Happy End (1999) Poster

(1999)

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7/10
Do-yeon Jeon is one of the world's best actors
wickedmikehampton16 December 2020
Actress Do-yeon Jeon captivated me when she played a sad scene in 'Secret Sunshine'. Her acting in that moment was so good I felt grief. For it, she became the first Korean actor to win the Cannes Award and, many years later, the first Korean actor to be a judge at Cannes.

Jumping back to her early career was juxtaposition because 'Happy End' begins with a 3-minute sex scene. My heart-breaking memory of her was replaced by her perfectly naked body. Bye-bye intellectualism and praise the Koreans for being quicker to undress than the Japanese.

But the movie became much more than a hard-on. It's one of the few that are good from the region prior the millennium. It left me melancholic because I identified with all the characters in the love triangle.

Admiring the subtle yet powerful handling of the film, I wikipediaed that the director was Ji-woo Jung, he who made the tasteful and insightful lolita drama 'The Muse'.

Interestingly, last year he made the generic 'Tune in for Love'. It broke the Korean box office record for a romance, with 173,562 admissions on opening day. Although Public taste will never be en masse for art, I'm pleased because a worthy director will now have the cash to make more movies I like. I can hope that there will be another 'happy ending'.
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7/10
A Must Watch!!!
lealexi-8878930 September 2021
I'll admit, I started looking at this movie only because Ju Jin Mo happened to be part of the cast, after watching him in 'A frozen flower'. Brace yourself for the opening sex scene, it left me baffle and in a state of total denial to the very end.

A word of advice, don't be fooled by the title. Though the storyline was strong, there were certain plots that had would have you thinking, like whose the real father of Yumi? . . . Enough said, overall I enjoyed it, although I was HAPPY about the ending.😊😱😌🙉
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7/10
happy end...!!!
mor2moradi14 March 2021
Warning: Spoilers
It is one of the best Korean movies ever but many of people doesn't heard about it. the end was great but not happy although it was a good ending
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rule and exception
RResende25 February 2009
Warning: Spoilers
I am into korean cinema. They have been giving me some of the deepest experiences with recent years cinema. From the current crop of (at least) competent korean filmmakers, we have Wook-Park and Kim Ki-Duk. Both of them have added value to my life with some of their films. Apart from them i found lots of competence and thrill in other films from there.

Now i saw this. It's impressive, not powerful and life-altering like Oldboy or Bin-jip but still worthy.

Let me remark on how this is built. The film begins and (practically) ends with 2 really exaggerated and intense scenes: it starts with a visceral obsessed sex scene and ends with a brutal killing. Both are enhanced beyond what was need to make a statement and both go a little bit beyond what we would normally tolerate in such scenes. In the middle of these scenes, we are given scenes of common, even dull daily routine. Cooking, nursering, reading, working, eating. Just that. So, the scenes are extreme moments of ordinary lives. It's what the film is about. The killing is an exaggerated, violent and uncommon reaction to a relatively ordinary situation of adultery. The film visually corresponds to this, so we have a case of great adequation between what we see and what we are told. That is good enough to please me.

This is flawed in the way it purely relies on the effect these scenes should have on you. The risks are minimized to those two scenes and controversy they might (and did) cause. Well, i think the film works relatively well, but the scenes didn't shock me so much (the last 10 years gave us films like Irreversible). Still, what stays is good experience, because the whole film is about making us numb and unreactive, and than shake us and suddenly wake us up. It's relatively thin but it works, and most of all, it does it cinematically, it does it in the eye.

The artistic work is great. The cinematography is perfectly aware of colours, saturations, and composition elements. It's beautiful, and something we see over and over in every korean film, even the worst ones. Visually, korean cinema doesn't seem to be as depurated and abstract as Japanese imagery, instead it is a pleasant relaxed depiction of beauty, with western concepts and influences and, yet, very rooted in an eastern society. I suppose it corresponds to where South Korea stands culturally these days.

My opinion: 3/5
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6/10
Misogynistic revenge fantasy?
Aizyk4 January 2005
Warning: Spoilers
I believe this is the fourth or fifth film I've watched starring Min-Sik Choi, who is quite an accomplished actor. The DVD cover proclaims Happy End to be "one of the most controversial Korean films ever made!" It's not difficult to imagine why this film might cause controversy. On the one hand, shortly after the film begins, a semi-explicit sex scene takes place that seems to go on for a gratuitously long time. But nothing is shown during the sex scenes that wasn't shown in the much less controversial, more traditional Korean period piece, Chunhyang. Perhaps it is the nature of the sex taking place, that of illicit extramarital liaisons, that contributed to its controversy. But I believe the bulk of the film's controversy is due to what ultimately emerges as the film's theme.

This film could be viewed as a sadistic wet dream pandering to certain men who are disgruntled by what they feel is an emasculating and increasingly common situation of this modern age: that of the unemployed, stay-at-home husband. Except that when this unemployed husband is home, he spends most of his time watching soap operas, only occasionally lifting a finger to help with the baby. Instead of looking for work, he kills time each day crouched in the used book store, reading romance novels, to the chagrin of the store owner, whose policy regarding such patrons is less welcoming than that of Barnes & Noble. The husband is mopey, and never expresses affection towards or sexual attraction to his wife. Since he barely helps out around the house, when his wife gets home from work she ends up having to do the cleaning and the chores on top of her job, even though he has much more free time and is home much more than she is. As a companion, he is ineffectual and impotent. At one point during the final third of the film, as she's alone at home on her hands and knees scrubbing the floor, she tells herself that she has to "end it". It's unclear at the time whether she's talking about her relationship with her husband, or with her co-worker Il-bum. For the most part, she endures the imbalance in her relationship with her husband without much complaint, perhaps contritely due to a sense of guilt she possesses over the fact that she is engaged in an affair.

It's revealed that Il-Bum is actually baby Yun's father, and that they were a couple before her current husband came into her life and married her. Why would she leave her former lover to be with such a pathetic, and ultimately deranged and lethal man? There is an indication that at one time he was successful and financially more secure. But her past and present boyfriend is more attractive, more passionate, and more considerate. For reasons that aren't fully explained, she reacts negatively to his small, caring gestures. When he buys a toothbrush that she can use when she's over at his place, she lashes out. She does the same when she discovers toys that he's bought for the baby. She seems conflicted by emotions of desire, guilt, and annoyance with both the men in her life and her situation in general. There is also at least one major plot hole in this film that I could not overlook. At one point near the end of the film, she mixes a bit of sleeping medication into her baby's formula, so that she can leave her in the apartment to go confront her lover and break off their relationship. But her husband could come home at any minute, and yet she apparently doesn't stop to consider that. Perhaps the simple, though inadequate answer to the questions raised by her acts is that she just isn't a very sensible woman. But nor is she portrayed as being mentally slow. Distracted, certainly.

Inevitably, her husband comes home to find the baby there alone, and eventually discovers that he's being cheated on. He premeditates a vicious revenge, in which he terrifies her before committing brutal murder, bludgeoning her over and over with her lover's knife which he stole from the former's home, gradually slowing to pause and stare at the body for a couple moments in between stabs. He then uses the weapon to frame her lover for the murder he's committed. The last time we see Il-Bum is in custody, being pressured into giving up his right to remain silent without a lawyer. We're only left to imagine what becomes of him.

There's a misanthropic sense of self-satisfaction in the supposedly "clever" irony of the film's title. Not knowing what the filmmaker's intentions were, I'm led to wonder after watching this film if those who wrote and directed it consider the end which befell Bora and her child's true father to be a "happy" one. The superior tone of one of the previous comments here glibly indicates with a wink and a nod that she deserved to be horribly and brutally slayed by her baby's "touching motherly daddy" because SHE'D gone too far. How alarmingly vile.
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7/10
Men will always stay men
patonamu21 April 2002
An excellently performed movie about our age of the equality of the genders. If men lose their jobs and their wives have wild affairs can a man forever hold his horses? An original story with a touching motherly daddy who knows when enough is enough...
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9/10
A Happy End...?
pinkston17 December 2005
Warning: Spoilers
Happy End is a wonderful, yet frightening, look at what a love triangle does for the people involved. Noted for its twist ending, the film begs the question of whether the drastic choices we make (although in very painful situations) really benefit our lives in any way. Ji-woo Chung's intimate approach to this film lets the viewer really look inside the characters and their motivations. Choi Min-sik gives a great performance, right up there with Oldboy and Failan. I don't know if there is another actor in the world that can get so much sympathy from his audience. A really great film, coming from a country that makes one great film after another.
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6/10
Sizzling Sex Scenes Need No Further Explanation
gonzagaext30 October 2006
Warning: Spoilers
Some films need no elaborate critiques so just a brief note on Chung Ji Woo's "Happy End": Yes, it has an ironic title, it may be misogynistic (I personally don't think it is), it's one of the most controversial South Korean films, and it's probably a commentary on gender roles as the country evolves. Or we can just simply say that this film has damn good sex scenes. Period. There are no profound truths, just a hot guy, Il-Beom (Ju Jin-Mo, star of Kim Ki-Duk's "Real Fiction"), and a cute girl, Bora (Jeon Do-Yeon), f%^@#$ each other like there's no tomorrow. The shameless, illicit nature of the sex heightens the eroticism: the adulterer is a woman who sneaks around for sex while her jobless husband sits at home with their infant and watches soap operas. The power b*tch f%@#s around! There's no frontal nudity and there's only 2 sex scenes but 2 things more than make up for it: the first sex scene is done in pretty much 1 (well-done) long take and handsome Ju Jin-Mo's beautiful naturally lean frame (and derrière) in motion is just beautiful.
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9/10
Isn't it ironic?
emiel_7 July 2000
Warning: Spoilers
Yes it is.

He has lost his job and takes care of the household and the baby. She is a director at an English language school and has an affair with her first lover. It's a linear story with an inevitable ending, told with eye for detail and with humour. Although the story and setting are not new, it has a surprising ending, which is emphasized by the words 'happy end'.
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6/10
It is what it is.
rubentharrani10 October 2023
Warning: Spoilers
Aizyk review is invalid. I must say most men would have react the same way as the protagonist did. As the film was moving on, I actually rooted for the protagonist.

The film is about adultery that's happening between protagonist's wife and her lover. At one point in the movie she was about to break the affair but didn't. Eventually the protagonist found out, stab her multiple times and killed her. Here comes the best part, the protagonist was smart enough to shift the entire murder on the affair partner and the family wrecker got thrown into the jail.

It was a happy ending after all. Not for those whiners in the review section.
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5/10
The misleading title
mincho16 January 2000
Warning: Spoilers
"Happy End" is a movie about a women who is having an affair and how the husband takes matter into his own hands. The married couple has a child, but that child is not from the father but from the other man.

Anyway not to spoil the movie, the story show how the wife eludes the husband and gets with the other man.

In my opinion that title is misleading. Be advised when watching this movie.
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8/10
Cruel
shibolleth17 August 2020
This film has all the ingredients to be miysogynistic and that's one of the possible readings. And it's quite legitimate. But, in fact, it seems to be more about mysoginy and the consequence of misogynistic behaviour and its consequences. Not advocating them. Nobody gets what deserves in this one and there are more victims (but one of them is being that absolutely and more than others). But what seems to be some morale here is that after the act there's just no way back. Either you get your life broken or, even worse, you don't get even that. I watch a lot of Asian films latelly and most of them look like statements about gender antagonisms. And mostly, their outcome on the end is unpopular and brave. And out there for everyone to see what it looks like when you don't paint them in unrealistic colors. As it should be. This film has a dreadful conclusion but it must be seen for what it is. That's why it's good ...
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5/10
5.3/10. Watchable but not recommended
athanasiosze13 March 2024
Great actors, interesting story, this could be a very good movie, at least for someone who like this genre. Unfortunately, pace was terrible. One of the worst movies' paces of all time. I don't mind slow burn movies but a movie of this particular genre (something like drama/romance/neo-noir) should be faster. A slow movie should have great cinematography, should raise philosophical issues or something like that. This is the story of a man whose wife is cheating on him. Not an art movie. No need for shots that doesn't serve the plot, this is not a magical Wong Kar Wai movie. As it was progressing, it was more frustrating. It was very difficult to watch. At some point, it took almost a minute for the leading character to open the refrigerator. Come on, what is this?

Someone more patient than me might like it.
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10/10
Very surprising conclusion
jehahok17 July 2023
Warning: Spoilers
I must agree with one of the other reviewers that said that the conclusion was kind of out of left field. I also have to disagree with some of the other reviewers that seem baffled by plot points that were clearly laid out in the movie, even explicitly stated by the character, such as Aizyk's confusion about the wife's motivation.

Regarding the characterization, I found the reviews like the latter misleading/biased with respect to what the film shows and wants to convey.

In terms of the husband, prior to the finale, it shows us a person that does take care of the house and contribute by buying groceries, cooking, cleaning and taking care of the child. Obviously, like in any family, he doesn't do it 100% of the time and sometimes the wife also spends time with the kid (though is rarely at home, therefore hardly most of the time), in particular the scene where she cleans up the room is clearly depicted as a sort of venting/overcompensation where she tries to detach herself from her betrayal and start anew (this is also shown from the change in tone towards the husband: prior to that, she mocked him for having lost his job and being unable to find a new position with comparable level of status, and makes fun of him for being a "housewife", channeling society's prejudicial view of husbands doing housework, but now she talks about them and the child).

On the wife's side, the relationship with her lover is clearly shown as unhealthy, with the latter not respecting her boundaries and invading her family life, at many points almost consciously trying to expose the affair that she wants to keep hidden. He turns into something of a stalker, trying to pressure her into leaving her husband, something that she clearly does *not* want to do. In that respect, with reference to Aizyk's confusion about her actions, she explicitly states in the movie that she wants to stop seeing her lover (in the scene where she is cleaning up), there is really no ambiguity about whether she wants to end her marriage (she does not). On the other hand, it's also made perfectly clear why she gets pissed off at her lover for the toothbrush and gifts: she does *not* want him to approach her family, she wants him as a lover, but clearly established the boundary that he should not think about breaking up her marriage and getting into a real relationship with her, a boundary that he does not respect -he acts, indeed, almost as if he wants to be caught-.

In that respect, between him and the husband, the latter is the one that seems concerned about what she wants, even going as far as proposing to try setting up a business, asking whether she is happy, etc., indicating a willingness to change in ways that she would appreciate, and even asking her about whether she likes what he is doing during sex. While they have less chemistry in that respect than when she is with her lover, it's clearly not because her husband is selfish and her lover selfless. On the contrary, the latter is the one that ignores her wishes and tries to impose his will and force her to give up her marriage when she clearly doesn't intend to, and pesters her when she wants to break things off, acting possessive, whereas the husband, contrary to what Aizyk and other seem to imply in their review, seemingly accepts her affair and merely wishes for her to behave like a good mother (I have seen other commentators say that it's because he feels emasculated by his inability to get a position comparable to his previous job, but frankly he does not seem to resent his condition, if anything it's his wife sharing such societal prejudices and using them to shame him, but he does not seem to believe that he needs to earn more than her, or that taking care of the home demeans him, he proposes to pursue a new business more as a way to please her and meet her in the middle, when they are trying to reconnect).

And, ultimately, this is why the ending is so out of left field. Seeing the increasingly stalkerish behavior of her lover, one would have expected him to be the one to kill her when she leaves him, when he realizes that he is unable to make her leave her husband. And paradoxically, this is exactly what the policy seems to believe. In fact, contrary to what Aizyk's and other reviews seem to suggest, the husband clearly does not pre-meditates this act as a revenge for the infidelity, and on the contrary seems to accept the situation passively, as already mentioned (some commentators claiming due to being self conscious about his lack of a job, though I didn't perceive this supposed feeling of inferiority on his part).

No, what triggers the murderous act is the wife drugging the child and leaving them alone when her lover threatens to come to her home and make a scene, forcing her to go meet him. Fortunately, the husband returns home in time and manages to get the child to the hospital and save their life.

Now, as another commentator said, this is not exactly the most realistic of reactions, because one would suppose that, given that the mother drugged the child, abandoning them at home alone and endangering their lives (thankfully, again, the husband came back soon enough to bring them to the hospital), in order to go meet her lover (albeit under duress when the latter continued to call her home and threatened to go to her home, potentially exposing her), he would have not had much of an issue getting custody. There is a question as to whether he is the real father, but contrary to what Aizyk's review seemed to imply, the claim that he is her lover's is something he makes unilaterally, and coupled with his insistence on buying gifts and introducing himself into her family life despite her protests (contrary to what said in that review, it's perfectly understandable why she would be put off by this insisting behavior against her explicit wishes), in a self delusional attempt to convince himself that he is her child's father, as part of his obsession with her and his determination to break up her family -him keeping the ring and wanting to force her into leaving her husband, while she wants to keep this strictly as an affair, and ultimately wants to break things off, which precipitates things, with his threat and her drugging and abandoning the kid to meet him before he shows up at her house uninvited, against her will-.

All things considered, in terms of realism, it would have been more believable that this ended in a divorce (not likely, given that she didn't want to leave her husband, seemed intent on breaking things off with her lover, and her husband apparently would have accepted her infidelity as long as it didn't put their child in danger), or, given her lover's stalking and threats, into him killing her because she wanted to break off the affair and refused to be with him as anything more than an affair on the side (as she consistently did during the movie). At some point I also thought she might choose to commit suicide, from her drunken behavior when her lover forced to go meet her and she drugged the kid.

Ultimately, I believe that this was exactly what the writer/director intended, however: to make the "stalker chose to murder his lover when the latter refused to abandon her family for his sake" narrative that the police becomes convinced of actually believable: the external world believes this *exactly* because it would have been a believable ending to the viewer that knows what went on behind the scenes as well -by contrast, the up until that point calm and mellow husband wouldn't be suspected at all given his seeming acceptance of the situation and generally mellow behavior-. I guess that it's kind of a double edged sword, because the "official narrative" is indeed so compelling that one kind of gets the idea that it would have been a more believable outcome -one is kind of left wondering why: a combination of a desire to protect the child he saw endangered, coupled with a suspicion on their birth that made him unsure about his ability to be there in her life and protect her? But really, the wife didn't seem to have any intention of leaving him and taking the kid, and the narrative that it was the lover's child is something that only the latter pushed and, while not really disproved, was possibly and maybe even likely a piece of self delusion by someone unable to let go of the idea that a lover that didn't want to be with him in a stable relationship really ought to have married him... and, again, even had they divorced, something she didn't appear to want, what would have been the change that she would have gotten custody, when she drugged and abandoned the kid, and her lover forced her to do so by threatening her into meeting him, thus putting the kid in danger? I mean, the husband even had the records from the hospital when he arrived and rescued the kid: as other commentators said, the reaction does seem out of character and lacking a clear reasoning, which is rather hard to overlook given the premeditated nature of the murder, which would imply the need for an actual reason/motive, and couldn't really be attributed to a spur of the moment decision-.
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8/10
A good movie about a nice man turned bad
ginkonut11 August 2005
Warning: Spoilers
**spoiler**. This is a simple story that has some great acting in it. One of those movies where at the end, you just say, 'woah'. This is all I recall about the movie, and it has been about 4 years since I last saw it. I remember being able to empathize with the main character. And from the viewpoint of the husband, it is a happy ending. He got rid of the wife who betrayed him and kept his baby whom he loved. I was glad he 'got away'...you are suppose to be. He cries at the end out of happiness that he still has his baby. He was a good guy, totally not appreciated, follows all the rules, does all his duties, is kind to others, especially his wife. He's a nice guy, who's finishing last. I think the whole scene with his wife with her lover on his bed while he was under the bed just simply traumatized his. He went overboard. He went down the 'other' darker path. Face it folks, if he instead decided to not get 'bloody' and instead, go to court, divorce and fight over the child for the rest of his life, like most people do, then we wouldn't have a movie would we? Anyways, if want to see Disney-like happy Korean movies there's plenty of them. Would you go see one? Go then, you can see one at anytime. Here's a little movie that went the other way, and this is why it's different.
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8/10
Tragic end
kevin14225 January 2006
Warning: Spoilers
Seo was a kind middle-aged man. He had a competent wife and a cute daughter. Due to enough financial support from his wife, he was not so anxious to seek a job. On the contrary he led a lazy life by reading novels. Of cause he had to spend some time on looking after his young daughter. One day he accidentally found that one of keys that belonged to his wife was strange. He began to doubt the loyalty of his wife. A family crisis occurred.

The unexpected ending was powerful and shocking. Extra-martial affair is bad in my eyes. It not only breaks a family but also brings agony to other people. If you did it and caused bad outcome, you had nobody to blame but yourself.

Min-sik Choi convincingly played a desperate husband. I think that he is one of the best Korean actors. He also left me deep impression in Oldboy, Springtime.

An excellent Korean drama. 8/10
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A lot of very disturbing reviews in here...
Eiriksterminator26 February 2024
Warning: Spoilers
I see several reviews in here supporting the ending, which is extremely messed up. She cheated on him, so she deserves to be killed? One even makes the ridiculous and absurd claim that most men would react the same way...are you effing serious? Are you guys misogynistic psychpaths, or what? Get some help!

I see several reviews in here supporting the ending, which is extremely messed up. She cheated on him, so she deserves to be killed? One even makes the ridiculous and absurd claim that most men would react the same way...are you effing serious? Are you guys misogynistic psychpaths, or what? Get some help!
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