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Alfonso Cuarón takes on the small screen in a psychological thriller starring Cate Blanchett.

Alfonso Cuarón, known for his cinematic masterpieces like “Harry Potter and the Prisoner of Azkaban” to “Children of Men” and “Gravity,” is making a move to the small screen. His new TV drama, “Disclaimer,” starring Cate Blanchett is a seven-episode limited series premiering on Apple TV+ on Friday, Oct. 11. The first two episodes will drop on launch day, with new episodes following every Friday through Nov. 15. The series marks Cuarón’s first foray into TV storytelling, and you can watch with a 7-Day Free Trial of Apple TV+.

How to Watch ‘Disclaimer’ When: Friday, Oct. 11, 2024 Stream: Watch with a 7-Day Free Trial of Apple TV+. 7-Day Free Trial $9.99+ / month apple.com About ‘Disclaimer’

“Disclaimer” is based on the best-selling novel of the same name by Renée Knight. The psychological thriller follows renowned journalist, Catherine Ravenscroft (Cate...

Famed director Alfonso Cuarón is taking on the small screen with a few of his longtime collaborators.

Famed director Alfonso Cuarón doesn’t usually tell stories on the small screen. From “Harry Potter and the Prisoner of Azkaban” to “Children of Men” and “Gravity,” the images he creates alongside his frequent collaborator, cinematographer Emmanuel Lubezki, are built for the theater.

But all that is changing with his new Apple TV+ seven-episode limited series “Disclaimer,” premiering on Friday, Oct. 11, with its first two episodes, followed by new episodes every Friday through Nov. 15. Here’s everything you need to know about Alfonso Cuarón first-ever TV series: “Disclaimer.”

Everything You Need to Know About ‘Disclaimer’:

What is ‘Disclaimer’ About?

Who Are the Main Characters of ‘Disclaimer’?

Who Are the Creators Behind ‘Disclaimer’?

What Time Will Episodes of ‘Disclaimer’ Come on Apple TV+?

What Other Alfonso Cuarón Titles Are Available to Stream?

What is ‘Disclaimer’ About?...

Doctor Odyssey is soon setting sail! Just so you don’t miss the boat, we’re breaking down everything you need to know about the ABC medical drama starring Joshua Jackson ahead of its premiere.

From 9-1-1 creator Ryan Murphy, Doctor Odyssey follows Max (Jackson), the new on-board doctor for a luxury cruise ship “where the staff works hard and plays harder,” per the ABC synopsis. “It’s all hands on deck as Max and his small but mighty team navigate unique medical crises and each other, miles from shore.”

More from TVLineGrey's Anatomy Boss Teases a 'New' Ben Warren...

In his latest podcast/interview, host and screenwriter Stuart Wright talks to filmmaker Rich Peppiatt about his – almost – real time biopic Kneecap starring all three members of the band Kneecap and “3 Films That Have Impacted Everything In Your Adult Life,” which includes:

Amelie (2001) Trainspotting (1996) Dumb & Dumber (1994)

“3 Films That Have Impacted Everything In Your Adult Life” is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the alarm goes off for five minutes we move on to the next film.

Kneecap is out now.

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A new episode of the Revisited video series has arrived online this morning – and since the latest entry in the Alien franchise, Alien: Romulus, is currently in theatres, we decided this would be a good time to look back at one of the least popular Alien movies, the 1997 release Alien: Resurrection (watch it Here). In the video embedded above, you’ll hear how this film’s odd and wacky tone managed to kill the franchise. For a while, anyway.

Directed by Jean-Pierre Jeunet from a screenplay written by Joss Whedon, Alien: Resurrection has the following synopsis: The saga continues 200 years after Ripley sacrificed herself for the sake of humanity. Her erstwhile employers long gone, this time it is the military that resurrects the one-woman killing machine through genetic cloning to extract the alien from within her, but during the process her DNA is fused with the queen and then the aliens escape.

If you want to stream all of the movies in the “Alien” franchise, including the “Alien vs. Predator” spinoffs, head over to Hulu.

All eight films, released theatrically by 20th Century Fox (since renamed as 20th Century Studios) are currently on the Disney-owned streamer at the moment.

Ridley Scott’s 1979 original space thriller and James Cameron’s action-packed 1986 sequel and subsequent sequels are variously available on Fubu, FX Now and Max.

Here’s where to stream all the “Alien” movies right now ahead of the release of “Alien: Romulus,” the ninth film in the franchise that opens in theaters on Aug. 16.

20th Century Fox

Alien (1979)

In the first film, the crew of the Nostromo – Ripley, Dallas (Tom Skerritt), Ash (Ian Holm), Kane (John Hurt), Parker (Yaphet Kotto), Lambert (Veronica Cartwright) and Brett (Harry Dean Stanton) — answer a deep-space distress call that will prove fatal for most of them. Four decades latter,...

The last 18 months of rising star Lily Collias’ life have been, well, let’s let her tick through the highlights. “So I graduated high school, worked on the movie, moved here for college, and then Sundance happened,” she told IndieWire during a recent early dinner in downtown Manhattan.

“The movie” in question is India Donaldson’s lauded feature debut, “Good One,” which was this January at Sundance, and is now set for a limited release from Metrograph Pictures, the distribution arm of New York City’s own Metrograph theater. Collias’ quick summation of the last few months even leaves out some other milestones, like changing her college plans (more on that later), taking the film to Cannes in May, and signing on for her next feature.

The day we met, Collias was busy with more pressing concerns, like finding a new apartment with her best friend and roommate (likely in...

Prosecutors in Paris are investigating death threats and harassment directed at Thomas Jolly, the artistic director behind the opening ceremony at the 2024 Olympics, according to The Associated Press.

The investigation was launched, the Paris prosecutor’s office said, after Jolly filed a police complaint on Tuesday, July 30 (the opening ceremony took place a few days prior, on July 26). Jolly said he’d been subjected to death threats, “public insults,” and “defamation” and has been “the target of threatening messages and insults on social networks criticizing his sexual orientation and his wrongly-assumed Israeli roots.

The HBO series Industry returns for a third season on Aug. 11, with Game of Thrones‘ Kit Harington joining the cast. The series follows a cast of characters caught up in the cutthroat world of high finance in London as they determine whether they will thrive or crumble under the pressure.

Rick and Morty: The Anime will be available on Max this month for fans looking for something to tide them over until Rick and Morty season 8.

Another notable new release this month is the documentary Elizabeth Taylor: The Lost Tapes. Formulated with newly recovered interviews and unprecedented access to the actor’s personal archive, this documentary claims to be Elizabeth Taylor’s story from her perspective.

Here’s everything coming to HBO and Max in August.

HBO and Max New Releases – August 2024

August 1

3 Days to Kill (2014)

A Bigger Splash (2016)

Amelie (2001)

Arthur (2011)

Beetlejuice (1988)

Blackthorn (2011)

Brick Mansions (2014)

Down Terrace (2010)

Forever My Girl...

The Olympic host city is one of cinema’s favourite places, whether real or romanticised, in films ranging from Breathless to Ratatouille and La Haine

The Paris Olympics are being held at the very time of year when the City of Light is least desirable as a destination, as all those inhabitants who vacate the city in August for their summer getaways well know. Cole Porter might have recommended Paris when it sizzles, but when it sweats? An acquired taste. Sometimes the city is best enjoyed from a distance – via the Olympics coverage if you wish, or the surfeit of films that have made Paris a veritable capital of cinema.

Like any tourist, there’s no shame in starting with the obvious: Parisians may roll their eyes at the airbrushed Montmartre in Jean-Pierre Jeunet’s Amélie (2001), but this gaudy romantic bonbon still has its winsome charms. It’s only a...

Amélie, the 2001 fairy-tale romance from director Jean-Pierre Jeunet, has arguably done more than any film before or since in promoting the Parisian tourism board version of the City of Lights. The quirky, irresistibly charming story of a shy Parisian do-gooder — Audrey Tautou in her breakout role — determined to bring joy to the lonely citizens of the French capital was an instant classic.

The movie, co-starring Mathieu Kassovitz, Jamel Debbouze, Isabelle Nanty and Dominique Pinon, was an awards season darling, receiving 13 nominations and four wins, including best film and best director, at France’s Césars, and picking up five Oscar nominations, including for best international film. It was also a box office phenomenon, selling some 9 million tickets in France and more than 30 million worldwide, for a $175 million global gross.

Amélie

Now, tourists heading to the city for the 2024 Summer Olympics will get a chance to revisit Amélie in Paris. Local distributor...

After directing the Oscar-nominated animated film “I Lost My Body,” Jérémy Clapin now finds himself making his first live-action feature.

Clapin writes and directs the drama “Meanwhile on Earth,” which stars newcomer Megan Northam as a girl who grieves her missing astronaut brother. However, all may not be as it seems.

The official synopsis reads: “Elsa (Northam), along with her family, is struggling following the disappearance of her brother Franck, an astronaut who vanished during his first mission. While stargazing one night, Elsa is shocked to receive contact from Franck, but her joy is short-lived when she learns of the dark and troubling forces behind Franck’s reappearance, forcing her to confront the lengths she will go for the brother she once feared was gone forever.”

The film is produced by Marc du Pontavice and will be distributed by Metrograph Pictures. Rising outfit Metrograph is making a splash this year...

“Amelie” and “The Intouchables,” two of France’s all-time biggest box office hits, will be re-released by their respective studios, Ugc and Gaumont/Studiocanal, during the Olympic Games.

With three to four million Olympics fans expected to descend on Paris during the Olympics, French studios are looking to capitalize on the presence of these floods of international visitors and lure them into air-conditioned theaters.

These re-released movies will be subtitled in English which will mark a first in France, at least in recent history.

“The Intouchables,” a 2009 comedy starring Omar Sy as a street-smart caretaker working for a quadriplegic aristocrat, will be re-released by Gaumont and Studiocanal. Sy, who delivered a breakthrough performance in the movie, won a Cesar Award for best actor, becoming the first French Black actor to win such prize in the country. The actor went on to star in “Lupin,” the hit Netflix series.

Directed by Eric Toledano and Olivier Nakache,...

The Savannah College of Art and Design is again bringing a generous helping of Southern hospitality to France’s Luberon Valley for the Scad Lacoste Film Festival, which runs June 27 to 29. Now in its third year, the fest was conceived as a top-up highlight for college students doing their semester abroad at Scad’s sumptuous campus in Lacoste, an inexcusably picturesque medieval village in the heart of Provence.

“[Scad founder and president] Paula Wallace always wants to make sure our students have access to the best of everything,” says Christina Routhier, executive director of Scad Theaters and Festivals. “The focus [at Scad Lacoste] is on film majors: acting, directing, production, costume design. So it was a perfect fit to bring in a film festival.”

The event is a complement to the school’s long-running main fest in Savannah, Georgia, which runs Oct. 26 to Nov. 2. Attracting talent to Lacoste, with its Instagram-ready cobblestone streets and lavender fields, hasn’t been a problem.

Run Lola Run.For movie lovers of a certain age, the image of Franka Potente and her shock of Manic Panic red hair in Run Lola Run (1998) is iconic. A still-potent mix of postmodernism, action cinema, and existential drama, Tom Tykwer’s film fits neatly on the shelf between other millennial canonical classics with strong (or strong-ish) female leads like The Fifth Element (1997) and Amélie (2001). Some saw the breakout success of Run Lola Run as evidence that international arthouse cinema had succumbed to the influence of MTV and Hollywood; others found it a blast of fresh air. The elevator pitch is deceptively simple: Lola (Potente) receives a phone call from her boyfriend, Mani (Moritz Bleibtreu): he was supposed to deliver 100,000 stolen deutschmarks to his crime-lord boss, but left the money bag on the subway by mistake, and now Lola has just twenty minutes to come up with a different...

When I talked to German writer-director Tom Tykwer and his “Run Lola Run” star Franka Potente on Zoom recently, Tykwer and I remembered our interview 25 years ago when Sony Pictures Classics (SPC) released the movie the first time. (Not that I could find that interview online.) It became a word-of-mouth hit all over the world, scoring $22.9 million worldwide. “It was one of our top movies,” said SPC co-president Michael Barker on the phone. “Our goal has been to find movies that stand the test of time. It was one of the first movies with English subtitles that the younger generation turned out for.”

“Run Lola Run” premiered at the Venice Film Festival in 1998 before opening in the U.S. in early 1999. Now, SPC has orchestrated a 4K restoration coming to 250 theaters on June 7, following the success with younger audiences of such recent classic reissues as A24’s “Stop Making Sense” and SPC’s “Amelie.

Before becoming an independent producer and story consultant, filmmaker Rona Edwards spent several years working in creative development for production shingles headed by the likes of John Larroquette (the Emmy-winning actor) and Michael Phillips (the Oscar-winning producer.) Since striking out on her own, Edwards has had her own projects set up in both television and feature film at places like NBC, USA Network, Warner Bros, HBO and Lifetime TV.

With business partner Monika Skerbelis, Edwards also co-wrote the books The Complete Filmmaker’s Guide to Festivals: Your All Access Pass to Launching Your Film on the Festival Circuit and I Liked It, Didn’t Love It: Screenplay Development from the Inside Out, currently in its 3rd edition. (Check out our interview earlier this year with Monika Skerbelis here.)

We asked Edwards to take us through the in’s and out’s of bringing stories—particularly those based on real life—to the screen,...

Unspooling May 18 as part of an overall Swiss Focus at the Marché du Film, Solothurn Film Festival Goes to Cannes marks the first collaboration between the long-standing Swiss festival and the Cannes market, but also a first for many of the talents and producers carefully picked for the event.

Two of Switzerland’s top documentary filmmakers Jacqueline Zünd, winner of a 2019 Crystal Bear nominated for “Where We Belong,” and Nicholas Steiner, director of “Above & Below”, ranked among Variety reviewer Peter Debruge’s Top 10 films of 2015, are set to attract buyers, sales agents and programmers’ attention with their star-stubbed fiction debuts.

In “Do You Believe in Angels, Mr Drowak,” Steiner has hired Karl Markovics, star of the 2008 Oscar winner “The Counterfeiters”, rising acting talent Lune Wedler, Lars Eidinger and Dominique Pinon.

“After two cinematic documentaries that ran worldwide and an original Netflix series [“Dig Deeper-The Disappearance of Birgit Meier”], I was excited to create this technically demanding,...

With its list of May 2024 releases, Amazon Prime Video is giving us the kindest gift of all: cougar Anne Hathaway.

May 2 sees the premiere of The Idea of You, a romantic-comedy that features Hathaway as a 40-year-old mom finding romance with a 24-year-old boy band singer (Nicholas Galitzine). Having saved the medium of film forever, Prime Video is celebrating with some big time library titles this month as well. American Fiction and BlacKkKlansman arrive on May 14 and will be followed by Creed and Pearl: An X-traordinary Origin Story on May 16.

For its TV offerings, Prime is leading off with Outer Range season 2 on May 16. This James Brolin sci-fi Western will continue the mysteries of the strange happenings on Thanos’ ranch. Reality TV fans will be able to enjoy the Daniel Tosh-hosted competition series The Goat on May 9.

Here’s everything coming to Prime Video and Freevee in April – Amazon...

Opening soon in a theater near you are “Run Lola Run,” “Interstellar,” “Hereditary,” “Split,” and “Spirited Away.” They join fellow comeback kids “Oldboy,” “Stop Making Sense,” “Coraline,” “Amelié,” and Pixar’s pandemic-era films making their theatrical returns.

Last year’s strikes can take credit for some of this nostalgia: With distributors forced to delay films, theaters are desperate for product. However, desperation is not the only mother of this invention. A24, Neon, and other specialty distributors are treating re-releases as a way to reach younger audiences.

Last year, Neon re-released Park Chan-wook’s 2003 film “Oldboy” to $2.1 million worldwide. At a CinemaCon panel April 8, Neon distribution president Elissa Federoff credited its success to a young audience eager to see it on a big screen for the first time. “What is old is new for these younger audiences,” she said.

A24 is reaching into its own library to bolster its brand, rereleasing...

In his latest podcast/interview, host and screenwriter Stuart Wright talks to filmmaker Uga Carlini about her new true-life alien abduction documentary Beyond The Light Barrier and “3 Films That Have Impacted Everything In Your Adult Life,” which includes:

E.T. The Extra Terrestrial (1982) The Big Blue (1988) / Betty Blue aka 37°2 Le Matin (1986) Amelie (2001) Bonus choice… Love Actually (2003)

“3 Films That Have Impacted Everything In Your Adult Life” is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the alarm goes off for five minutes we move on to the next film.

Powered by RedCircle...

Looking for a genuinely heart-pounding, inventive blockbuster for your summer movie-watching schedule? Consider something classic: Tom Tykwer’s clever 1999 thriller “Run Lola Run.” In celebration of the film’s 25th anniversary, Sony Pictures Classics announced Friday that they will reissue the film in theaters on June 7, timed to coincide with the film’s original U.S. release. The anniversary reissue will feature a new Dcp from the 4K restoration, “created in collaboration with the filmmakers.”

Written and directed by Tykwer, “Run Lola Run” was a breakout smash hit for both the filmmaker and his star Franka Potente. Per today’s announcement, at the time of its original release, the film was “hailed for its experimental structure, propulsive techno score, and Potente’s fierce performance as the titular, flame-haired heroine.” IndieWire’s review from 1999 hailed its “clever, wholly unique narrative concept” which “instantly makes it one of the more original, unpretentious...

Back in 1979, director Ridley Scott was mostly unknown outside the realm of commercials, though that would quickly change with his second feature, “Alien.” At the time, those who got to see the movie probably didn’t realize they were watching a movie that would forever change horror and science fiction, as the movie introduced a number of deadly creatures, including the lethal alien of the title that would one day be relabelled, “xenomorph.”

45 years later, 20th Century is re-releasing the sci-fi/horror movie back into theaters for a limited time on April 26, dubbed “Alien Day,” as it will include limited edition posters and other special tie-in collectibles. This may have been prompted by the upcoming August release of filmmaker Fede (“Don’t Breathe”) Alvarez‘s “Alien: Romulus,” giving parent company Disney a doubly good reason to release the original movie back into theaters. On top of that, Scott – who is a...

Outside of perhaps Steven Spielberg and Janusz Kamiński, there may be no director-cinematographer collaboration that’s more extensive in modern-day cinema than that of Wes Anderson and Robert Yeoman. Having shot all of his live-action features, along with his recent Oscar-winning The Wonderful Story of Henry Sugar, Yeoman is now taking a break for Anderson’s next feature The Phoenician Scheme.

Stepping in as director of photography, as he did for the Coens when Roger Deakins wasn’t available for Inside Llewyn Davis, is Bruno Delbonnel, who also shot Amélie, Harry Potter and the Half-Blood Prince, Across the Universe, and The Tragedy of Macbeth. However, it won’t be the first time the cinematographer has worked with Wes Anderson, as he shot his H&m holiday ad “Come Together” and even briefly appeared in The French Dispatch.

Co-written by Roman Coppola and Wes Anderson, this new film stars Benicio Del Toro,...

Mathieu Kassovitz, whose last film was the 2011 French action-drama Rebellion, is returning behind the camera thirteen years later. According to Deadline, Kassovitz will be taking on a passion project — a film titled The Big War. The Big War will be an English-language film that aims to showcase a hybrid of live-action and animation. The script will reportedly be written by The Nightmare Before Christmas, Corpse Bride and Edward Scissorhands screenwriter Caroline Thompson. Kassovitz explains, “This is a project I’ve been working on for twenty years.”

Kassovitz is also known for working in front of the camera as an actor on projects such as Amélie and Munich and the hit TV series Le Bureau Des Legendes. He expounds on his new upcoming film, “It is inspired by cult French graphic novel La Bete Est Morte, which was written during the Second World War. It reimagines that war as enacted by animals.

With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days.

It’s currently the top performer at the theater and will take in more than all other films screening there combined over that period. Two additional shows at the Roxie in San Francisco and the Austin Film Society bring combined grosses to about $29.4k. Expands next week to Philadelphia and Montreal with additional markets coming later. The film about a Russian poet and his interpreter, who travel to Italy researching the life of an 18th-century composer, stars Oleg Yankovskiy, Andrei Gorchakov, Erland Josephson, Domiziana Giordano and Patrizia Terreno.

Kino Lorber had success with the restored 4k re-release of Bernardo Bertolucci’s...

Four years of writing about domestic box office during “a challenging period” makes it tempting to go with the glass half-full view (and even more). This weekend, Paramount’s “Bob Marley: One Love” provides the necessary evidence with an estimated $49 million gross by Monday, six days into its Valentine’s Day opening run. Its three-day total is about $27.7 million.

That’s a terrific performance against a $70 million production cost, and it’s an original biopic. Despite a depressed marketplace, there’s an audience for mainstream movies that can make a profit. “Bob Marley” showed a strong cross-demographic draw, female slightly ahead of male, among all ages and ethnic groups. Reviews were not good (43 Metacritic), but it has an A Cinemascore and two weeks with little competition. It could become the first domestic $100-million grossing film of 2024.

There’s also compelling evidence for a glass half empty (or worse). The estimate...

Somebody stop me! Alamo Drafthouse is taking a trip back 30 years to the Clinton-era and the year 1994 for a two-month long repertory slate of classic film screenings. And IndieWire can exclusively reveal the full lineup of films as part of the Alamo Time Capsules 1994 series.

Beginning the week of March 1 and running through the end of April, Alamo Drafthouse locations across the country will screen 29 different films all released in 1994.

Among them are some blockbusters and fan favorites, including “Pulp Fiction,” “Dumb and Dumber,” “The Mask,” “Interview With a Vampire,” “Forrest Gump,” “Little Women,” “The Shawshank Redemption,” and the live-action “The Flintstones.” There’s some cult classics like “Clerks,” “Drunken Master II,” “Reality Bites,” and “The Crow,” some art house darlings like “Chungking Express” and the “Three Colors” trilogy, and there are even some obscure deep cuts such as the bizarre Martin Short film “Clifford” or a special “Gore Cut...

Vincent Maraval’s Goodfellas has seized the worldwide sales rights to Galapagos adventure doc “Lions of the Sea,” which wrapped principal photography in mid-January.

“Sea” is the latest from Italian-Ecuadorian explorer-filmmaker Luis Felipe Fernández-Salvador y Campodonico, best known by his nom de cinéma, Jamaicanoproblem, and whose film “A Son of Man” was Ecuador’s official selection for the 2019 Academy Awards.

Described by the filmmaker as “a fictional account grounded in science,” “Lions of the Sea” is set in the Galapagos Islands where a young sea lion struggles to fend for himself in the face of food scarcity and after losing his mother while fleeing from illegal fishermen. Determined, he sets out to find a new sanctuary. “I hope to call attention to the problems that beset the islands, not only from climate change but from over-fishing on the perimeters of the archipelago and other factors that have led to the...

Oscar winner Will Smith is attached to star in Sugar Bandits, which is one of the buzziest packages at the EFM market this week in Berlin.

The market’s biggest budget project — we hear it’s in the $80M range — is understood to follow a former Special Forces solider who joins an elite, vigilante squad aiming to wipe out the drug trade in Boston, but soon learns things are not what they seem.

Years ago the project was being set up at Universal with Joe Carnahan directing but is now launching in the independent market-place.

The action-crime pic is based on the screenplay and novel Devils In Exile by Chuck Hogan (The Town). Smith and Jon Mone will produce through Westbrook Studios with Ryan Shimazaki overseeing; Stuart Ford will produce for AGC Studios, which is fully financing the film; and Richard Abate (13 Hours) will produce for 3 Arts Entertainment.

Amélie star Audrey Tautou and director Jean-Pierre Jeunet Photo: Gina Ferazzi/Los Angeles Times Widely considered one of the most quintessential romantic comedies of all time, Amélie feels as if it has always been around. In truth, though, Jean-Pierre Jeunet’s quirky French confection is relatively fresh in comparison to so many other classic rom-coms.

I still vividly remember the Oscar campaign for Amélie with its whimsical tone and saturated colors. It was several years until I watched the film myself, but I was absolutely blown away when I did. Amélie provides an almost fantastical look at romance in a way I’d never experienced. Audrey Tatou is a revelation and absolutely mesmerizing in every shot. So I was pleased to be able to talk to Amélie’s director, Jean-Pierre Jeunet, about the film’s re-release. Amélie has some strange rights issues for those unaware, which means the film has no worldwide distributor. But thankfully, Sony Pictures Classics has come along and given us a re-release of the film. However, don’t get your hopes up for a 4K release, as the director views them as nothing more than a gimmick. So when you see that eventual Blu-Ray release, don’t hold out hope for a 4K behind it.

Star-crossed lovers, hopeless romantics, or just unlucky in love. Valentine’s Day films are not just about head-over-heels happy endings. That would be a bit on the boring side. The films that have captivated the romantic genre are the ones about heartache, bad timing, yearning and the strong forces that keep true lovers apart.

William Shakespeare’s Romeo and Juliet, Rick and Ilsa, portrayed by Humphrey Bogart and Ingrid Bergman, from Casablanca, and Chow Mo-wan & Su Li-zhen from In the Mood For Love all have to overcome their hearts’ desire as forces they can’t control keep them apart as time and fate lead to their ultimate betrayal.

Related: Deadline’s 50 Classic Holiday Movies Gallery: From ‘It’s a Wonderful Life’ And ‘A Christmas Story’ To ‘Die Hard’ And ‘The Holiday’

As we tangoed and groaned our way out of the 80s with Dirty Dancing and When Harry Met Sally, the...

Anyone who didn’t perfectly predict this year’s Oscar nominees for Best Costume Design and Best Production Design has a uniquely valid excuse. This applies to all but a tiny fraction of Gold Derby’s nearly 11,000 prognosticators, whose solid consensus ultimately conflicted with the academy’s highly unusual decision to populate both categories with the same five films: “Barbie,” “Killers of the Flower Moon,” “Napoleon,” “Oppenheimer,” and “Poor Things.” Since these two craft races have only been completely congruent twice before, it’s especially understandable that very few people anticipated this outcome.

The film that mainly tripped folks up in this case was “Napoleon,” which garnered support from only 49.9% of our users in the costume design race and scraped by with a production design backing rate of just 7.5%. In the former category, many had trouble settling on two of four on-the-bubble candidates, while the latter’s pesky fifth slot...

Alien and Aliens are two of the most highly respected and beloved sci-fi horror films ever made… and all of the films that have followed have either been divisive in one way or another, or just flat-out poorly received. One of the least popular entries in the franchise is the 1997 installment Alien: Resurrection (watch it Here), which put some fans off with its wild and weird tone and its crazy ideas. Decades down the line, Alien: Resurrection director Jean-Pierre Jeunet is currently doing the press rounds to promote a theatrical re-release of his very popular 2001 romantic comedy Amélie, and JoBlo’s own Tyler Nichols took the opportunity to ask him about the making of his Alien sequel. Here’s how it went:

Tyler Nichols: I’m also a big horror fan, so I have to ask you about your work on Alien: Resurrection. Because I still think of the underwater...

Cannes rejected it. The Oscars ignored it. But “Amélie” lives on, as everyone’s favorite crème-brulee-cracking, stone-skipping Montmartre mischief-maker and romantic go-between is back in theaters come Valentine’s Day, courtesy of Sony Pictures Classics.

“Amélie,” directed by Jean-Pierre Jeunet and written by the French filmmaker with Guillaume Laurant, remains one of the 21st-century arthouse’s most imaginative confections, the rare film perhaps more misunderstood now than it was when it came out in 2001. Make no mistake that “Amélie” was huge then. There was the box office, the awards, the infectious swells of composer Yann Tiersen’s music in the air (at least in my headphones), and then came the imitators. I remember in college a close friend had a poster of the film pinned to her dorm room wall, a bemused Audrey Tautou upright in bed flanked by framed pictures of an Elizabeth-collared dog and a white-feathered fowl, and...

The episode of Best Horror Movie You Never Saw covering Gothika was Written and Edited by Paul Bookstaber, Narrated by Kier Gomes, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.

Back in the late 90’s, early 2000s the horror genre was in that weird phase of encapsulating what it truly wanted to be. Hot off the heels of Scream, horror movies focused much more on the teenage angst, and lifestyle. But there comes a time when some hidden gems make their way to the silver screen that branch off the beaten path with a more adult-themed tale, drenched in psychological/mental horror. What if one day you’re living your average life, working your 9-5, and suddenly black, out only to wake up, institutionalized and accused of committing a crime you can’t seem to remember doing? In 2003, director Mathieu Kassovitz gave us a True...

The concept of the holiday movie began back in 1898 with G.A. Smith’s pioneering silent film Santa Claus. The first of its kind to show the depiction of Santa that only runs just shy over a minute.

Since then Hollywood has belted out an array of films that have either been true to the genre such as A Christmas Story; The Holiday; Miracle On 34th Street; Jingle Jangle: A Christmas Journey or films like Die Hard; Brazil, and Gremlins that have teetered on the edge of identifying as a holiday film.

Then there are the anti-holiday movies and the Christmas horrors. Subgenres of their own like the slasher Silent Night, Deadly Night, Black Christmas, and Christmas Evil, a John Waters favorite, so you are inclined to know what demented viewing you are in for.

Related: 50 Classic Valentine’s Movies Gallery: From ‘Amelie’ & ‘In The Mood For Love’ To ‘Paris, Texas...

Sony to open fantasy drama on Valentine’s Day 2024 in 250 theatres.

Sony Pictures Classics (SPC) has acquired all rights in North America excluding French Canada to Jean-Pierre Jeunet’s Amelie and will reissue the film on February 14, 2024 – 22 years after the original release through Miramax.

The move comes as theatres continue to court older audiences and anticipate a tricky year ahead in light of supply issues stemming from the six-month production halt during the Hollywood strikes.

Amelie stars Audrey Tatou in the title role as an altruistic waitress in Montmartre, Paris, who finally sets out to do something for herself. Mathieu Kassovitz also stars.

Exclusive: Industry veterans Kevin Mitchell, Richie Fay and Scott Kennedy have joined forces to launch U.S. distributor ShowBiz Direct at a time when the domestic landscape is seemingly crying out for more companies capable of releasing sizeable multi-platform movies.

The LA and Dallas-based theatrical and digital distribution company tells us it is aiming to release mid-size to tent-pole releases that don’t always fit into the post-pandemic release strategies of major studios.

The team, which is backed by a number of individual investors, is currently in negotiations with multiple filmmakers and is tying up its first theatrical project which it aims to release in summer 2024.

The trio, known for their work at companies including Cinemark, AMC, Lionsgate and Miramax, told us: “We are looking for thought-provoking, commercially viable content, from smaller films through tent-pole releases, appealing to a wide audience. Studios have a narrow selection process on what they will distribute,...

Studiocanal are proud to release Delicatessen the wonderfully dark, critically acclaimed surreal comedy from directors Jean-Pierre Jeunet and Marc Caro, in a sumptuous new 4K restoration, and making its Uhd debut.

Directors Jean-Pierre Jeunet and Marc Caro dazzling fantasy adventure The City Of Lost Children was released earlier this year by Studiocanal.

Delicatessen is set in a distant, apocalyptic future, conventional society has reached a state of collapse. Grain is now used as currency and meat has become a rare commodity. Meanwhile an unemployed clown finds work as a maintenance man in a squalid apartment block situated above a butcher’s shop.

Having fallen in love with the owner’s daughter he soon discovers the sinister truth behind the ominous landlord’s unsavoury intentions. Between blossoming romance and disappearing tenants his only hope for survival could be the members of a subterranean militia of vegetarian freedom fighters. Or is it too late already?...

French-Moroccan actor and comedian Jamel Debbouze is urging tourists to keep visiting Morocco in the wake of an earthquake in the country’s Atlas Mountains region that has killed close to 3,000 people.

The quake which measured 7 on the Richter scale hit late on Friday night local time and had its epicenter high in the Atlas Mountains, roughly 43.5 miles south of Marrakech, the old city of which suffered extensive damage.

Most the devastation is in the mountains, where whole villages have been destroyed and more that 300,000 people are impacted.

France-based Debbouze, who retains strong links with the country where he spent part of his childhood, travelled to the quake-hit city of Marrakech in the immediate aftermath of the disaster.

The actor and comedian, whose credits include Amélie, Astérix & Obélix: Mission Cleopatra and the Oscar-nominated wartime drama Days Of Glory, was filmed donating blood in a Marrakech hospital.

He told French...

In our Q&a series Popsugar Crush, we get to know some of our favorite celebs' more intimate details - from their signature scent to their perfect date night. This month, we're crushing on "Minx" star Jessica Lowe.

Jessica Lowe's Bambi is the beating heart of "Minx." The series, which moved to Starz for its second season, follows the titular women's magazine, which combines feminist essays with very sexy pornography, featuring men exclusively. And while her coworkers may overlook her from time to time, Bambi embodies what it means to be a Minx woman more than anyone else.

"She's an icon," Lowe tells Popsugar of her character. "A sexually open, stunningly stylish icon." Lowe describes her character as "not academic" with "a lot of grit." But when her coworkers overlook her - as they often do in season two - it deeply hurts Bambi. Combine that with her angst over her...

Actor famous for Amélie, The Bureau and La Haine, which he also wrote and directed, reportedly in a ‘worrying’ condition

The French actor and director Mathieu Kassovitz is in a “worrying” condition after a motorbike accident in greater Paris on Sunday, authorities say.

The 56-year-old, who is best known for his 1995 film La Haine and his role in the 2001 film Amélie, was on a motorcycle training course at the time, a police source told Agence France-Presse.

The "John Wick" movies are a masterclass in worldbuilding, expanding the scope of the story and fleshing out the world the characters live in without forcing an expanded universe from the get-go. Each film introduces new ludicrous elements of this heightened world of international assassins, yet it never breaks verisimilitude.

Likewise, by expanding the world, the "John Wick" movies also expanded its borders, showing new and exciting locations and exploiting their possibilities for kick-ass action set pieces — like ancient Roman ruins, a subway station in New York, and the Arc de Triomphe. Each new location offers a unique opportunity for a new way of John Wick to shoot and stab his way through a mob.

In an interview with The New York Times, director Chad Stahelski talked about the process of scouting for new locations and the incredible hour-long fight scene in Paris. It turns out, the reason we got...

The new Pixar and Disney animated feature “Elemental” has several classic film inspirations behind it, ranging all the way from the 1967 romantic drama “Guess Who’s Coming to Dinner” to 1974’s “Godfather 2” (you read that right).

For director Peter Sohn, no film was off-limits for a story that held deep personal connection to him. “Films that took cities and made them into characters. The beautiful Gordon Willis cinematography of ‘Manhattan’ or ‘Annie Hall.’ ‘Amelie,’ how they made Paris into a postcard, but then love stories from ‘Sense and Sensibility’ to ‘Moonstruck,'” Sohn told TheWrap.

But whether the film is considered a romantic comedy is a point of contention between the cast and the writers. “Whenever people call this a rom-com — not to disagree, there are obviously romantic elements — but, for me, this movie has been always primarily about family,” said Mamoudou Athie, who plays Wade in the film.

John Hoberg and Kat Likkel,...

There were more than a few misty eyes in the audience at the premiere of Pixar’s animated adventure “Elemental,” which closed out this year’s Cannes Film Festival.

The sweet, opposites-attract love story proved charming to attendees, closing out the festival with a five-minute standing ovation. At least one grown man in the orchestra was wiping away his cascading tears as the credits began to roll. And it’s safe to assume he wasn’t alone in his emotional response to the film, which doubles as a not-so-subtle metaphor about inclusion and people’s differences making them stronger.

“My heart is about to explode,” said “Elemental” director Peter Sohn as the ovation began to die down. “This film has been about the richness of diversity. Our lives are better when there are different points of view.”

Prior to the screening, Jane Fonda, Quentin Tarantino, John C. Riley, “Game of Thrones” star Nikolaj Coster-Waldau,...

It would appear that the King of Modern Trash Cinema™ is on his way to becoming the King of Modern Trash Shared Universes: Deadline is reporting that Gerard Butler's "Has Fallen" franchise is headed to the small screen, even as a fourth movie centered on Butler's Secret Service Agent Mike Banning continues to move forward.

The Scottish thespian and "300" actor -- whose many, many B-movie credits include "Law Abiding Citizen," "Den of Thieves," and this year's marvelously-titled "Plane" -- made his debut as Banning in Antoine Fuqua's "Olympus Has Fallen." Fuqua's modestly-successful action flick pitted Banning, a U.S. government agent haunted by a past failure on the job, against a North Korean-backed attack on the White House, making it one of two "Die Hard" riffs set in the Oval Office that released in 2013 (with the other being Roland Emmerich's arguably superior "White House Down...

The wonderful folks at Pixar Animation are ready to unleash their 27th feature with the imaginative "Elemental." Drawing inspiration from director Peter Sohn's youth growing up as a second-generation immigrant in New York City, the film is a celebration of cultural and ethnic diversity, wrapped in a heartwarming romantic comedy. The story is said to be inspired by films like "Guess Who's Coming to Dinner," "Moonstruck," and "Amélie," but is presented in a way that appeals to audiences of all ages.

"Elemental" is also one of Pixar's most ambitious films to date, with producer Denise Ream telling Total Film Magazine, "We knew it was going to be hard. We didn't know it was going to be as hard as it was." As all of the characters are different elements, they all move in entirely different ways. Considering the film showcases an entire city of different elemental folk interacting with one another,...

Romantic comedies have been around since the beginning of the film industry, but they’ve had a bit of an up-and-down run over the years. From their heyday in the 1990s to Netflix’s recent efforts to bring them back into mainstream popularity, we thought it was time to take stock and make a list of the ten best romantic comedies ever.

Related: 10 Best Comedies of All Time, Ranked by Viewers

We compiled a top 10 list and crunched numbers until we arrived at our ultimate list. As you’ll see below, this is an eclectic mix that includes everything from black-and-white classics to modern blockbusters. Each one fits the American Film Institute’s definition—a genre in which “the development of a romance leads to comic situations”—but more importantly, they’re all funny movies with romantic happy endings.

10 Highest-Rated Romantic Comedies on IMDb The Artist (2011) – 7.9 The Shop Around the Corner...