sigh (1991) Poster

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7/10
"Feminist" Film From Iran
CommieTT31 May 2000
This film deals with the myth of a character "Ah" (or "Sigh" in English) who is summoned whenever someone "sighs from the bottom of the heart." He comes to alleviate the distress by granting one thing--the ability to change places with someone else.

The main character thus chooses a person who she thinks has a better--or at least an easier--life than she does. Each time, it turns out the person whom she thought had it easy, had unforeseen difficulties in her own life. You see the character start as a wealthy widow, then as her housekeeper with six children, than as the housekeeper's rural sister, then as a university student, then as a writer. Each has their own particular problems that make them unknowingly summon "Ah" with a heavy sigh.

The description on the film's box says that this is a "feminist" story--and in today's Iran it is likely to be so. However, it is quite a different variety of feminism than is known to most westerners.

The most striking this I took away from seeing the film is how odd it seems to have men dressed in clothing you'd see men in most countries wearing (shirts and slacks), and hijab (Islamic modest dress--head and full body covering) for women. It's like watching people from two different time periods. Weird.

My rating: 7
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1/10
don't waste your time with this movie!
mahdian7 June 2002
boring, cliche, terrible acting, ...

If you want to see a feminist Iranian movie, there are much better movies to watch. try "The day I became a woman" (by Marzieh Meshkini), "The Hidden Half" (by Tahmineh Milani), "Under the city's skin" (by Rakhshan Bani-Etemad), .... Don't waste your time with this one. This is an early, unsuccessful film of Tahmineh Milani.
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8/10
The Key.
morrison-dylan-fan16 August 2018
Warning: Spoilers
When taking part in the Middle East and 90's-now viewing challenge,I found myself drawn to getting set for an upcoming best of 1991 poll,by watching creations from the Iran New Wave (INW) of that year. Getting lucky in finding the magnificent Mosaferan, (which I've reviewed) easily, I found every attempt I made to get hold of a second INW '91 title to lead to dead ends. Mentioning this on ICM,I got caught by surprise with some very generous help,which allowed me to hear the sigh.

View on the film:

Tying up the beginning and ending of the film as a ouroboros, writer/ director Tahmineh Milani & cinematographer Reza Banki retain the Neo-Realist atmosphere of the Iran New Wave,but uniquely bend it with a fantasy twist, where "Sigh" appears like a ghost from A Christmas Carol,and gives the woman keys to a new life. Opening doors to a new life/persona,Milani dries up her hopes with an unflinching INW eye for run-down rural locations, where the yellowing grass and bone-dry earth,that stay still as the woman thumps her hands and sighs over losing the latest meaning in her life.

Taking an episodic path, the screenplay by Milani takes a delicate feminist examination of the hardships each woman faces in lives that look "perfect" from the outside, but are far from it behind closed doors. Oddly not having the woman remember any of her past incarnations, Milani elegantly shows in coming full circle that death is something that has to be accepted,and that despite appearances,there is no easy way for a woman to fulfil her goals without the hardship of a sigh.
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